I’ve written more detailed reviews for The Norwich Radical on shows by the Kitten Killers, Luke Stephens, Kate Smurthwaite, Pole and Hannah Chutzpah. Here I’ve included some smaller reviews to give you a flavour of some of my other many highlights.
Megan Ford: Feminasty
Satirical, character sketches and comedic speeches on gender, Ford switches between characters to connect comedy to more serious issues. We get a cool, informative zine on the way out, and a badge.
Shazia Mirza: A Word In Progress
There were moments I wasn’t sure about: the mention of ‘political correctness’, jokes about fat people, and Jewish people, and the upset at the mention of the girls who left Bethnal Green Academy. I work at the school down the road, and it’s something that directly impacts on the students I teach, but perhaps the point was to create discomfort. The theory that they went “for dick” seemed sadly poignant once the laughter died down and we were told that “epilator, knickers and body lotion” were on the top of their packing list. This is a slightly longer review, because I’m interested to see where the show will go, because, although funny, the ending – a commentary on Islam and so-called “ISIS” was momentous and powerful.
Bridget Christie: A Book For Her
There were at least three acts who mentioned the tax on sanitary products, but Christie suggested the ingenious idea of sending bloody knickers with “END VAT’ on them to George Osborne. In this show, she gave an ironic definition of what being a Feminist means and turned to politics in the UK and USA, with an intersectional focus on race issues.
Katherine Ferns: Conscious Incompetent
I disagreed with points made about “manspreading”, which is simply indicative of patriarchy, and as much a part of it as anything else, I didn’t like jibes at Beyoncé, and I didn’t like the use of the word “retarded”. However, she also made the obligatory tampon tax joke, and her ability to touch on taboo subjects such as incest, rape and pedophilia was both clever and somehow funny (and not in an offensive way). She spoke frankly of what difficulties in her life, from depression to drugs, and weighed up whether decisions she’d made were brave or stupid. Well, I’d say the brave outweighs the stupid.
Jack Rooke: Good Grief
He probably won’t want his youth commenting on, but I left Rooke’s show in awe of what he is doing. Not only has he created this wonderful show, which has the perfect balance of comedy and more sombre moments, but he is symbolic of how the personal is political. What goes on with the government directly impacts on our lives, and through The Good Grief Project, he is challenging current changes to the Widowed Parent’s Allowance.
Harry Baker: The Sunshine Kid
You couldn’t help but smile throughout this show, as Baker took us through his life prior to university to now through his poetry, which can be found in the book of the same title by Burning Eye Books.
David Lee Morgan: Building God
An intense show about revolution and communism, Morgan’s voice kept audiences captivated through his ways with words and the beat of the music he played as a backdrop.
Stephanie Laing: Nincompoop
A show about shame that started with not letting an old lady sit down, and inevitably went on to talk about drunken behaviour, bad dreams and sexual antics. With songs and a flute, Chesney Hawks, and a serious note about shame and self-harm, what’s not to love?
Bryony Kimmings and Tim Grayburn: Fake It ‘Til You Make It
I gave this show a standing ovation. I’ve never been made to cry from watching dancing before this. I bought the play text, but I wish I could relive the experience as I read. Bryony Kimmings and her real-life partner Tim Grayburn use comedy, dance, and spoken word to speak about mental health more honestly than I’ve ever seen before. It was incredibly touching and I wanted to cry a lot more than I actually did.
Sophia Walker: Can’t Care, Won’t Care
An insight into the care industry through a legal battle between the state and the carer. This shows as in with such jobs, there is minimal pay and agency for those who truly care about the individuals they work for, the service users. It was honest and passionate, and so heartbreaking.
The Kagools
No words and a whole lot of audience participation. I was thankful to do no more than eat a Hula Hoop. The best part was their use of pre-recorded material on the screen, and that whilst it felt like each part was a random act, it tied neatly together by the end.
Elf Lyons: Being Barbarella
I loved the Feminist angle of wanting to be this confident person, and wanting to be empowered sexually and otherwise. Lyon’s mis-matching accents was especially funny, as well as her use of costume.
Ben Norris: The Hitchhikers Guide to the Family
Ben Norris explores his relationship with his father through a hitchhike through all the places his dad had lived, proving an interesting story that explored masculinity as a whole and was sure to connect with many men in the audience.
Aisling Bea: Plan Bea
I loved this and was laughing constantly. She had good accents and I liked the reclaiming of ‘girl’ as a word of complexities, and there were slight political points, but worked in a subtle way. Again, this was about confidence and owning your own “shame” (her being in this heavy metal pirate video)
Mark Watson: Flaws
A show about flaws, obviously, and lacking self-esteem, mental health issues and turning to alcohol. Watson is such a warm character that you can’t help but warm to him (unless you were one of the three women who left after fifteen minutes).
Paula Varjack: How I Became Myself (By Becoming Someone Else)
A really interesting piece, as well as in terms of subject matter – the idea of changing your identity – but also in terms of how this was done visually – mixing front performance, through the camera and on screen.
So It Goes
Another show with no words spoken aloud, but written on white boards, using props and dance to illustrate the story of Hannah’s dad, dealing with his death, and her friend David helping her to tell this story. There was laughter, and many, many tears.
Sara Hirsch: How Was It For You?
‘I can’t rhyme you,’ Hirsch proclaims, asserting why she can’t write a poem for her then-boyfriend, in the middle of what is almost a long love poem to the ex in question. But it was also a love poem to herself, and for everyone out there searching for love and the meaning of life.
Jemima Foxtrot: Melody
Beautifully intricate language, so poetic and mixed in, as the title would suggest, with a’cappella song. Foxtrot plays with humour and the unexpected in this wonderfully crafted piece.
Kirsten MacGregor: Hello Cruel World
I couldn’t believe this comedian was just 18 years old. It wasn’t only her grumpy persona that made her seem mature, but her confidence and comic timing.
Michael Burdett: Strange Face – Adventures with a Lost Nick Drake Recording
Really interesting true story of… well, it does what it says on the tin. There’s a book with lots of people, including well-known people, photographed whilst listening to the a rare recording of ‘Cello Song’ with their stories.
Mark Stephenson: Amsterdam
A hilarious story about an absent father, a beautiful marriage and selective mutism. Or it is? Very much recommend.
Izzy Tennyson: Brute
I find it difficult to create characters that exist beyond binaries of good and bad, yet Izzy Tennyson managed to do this in the creation of ‘Brute’. In the classic conversational style of Tennyson, she embodies a teenage girl to tell a story that is familiar in the sense of going to a single-sex state school, but looking into why girls can be bullies, exploring the complexities of a psyche so often dismissed.
Dan Simpson: Nerdsmith
Reading poems from his Burning Eye Book, Applied Mathematics, Simpson attempts and admittedly fails to get to the heart of an emotional provocation. But at the end, it’s okay, as the audience enjoy his playing with language, from puns to extended metaphors. I bought his book in hope of some poetic inspiration!
Tim Renkow: Kim Jong-Un, Mohammed, Jesus and Other Power-Hungry Maniacs
Renkow was knowingly provocative in his comedy from the onset, warning the audience that his record number of walk-outs is nine people. However, I was most offended by the implication that, in telling an anecdote to illustrate negative attitudes to disability, his erection was due to the woman’s “fear”. There were certainly other moments where I questioned where he was going, but you didn’t have to wait for long to see that he was mocking injustices he sees in society.
So, it was pretty much all amazing…
There were some I enjoyed more than others, but the only show I was completely disappointed by was Tony Law. I’d seen him before, but a majority of this improvised show I didn’t find funny, and on top of that I was worried about him, especially when he started to drink a pint after telling the audience he’s quit drinking. I hope he’s okay…
Like this:
Like Loading...
At times he was overly self-critical, saying ‘you know when you wake up and sometimes you’re not funny and sometimes you are, well today I’m not funny.’ Ensue sparse polite laughter (what this meant to be irony?) Yet, as he whisked through songs from his new album, he told fans ‘Is this how it works? You get free tickets, you get what you’re given.’ This felt deeply insulting to the audience; was our time worth nothing? I would have happily had a night at home instead of this gig, and goodness knows I needed one.
Taking advantage of my time off work, I also went with a friend I hadn’t seen in ages to the 
however, I really enjoyed what he brought to the show, and found it interesting how
of the 80s and 90s which gave it a real sense of that era. I especially liked the quirkiness of the cafe installation, and the recreation of his bedroom exhibition. I also liked Pensées, which included extracts from his artist’s book, compiled from toilet graffiti – and in this case, surrounding an actual toilet. When a queue formed, this amused me quite a bit.
Poet on page and stage. Creator of She Grrrowls. Facilitator. Writer. 