Headliner at A Lovely Word, Everyman Theatre, 5-11 Hope Street, L1 9BH Liverpool, 7.30pm
Headliner at A Lovely Word, Everyman Theatre, 5-11 Hope Street, L1 9BH Liverpool, 7.30pm
Well, it’s a new year and the perfect time for reflection – though having always worked in education, I always see September as a good time as well. In fact, I think it’s important to reflect on how things are going, which is obviously why I started this blog series! I finally started the bullet journal that a friend got me a while back, and I’m going to see how well it works in combination with my current system of using my iCalendar. I used to use an Excel spreadsheet, but I think I need to better utilise this in combination with my calendar system for specific tasks such as submitting work. For example, I have put ‘submissions’ into my calendar to repeat for an hour a week, but I would be better to work through these in my spreadsheet. What I’ve been doing instead is just having the tabs open, which is less effective, cluttered and stress-inducing.
Despite being happy with the work I’m doing, as I’m thinking of moving out of my parents’ place, I am becoming concerned that my income needs to be higher. I’ve applied for a few poetry jobs – one editor role and a producer role. I’m even thinking about applying for more part-time EFL work, and have gone for one that is three days a week… the issue is that it is 20 hours, and this often refers to contact hours rather than total hours, so lesson planning could mean that more of my time is eaten up. I think I’m still questioning what I’m doing too much rather than just getting on with things and enjoying it.
When thinking of the year ahead, I’ve used the bullet journal to plan poetry-related activities as the other work I do is pretty consistent. There’s a couple of key submission deadlines at the end of February, so I really want to focus on getting these two projects I’m (supposed to be) working on completed by then. This means that the show stuff might have to wait until the beginning of March, but I’m sure that time will come around quicker than expected! When I wrote out all my goals on the yearly timeline, it made it easier to see. I need deadlines in order to actually make things happen creatively, otherwise I tend to let the paid work takeover.
I have found myself being annoyed when people ask about work, especially when there is an assumption that you are only working when you ‘go out’ to work. In fact, most of the work I do is at home, and most of the time I ‘go out’ to work is spent travelling rather than teaching (with the exception of maybe one day when I have three students). Planning lessons is work. Marking is work. Content writing is work. Checking emails is work. Writing poems is work. Updating bloody financial records is work (this is what I spent all day yesterday doing, finished with a bit of content writing and admin). When I am at home, I spend a majority of the time working, so even if I’ve been at home all day, it is pretty damn safe to assume that YES I have been working.
Being freelance means I work every day, and I choose to do that because it means I can be more flexible at times. Sometimes I have to fit things around work, and sometimes work can fit around other things I want to do. I would love to have more rules for myself about what work I do on a Sunday (ideally these would be reserved for reading, writing and relaxation), but at the moment they are just another day I can fill with things I want to get done. By implementing a slightly better system, I hope this year that I can work more towards spending time in a way that is closer to my ideal, because certain tasks end up piling up because they’re not “important”, then they just seem like such a mountain to climb. These things that pile up tend to be the financial record keeping, my scrapbooking, and copying quotations from books I’ve read (instead, I prefer to read more books and add more to this pile).
I’m really happy with how the year is going so far. In fact, I’m going to break down what I’ve been up to each day briefly.
1st: I’d been at a small gathering with three others for NYE and it was perfect. I woke up without a bad hangover. When I have a really bad hangover, it tends to be the only time I do actually have a day of relaxation, because I’m physically forced into it. However, this day, I met my friend for brunch and then we went for a walk through Clapham Common. I spent the afternoon writing until past 11pm.
2nd: I hadn’t finished the writing I’d wanted to do, so I also write this day after starting the morning off with Zumba. I also did some admin, such as telling the tax credits office about my actual earnings since completing my self-assessment. I went through some emails before seeing my first student of the year, then spent the evening marking work that I’d collected from another student. I added a prompt for the ’12 Days of Form’ writing group I’m in, for the next day, and finished at 10:30pm.
3rd: I had my final session with one student in the morning. I’d stayed up late the night before watching a film, so I was a bit tired. I came home to do some planning and marking, and had to do a quick update on my ACE evaluation before doing some more writing. After working through a few more emails, I then met friends for dinner and a final festive celebration with a panto.
4th: I did Zumba again, after writing the poem of the day. I then spent just six hours updating my records. It took me a lot less time than I expected, so that was great. I did some content writing and some admin for She Grrrowls. Still allowing myself some time to wind down from the holidays, I watched another film before reading in bed (this last activity is one I want to get into better habits with).
5th: Today I have been to the gym (I last went on NYE – go me!), written the poem of the day, and I’m about to have lunch, get ready, and go to Words Aloud in Sutton. It’s a great time to go to an open mic when you’ve not got plans. It’s quite local to me and my mum’s even offered to give me a lift! Then I’m meeting a friend from college for the 30th birthday of our old friend. It’s fancy dress and I’m using the ‘growing up’ theme for an excuse to wear all my old dance gear, tap shoes and all!
Tomorrow I’ll get working on those piles!
Happy New Year!
It’s been about a month since I’ve written here. At the moment, I feel as if a big mountain has piled up and I’m still working my way over it. I’m slowly getting on top of things that I tend to avoid doing, whether it’s admin stuff or less important things that I do out of my own interest. The admin stuff involved sorting through papers (I missed one pile under my bedside cabinet and another near my computer is creeping up once more), and I’m still a few months behind on my fiance records. I did do my self-assessment though as I had all my records from October 2017-April 2018! I just need to pay them and inform the tax credits people.
Like bits of paper, emails can also pile up, so I got on top of those and the numbers in my inbox are creeping up once more. Today I’ve had a fellow freelancer round mine and I’ve sewn some things I hadn’t got round to sewing and updated my scrap books. I know I’ll be working Saturday due to doing this, and having spent much of yesterday studying and completing my Spanish assessment, but if it wasn’t for her, I wouldn’t have had a day like this and I think it is just what I needed. Another thing I will probably leave for over the Christmas holidays (when I don’t have students) is taking quotations from books. I actually used to be really good at posting these online, as well as a few snippets of my own stuff. Why wait for New Year’s Resolutions to get back on these habits?
I’ve had a cold for a couple of weeks. As a freelancer, obviously you don’t get sick days. Or rather, you don’t get paid sick leave. It never got too bad that I felt I couldn’t do any work, but the day of the Bristol tour date I wasn’t feeling up to travelling home the next day and then doing lessons the same evening, so I cancelled them. When it came down to it, I ended up doing some content writing at home to make up for the loss of income. I still socialised when I was ill, and never really rested properly, which was probably why it dragged on for so long. At times, I began to feel feverish and worried I was getting worse, but three weeks on, I’m back to my usual self.
Another thing that I did, whilst probably feeling at my worst, was go all the way to the other end of the Northern line (my nearest tube station, still buses away). This was to get my photograph taken for an agency for being a supporting artiste. It meant hours out of my day for a very short thing that may come to nothing, but it could also provide some fun days out for some alright money. Another thing I’m doing for extra cash is tutoring a mature university student. Other than that, it’s more or less the same stuff I’m doing.
In terms of poetry, I actually recently judged a poetry slam at a university, which was a great experience. It was lovely to hear how varied these young voices were and providing feedback for them was really enjoyable because of how talented they all were. We got some flowers and chocolates as judges and felt very special on that day. Otherwise, spending more time on my own writing is one for the New Year’s Resolutions, especially with the Christmas break coming up as I’ll be trying to to get a bit of income whilst also read more into the texts that my GCSE student is studying so I can do my best to help her.
The She Grrrowls Autumn 2018 Book Tour is now over, with the last event ending in Hackney and ending on a real high. Tonight is the final She Grrrowls event of the year, and we’ll be back in February at The Poetry Cafe, which I am so happy about! It has been a struggle for years, changing venues a lot, but I hope it continues to thrive in this wonderful space. Now I just need to complete the evaluation for ACE and plan the next steps for the ideas I have for She Grrrowls.
It’s been a month since I’ve written, and another busy one at that! My room is a mess with big stacks of papers, I’m behind on my record keeping for finances, and I haven’t had proper dedication writing time towards the three main projects I want to focus on in what feels like an age, so this weekend I plan to do a lot of that boring admin stuff, as well as a bit of personal writing today (including this blog!) I’ve worked five days already this week, yet it’s still difficult to reassure myself that doing this today is worthwhile, and I’m going to take some time to de-stress by going to a swimming class after writing this.
I have deadlines looming over me for content writing, and last night I did a last minute job working with a university student from Malta to help with their English. I have an almost full time table of students, which includes a couple of days where I’m out 2.30-9.30pm, including the travel time. It means I’m able to get into more of a routine, but planning and marking takes so much time at the moment that it’s quite difficult to fit in the content writing and meet the deadlines. On top of that I’m doing events and tour management and yesterday I did a big chunk of this once I’d finished my lesson planning.
There are now only two tour dates left for the She Grrrowls Autumn 2018 Book Tour! In October, we went to Norwich and Cambridge and both dates were lovely. The next two are in Bristol and London. I’ve also been trying to run some informal workshops, but because the tickets are free, I’m getting a lot of dropouts on the day. The workshops are called ‘Don’t Get Bitter, Get Better’ and I managed to meet up with a poet who is local to me called Rachel Sambrooks, and it was honestly so refreshing to actually talk about our work. We both found it incredibly valuable… now to find the time to go back to those poems to make those edits!
Last month’s regular She Grrrowls event went really well again, and I’m so happy to be at The Poetry Cafe. It ended up being a rather northern evening, featuring Sophie Sparham, Fran Isherwood, and Sarah Crutwell. It was particularly enjoyable to see Sarah Crutwell as I had never seen her before and I could really relate to her poetry, plus she gave me this cool POWER pin! I can’t believe that it’s just over a week until the next date and soon enough it will be over! Amongst all the work, I’ve also found time to have fun socialising, plus go to Spanish lessons and salsa classes!
As of last Wednesday, it has officially been a year since I registered as self-employed. I’m in a much better position than I was a year ago when I started. The main battle is with my mind, to stop questioning myself and live how I want to live. I have regular work to keep me going Monday to Wednesday, which spills a little over into Thursday. This means I have between 3-4 days to focus on other things.
The challenge is to stick to this routine and give myself permission to do the necessary creative work, and remember that this is a legitimate use of my time, as well as the work that I’m being funded to do for the She Grrrowls book tour. Yet, there are also times where other things come up, the routine gets disrupted… usually with work, but also with other things like seeing friends and family.
Most recently, I went to Leicester for the She Grrrowls book tour with Joelle Taylor and Esther Poyer. It was a great night and from there I went to see my grandparents in Yorkshire, and my cousin in Nottingham. Last week, I did a week of TEFL work and it was intense. I taught 9am-1pm, had a nice lunch break before leaving to tutor 2.30pm-8.30pm, then did my planning for more tutoring sessions after a quick dinner, leaving just enough time to squeeze in a bit of Spanish and Netflix before doing the same again. It was also National Poetry Day that week, meaning I had an excuse to show a video of Joelle Taylor to the most advance group, tell them about Rallying Cry, and make them do some of their own poetry.
Things eased up towards the end of the week, but as anyone who’s freelance knows… there’s always more work to do be done, so I filled my time with all the other necessary tasks. I ended the week by hosting She Grrrowls at The Poetry Cafe. It was so busy, I was regretfully having to turn people away or there wouldn’t be room for people who had booked tickets in advance… something I’ll have to think about in future in case of no-shows. A much better problem to have than being in a cold room in New Cross with just a handful of people.
I took a train to Norwich with a friend, where we celebrated with a group of our uni friends as it has been 10 years since we started at UEA together. I came home to find that poet and artist Scott Tyrrell has completed his map of poets. I managed to wrangle my way onto the East Anglia section, which I’m not sure I am entirely deserving of, but I am proud to be there. Although back in London, Norwich was where I really grew as a writer, studying it in a couple of modules at university, but also being part of the local scene of live lit events thanks to people like Amy Wragg and Russell J Turner. I got to support acts like Francesca Beard and Kate Tempest, and gradually made connections with poets from Aisle 16 like Ross Sutherland and Luke Wright, that saw me getting into working with young people, getting my first pamphlet published by Nasty Little Press, and performing at Latitude. For these reasons, my poetry career has a deep connection with the East of England.
I don’t get that many gigs to do my poetry, but really this is connected to my ideas of what it means to be a “success”. Really this is a a destination that I will never arrive at, because it doesn’t exist. As a creative, you will always keep striving for more, but really the goal should be continue to make work and do what you enjoy whilst having some kind of stability to enable the work. There are so many ways of doing this, and just because your way is different to someone else’s doesn’t make it any less valid. I want to focus more on creative goals and taking small steps towards bigger things, like the fact I’m going to have two videos from Muddy Feet Poetry in the autumn!
Another couple of weeks of freelance life, and I’ve now got three students I’m tutoring, and although other paid work has not been much over these last two weeks, I’ve been busy with lots of unpaid activities, such as planning workshops and tutoring sessions (which takes a long time at this stage) and writing a funding application. I’ll still be working on both of these things next week too.
I’m also using a maths revision book to brush up on my Maths, and have found there are a couple of different ways to do subtraction, and the new way I’ve found is actually the one recommended by the government.
I went to Joel’s book launch, which was really lovely, and there I saw lots of old familiar faces, as well as a few new ones. The next evening I went to see The Head Wrap Diaries, and I ended up reviewing it for The Norwich Radical.
I’ve dedicated some time to writing, particularly on Sundays, but have been using my long journeys to take part in NaPoWriMo still, which ends on Monday. I’ve been sharing some extracts from my new poems via Instagram. I’ve also done a little bit of illustration as an experiment to get me back into visual art a bit.
Yesterday I decided to go to a few exhibitions around Old Street, including a visit to BEERS, Victoria Miro, and Parasol Unit. I went for an incredible tapas meal at Boqueria and then to a reggaeton and salsa night, where I danced until the early hours. I’m now feeling pretty smug because I’ve had so little sleep, but I’ve been super productive doing some content writing work, plus poetry and Spanish practice and this!
I also recently got an office chair for my bedroom and I love it! I was on a horrible wooden fold-up one all this time before. I can even put it on a massage function!
Another couple of weeks have passed, so I thought I’d write a bit about what I’ve been up to during this time. I’ve not been earning much the last few weeks for a number of reasons. Time has been taken up with family celebrations for both Easter and a cousin’s hen party. Secondly, the majority of my time has been taken up with planning workshops that won’t even nearly cover my costs in terms of the amount of research and planning that I’m doing. I’m also planning a book tour for She Grrrowls, which I will be attempting to get funding for so that it can go ahead.
I attended the Out-Spoken Press Prize and I really enjoyed all the incredible poetry there and avidly Tweeted about it. I was feeling pretty shy and anxious that night, but I said hello and/or well done to around five people, so I didn’t feel so bad. I’d been long-listed for the performance category, but I didn’t make the shortlist, so felt it was important for me to attend, resisting the urge to hibernate. She Grrrowls was a couple of days later and the turn out was much better than the last two (though still not enough to cover my costs) – it was a really lovely evening as always and I enjoyed it as much as a headless chicken can enjoy such a night.
So, this week I’ve been trying to work as much as possible, but I did manage to schedule a day with my friend and artist Natalie Cooper (she did the illustrations inside the She Grrrowls anthology). She introduced me to Salsa 98.1 (I like to listen to Spanish/Latin music when content writing), cooked me a Cuban-inspired dish with kidney beans, and provided me with tea. I wrote some of my spoken word show It’s Always the Quiet Ones without getting too distracted by the music, so felt really pleased with my production levels!
On Saturday I facilitated the first workshop as part of The Femme Canon monthly series with Spread the Word at The Albany. I really enjoyed it and the participants were not only insightful in their readings of the work we covered, their reading voices were delightful, and their poetry was incredibly powerful. I’m looking forward to the next one and although I have all my own materials at the ready, I have asked participants to send me a poem of their choice to make the workshops a little bit more collaborative. With that in mind, if you’re reading this, please feel free to comment with your own favourite writers who are women or non-binary.
I’m really excited about my Saturdays, even though I’m working a lot of them! On 28th April I’m running a one-off workshop with The Poetry School aimed at writers wanting to develop work for the page who regularly perform their work. I’ve also got a few sessions where I’m covering someone as part of the tutoring agency I work at delivering creative writing workshops to kids. These sessions, along with the rest of The Femme Canon workshops – there’s one ticket left and at £30 for all sessions, it’s still a bargain for six hours of workshop time! The reason why I’ve been aiming to work Monday-Wednesdays with regular work is partly to be able to do one-off workshops across the rest of the week (as well as to try to give myself time to write!)
As for today, I’ve done a bit of admin, as well as person writing, NaPoWriMo writing, and a bit of writing for my show. I’m going to do a bit more admin, as well as revise my maths a bit to brush up whilst doing 11+ tuition. I’m actually enjoying the focus these exercises give my mind. Yesterday afternoon I met up with a friend called Ella Daniels (also a writer, I’m incredible excited for what she has planned!). We spoke about making time for doing the things we love, so I’m planning to get into better reading habits by slightly changing how I schedule my time.
Lastly, next week, Joel Auterson – fellow Kid Glove member and Roundhouse alumni – is having a book launch. I’ve already read his book Unremember from Bad Betty Press and it’s pretty special. There’s a great list of poets supporting on the night, including another Kid Glover, Antosh Wojcik, She Grrrowls poet Aisling Fahey, and another fave Laurie Ogden. Also, Poet in the City have a series of events at Wilton’s Music Hall on Women Poets Who Changed 1968, looking at some of the poets who we cover in The Femme Canon – Maya Angelou and Adrienne Rich.
Today marks 6 months since I’ve been officially self-employed. My journey started when I got offered a freelance teaching job (EFL), though you could say it started seven years ago when I began my MA in Creative Entrepreneurship, though you could also say it started over a decade ago when my college friend Anya Destiney took me to an Apples & Snakes open mic, then again, you could also say it started when I wrote my first poem as a child and started to make an anthology with my parents compiled in a plastic folder, or you could say it started when I was born and named Carmina, Latin for poetry.
Anyway, being freelance is something I have wanted to do for a long time, yet it is scary taking the first step as it goes against much of what I feel I’ve been encouraged to do by my parents and society as a whole. Really, being self-employed is something we should be taught at school, especially when it comes to avenues that tend to work in this way, such as studying creative arts subjects. Although I don’t believe study should be so focused on the career, it would certainly make these subjects more practical and viable when thinking of the future, especially when it comes to A-level and university.
I thought I would start a series of reflective blog posts for several reasons. Firstly, I appreciate the honesty and transparency from other creatives about how to survive and thrive in this world, and there are many ways to do so and I would like to share what I’m doing in order to help others starting out. This is why Paula Varjack’s Show Me The Money was so great. Secondly, it helps my own practice as an artist to reflect on what I’m doing. I currently do this by writing a list of activities and goals in an Excel spreadsheet (I love spreadsheets) but, as a woman of words, I craved a more thoughtful expression of these reflections that are more than just time management.
To summarise, my income currently comes from various different streams. The idea is that my main income will be from tutoring and teaching on a part-time and freelance basis. This is a mixture of EFL, English and 11+. For the past six months, this has actually been a slow progression to building clients, and I’ve been doing a lot of copywriting to keep me afloat. Although not as well paid as I would like, I would be making next to nothing if it wasn’t for that work. I’ve been losing money from events (paying artists and the sound technician) and made a small amount from sharing my own work, and selling books. I’ve also donated eggs, which has seen me compensated with £750. You can do this a maximum of three times. Mostly, I’m doing anything I can grab my hands on, including some exam invigilation, which I found really difficult as my legs ached so much as I struggled with the boredom!
To think about ending this post, I’m going to just review this past week in more detail. I began the week planning my set for a 30 minute set and rehearsing in my bedroom. I spent a couple of hours writing my diary before getting on with some admin. I had a massive backlog of emails, so I indulged in spending a big chuck on these first few days going over the emails and actioning on them where required, meaning reading and signing a contact, and arranging phone calls etc. I didn’t have my usual tutoring that week, so I met up with my Spanish exchange that evening a couple of stops away on the train.
On Tuesday, it was a similar day with rehearsing and emails, sending invoices to get paid etc. I did some content writing and booked travel and accommodation for a trip to Liverpool with a friend, partly a birthday celebration, and also to attend a joint event between Shy Radicals and Shrinking Violets. I also arranged travel and accommodation for a training day in Cambridge, as I’m going to be an assessor for an A-level paper this summer, marking around 200 scripts.
One of the things I love about being freelance is getting up when I want (though I do need to be more strict with my bedtime!) and being able to start the morning with exercise which I like to do regularly for both my physical and mental health. Thursday was a very similar day, but in the evening I had the opportunity to support Sabrina Benaim at Bush Hall, which was a high I rode on for the next few days. The audience of around 400 people was incredibly supportive, and I felt like I really connected with them. At the end, when people queued for Sabrina, I was also invited into photographs and signing books and tickets – so exciting!
The previous week I had dedicated my first chunk of time to writing my own work, where I’m trying to write my first spoken word show. This Friday I tried to dedicate a couple of hours to writing, but I ended up just saving documents from my phone noes to word, and submitting a few poems to magazines and anthologies with upcoming deadlines. That evening I had a social event, but also went to support my friend’s band called Black Palms as an audience member. The next day was quite a contrast, with my last working day being a stall at Balham Bowls Club. Although well attended and nice to be a part of, I only sold one book, having paid £35 to do the stall. It’s swings and roundabouts.
I’ve just arrived back from being away with family, so starting a fresh week today!
I’ve been attending Women of the World Festival at the Southbank Centre since its inception, and I’m pleased to say that this year, She Grrrowls will be at WOW on Sunday 11th March.
You don’t need a ticket as this part is free for all to attend and takes part in the Clore Ballroom in the Royal Festival Hall.
Well, readers (if you exist, it feels like writing into the abyss), I haven’t written properly her since Edinburgh Fringe Festival. Most of my reviews are written for The Norwich Radical, and I’ve now been writing for them for over three years as a volunteer. I felt the urge to write having recently come back from Verve Poetry Festival (alas, as an audience member, not a participant).
One of my cousins is at university in Birmingham, so I took the opportunity to get her a Saturday ticket and visit her whilst attending the festival. We had a lovely time, and I discovered new voices amongst old favourites. It was a bit overwhelming at times being surrounded by so many familiar names and faces, and by the end of the festival my brain kind of stopped working, but it was well worth it. I’ll go through some of my personal highlights.
Dead or Alive Slam
I’d never been to a Dead of Alive Slam, where actors read the work of past poets, and compete against the alive ones. I was very much in team ‘alive’, who were the overall winners, but I discovered poems by both I enjoyed. It featured Genevieve Carver, Isaiah Hull and Caroline Teague – the first two being new to me, and all of them brilliant. Team Death consisted of poems by Christina Rossetti, Forough Farrokhzad, and Djuna Barnes (read by Tembi Xena, Lorna Nickson Brown, and Zeddie Lawal). Djuna Barnes really stood out to me, which might come in handy for the workshop I’m going to run with Spread the Word – The Femme Canon.
This section featured six commissioned poets, alongside competition winners, and was hosted by the judge Luke Kennard. What I liked about this section was that there were so many poets, and so much variety. It can be difficult to listen to poetry across three days (even for us poets) so this quick succession of poets was welcome for a morning event at the start of a long day. It featured local poets including Roy McFarlane, Bohdan Piasecki, Amerah Saleh, Jenna Clake, Casey Bailey, and Ahlaam Moledina. Having been tutored by Piasecki whilst in the Roundhouse Poetry Collective, and having met Saleh on a previous trip to Birmingham, it was particularly good to hear both their poetry. You can buy the book of poems here.
Stablemates: Bobby Parker
Chaired by Jill Abram, creator of Stablemates, there was discussion and poetry from Martha Sprackland, James Brookes, and Bobby Parker in celebration of new work from Offord Road Books. Although I wasn’t expecting it, Bobby Parker was my favourite poet in this section. He was open about the criticism he had received from his poem ‘THANK YOU FOR SWALLOWING MY CUM’, of which I wasn’t previously aware had provoked accusations of misogyny. I read the poem myself and although I think it’s horrible, I think it’s the intention, it being an exploration of this dark side of masculinity and the validation that men may place on such an act. It is simultaneously simple and complex, and I like it and Parker’s other word. I didn’t realise the connection between this poem and Thank You For Swallowing, which publishes incredible feminist writing.
The Poetry Assembly: Romalyn Ante
Although a celebration of Jane Commane’s Bloodaxe collection, the event was also supported by Roz Goddard, Liz Berry, Romalyn Ante, and Matt Black. My favourite poet was Romalyn Ante, with her slow, rhythmic poetry, with vivid imagery, it was beautiful to hear her recite. My only issue with the programming of Verve Poetry Festival is the division of sections labelled ‘poetry’ and ‘spoken word’, when there were examples such as this where Ante knew her poems by heart and was in the ‘poetry’ section, yet others such as the Out-Spoken Press section were labelled ‘spoken word’ when both feature books.
Out-Spoken Press Showcase
In moving on to this ‘spoken word’ section, I believe one featured poet, Raymond Antrobus, has been quite vocal about claiming the title of ‘poet’ as his own rather than solely a ‘spoken word artist’. This showcase also featured Anthony Anaxagorou, Joelle Taylor, Sabrina Mahfouz, and Bridget Minamore. I’m very well versed on the latter three poets, all three featuring the the She Grrrowls anthology from Burning Eye Books and so it was great to hear them all together at Verve Poetry Festival.
Nymphs & Thugs: Maria Ferguson
The penultimate event I went to featured Salena Godden, Matt Abbott, Maria Ferguson, and Jamie Thrasivoulou. Whilst they were all great poets, Ferguson was my highlight here, and is always completing captivating. After her show ‘Fat Girls Don’t Dance’ (which I have seen and bought a copy of the book of the same title), she is now working on a show called ‘Essex Girls’. As well as her usual fantastic poetry, in the second half of the two hour slot she gave us a sneak peek into some of her writing from the show.
Luke Wright & Ross Sutherland
Tom Chivers of Penned in the Margins presented the last section I could attend before hopping on my newly booked coach (otherwise I would have been on night buses from arriving by train 1am the next day in London). It think it was actually Tom Chivers who introduced me to the work of Luke Wright and Ross Sutherland just under a decade ago as an awkward undergrad on an internship at PITM whilst studying at UEA. I have since worked with Ross Sutherland during Shake the Dust, and Luke Wright kindly published my small selection of poems with Nasty Little Press and put me on at Latitude Festival, and I have kept following both their work. It was, as always, great to hear their stuff, especially having recently read and loved The Toll by Wright, and listened to some of the Imaginary Advice podcasts by Sutherland.
All in all, I hope you’ve enjoyed reading my recommendations (I has taken me a couple of hours of writing after all). Hopefully next year I’ll be writing as a fellow participant! I’ve been officially freelance since October 2017, so stay tuned for when I find time to write about what that has meant for me thus far (clue: I’m still very much settling back into the UK since my return from Spain in July).