I received my funding to explore music and poetry next week, so I should be starting my new blog series next week. I’ll also try to put some stuff on Instagram of me practicing the ukulele, which will be extremely bad, but hopefully I’ll be able to learn and show some progress!
Last week was the SoLo Craft Fair at Between the Bridges. I only sold two books and got some emails, which I haven’t yet put on my mailing lists even from the last stall, so I need to get on that. I also need some better displays. It looks a bit better than before, but I had a look around and will try to buy some things to better display the books. It cost a lot to get a table, not to mention the insurance, and as I still have plenty of stock, it would be much appreciated if you’re reading this, if you’d like to buy a signed copy of any of my books from my Big Cartel.
This week I’ve also had a couple of meetings about a festival day I’m producing for International Women’s Day 2022! It’s been really positive, and the amazing people at Spread the Word are happy to be a partner on the project, and I have another meeting with the venue I want to use next week, so hopefully that will go well and we can fix a date.
I went to Crystal Palace Park’s South Facing festival (Sundown Sessions) after work on Thursday and it was really incredible to see the work being done with young people. I especially enjoyed ‘Spirit of the Estate Jam’, which worked with young people from local estates to showcase their rap, spoken word, and dancing. Coming up, I have another SoLo Craft fair, exclusively for LGBT+ creators and I’ll also be heading to Hastings at the end of this month, taking part in their poetry film showcase.
Mainly a reminder this week that this Sunday 4th July, I’ll be performing a new piece for children, alongside Simon Mole and Gecko, at 12pm and 3pm at Stephen’s House and Gardens in North London. I know it by heart now, but will I be able to do it in front of a live in-person audience? I might trial it with She Grrrowls tonight, which is on Instagram at 6pm tonight (in about 20 minutes as I write this!)
I also came third place in the E.H.P. Barnard Poetry Prize, judged by Sarah Smith and presented by Tom Neill, winning £50! I’m really chuffed with myself. You can hear the winning poem online. I’ve found out a teaching placement I have is going to continue with more hours in September, so I’m pleased about that, as coming home for lunch is probably more tiring than going from A to B. I’ve also started going to a Spanish conversation class on Thursdays, so it’s a pretty jam-packed day!
Last week’s She Grrrowls wasn’t as smooth as usual, but it was nice to see both the poets involved sharing poems, as well as audience members. I made a point of not bringing my laptop away when visiting family in Hastings for a picnic, but ended up writing a draft of a book review for The Norwich Radical on the journey on my phone!
I still worked on Bank Holiday Monday, but on Tuesday I got to use my wetsuit and booties for the first time in the 9-10 degree pool in Brockwell Park. It was so freezing, and strangely difficult to swim more than two lengths at a time. I’d never been in such cold water to my mind.
With less of some work, I’ve been trying to get on top of boring admin tasks, but also been writing a lot more and catching up with NaPoWriMo prompts, as well as attending the amazing Apples and Snakes’ Red Sky Sessions with Bohdan Piasecki, which have so far included Malika Booker and Jacob Sam-La Rose, two absolute poetry heroes.
I found out today that after being longlisted for Butcher’s Dog, I didn’t make the cut, which I’m gutted about. I never expect to be accepted when submitting poems, so to get so close makes it extra disappointing somehow. Then again, it is also all the more reason to try again in future.
To end on a positive note, successfully recorded two poems with Muddy Feet Poetry on Thursday outdoors in Deptford. I had learnt one by heart, and was super nervous, but Pete and Stanley were so lovely and supportive throughout, I felt really happy afterwards.
The main poem we recorded is also part of Free Spirits: Loss in Lockdown, by Jo Sharpe and poet Rachel Sambrooks. There will be a free exhibition at Studio 9 Oaks Park Studios in Carshalton on the 17th and 24th April, which you can register for online on Eventbrite.
It’s a strange experience writing about something like grief and putting it out into the world; sometimes I feel like artists get it because we all do it, but maybe it’s a bit odd to other people, but it is all part of how we process the world and how we connect.
I’m currently offering the chance to win a free copy of my book, ‘Circles’, and to be in with a chance of winning, you should be following me on Instagram, and then like or share this post by midnight on Sunday 7th March. Here are some pictures from the post, celebrating the journey so far, which has seen a 4-star review of the audio, and a 5-star review of the book, as well as some really lovely words that people were generous enough to share with me
Meanwhile, I’m slowly starting to get on top of things to begin my new schedule. I’d love to start next week, but it will also depend on how the weekend goes. I’ve had assessment after assessment for Borderline Personality, and I’m still not getting enough sleep, so I’m feeling very drained as I write this. Alas, the show must go on, and tonight we have a full open mic or both new and returning guests, which is sure to fill me with fire once again!
The third week of the Living Record Festival has come and gone, with nearly 10 tickets sold so far, and some kind words from Sally Proctor, the Community Director at Slung Low. I hope to see some more colourful pictures in the final week. Please listen to ‘Circles’ and send me your designs via @carminamasoliver on Instagram.
Last week was also my grandad’s funeral; it was and is surreal and sad, but the sun shined that day. I’ve been watching films like ‘Saint Frances’ and ‘The Book of Life’, and have felt exhausted and overwhelmed, trying to be kind to myself, but still not fully giving myself what I needed. I listened a lot to podcasts like ‘The Good Grief Podcast’ with Alex Di Cuffa, and Griefcast with Cariad Lloyd.
On Friday, I tried to be kind to myself, knowing I had She Grrrowls on Instagram Live in the evening. I took myself off for a walk to my local park to make the most of the sunny weather, and as my grandad also had a sweet tooth, having eaten some lemon curd biscuits in his honour on the day of the funeral, before She Grrrowls, I made myself a hot drink to have with some shortbread biscuits and a blackcurrant and apple pie.
I was glad I didn’t cancel She Grrrowls, as with nine acts on the open mic, it was a full house. I read a poem about Yorkshire that my grandad had written, and a poem I’d written for him as part of his eulogy. In speaking of death and grief, I’ve also shared one of my favourite books on sadness: Sad Book by Michael Rosen.
As I write now, there is a flurry of snow outside my windows, and I’m safely inside after a long walk to Greenwich yesterday, covering 19km. Any sun soon turned to cloud and then rain. Exhausted, I had an array of Korean dishes for dinner, and played the ‘7 Wonders’ board game a couple of times. It is the unbelievableness of the situation that allows me to enjoy these moments, but at other times I lean into the grief, allow myself to feel the shock and sadness of such unexpected loss.
So, what can I say about this week being freelance? Well, I have a bill of nearly £1000 coming my way from overpaid tax credits in 2018-19. The good news: I earned more money than in 2017-18. The bad news: it’s 2020, I now pay rent, the Christmas holidays are approaching, and we’re in the middle of a pandemic. With that in mind, I’ve been taking the opportunity to plug my book, ‘Circles’.
Circles is an epic poem inspired by Sarah Kane’s 4.48 Psychosis. Taking the point of view of a suicide victim’s lover in the play post-death, the piece takes place on London’s tube network and follows the fragmented views of this once-absent character. It is a piece about love, loss and the line between sanity and insanity. Whilst fictional, the emotions and experiences are also inspired by elements of the author’s life, and are written with the aim to bring comfort and healing to those who can relate to its themes.
The book was published last year and I began to tour at the start of the year, and then… you know the rest. If I sold just 100 copies of this, then my bill would be sorted, so if you’re reading this and can spare a tenner, order a copy for yourself. If you can spare more, why not buy some for your friends and family? And if you can’t afford it, a share on social media or any way you can would really help.
I shared extracts from ‘Circles’ on ‘Spork’ in place of the real-life gig from my tour dates. It’s available to listen to on Spotify, and I’ll also be recording an audio version of the whole poem for The Living Record Festival in 2021, so watch this space for updates on that.
“I speak and the only voice I want to hear is yours” This is a quote from Carmina Masoliver’s stunning epic, Circles. Yet, I find myself feeling this way about her voice. Carmina has a very special way of finding the smallest of cracks in your heart and filling them with visceral, yet elegant poetry. She mines the mundane; those everyday moments riding the tube, or in the shower, or sitting with a stranger on a fence, and she brings you into them so gracefully, before you know it, you are sitting on the tube with her, “holding onto her hand in a reverie.” – Sabrina Benaim
‘This poetic dramatic monologue is at once lament, and testament to an unimaginable reality. Masoliver has created a theatrical poem that is both haunting and ethereal, where the audience experience the world though a protagonist trapped in on a train looping the central line and and her recurrent memories of a lost lover. The fragmented beautiful lyrical prose unfolds like a smashed mirror, each piece a jigsaw. Circles takes us effortlessly into the head of a suicide victim’s lover in order to illuminate the devastating effect of her grief. She captures an elusive emptiness whilst hypnotising us with an honest lyrical epic.’ – Malika Booker
I have five copies of my book in stock, and five more of the She Grrrowls anthology, so even if I sold those ten books, it would be lovely (as I would have to buy another big lot of books from the publisher in order to sell more than five of each). You can get them from both Burning Eye Books directly too, and I will be sure to plug again once I’ve sold out.
Tonight, I’ve just done the final Instagram Live show for She Grrrowls until next year. I’m giving myself January off, so the next show will be February 2021! It was particularly exciting to have fellow Burning Eye poet Cynthia Rodríguez share their work, which I loved during the She Grrrowls tour, when collaborating with Leicester’s Find the Right Words.
Meanwhile, I’m trying to find some balance between being horribly productive with all the stuff I have to do, doing the more creative stuff (when, oh when will I have time?) and giving myself a break and resting. This weekend, I’m having an actual weekend filled with mother-daughter Christmas shopping time and chilling the fuck out on Sunday with some wintery walks or something.
When we went into ‘lockdown’ in London, I started doing weekly poem shares via Instagram Live as a ‘Poetry Slumber Party’, called such because you can watch it in your PJs. I shared brand new material and I was writing weekly through a prompt group called ‘Poetry in a time of being alone’ on Facebook. This was a lifeline to me at times, and I enjoyed being able to connect with people watching, who would sometimes send me messages about certain poems they related to. As the world got back into motion, I have started doing these on a monthly basis.
This is just a short post to say to tune in via Instagram Live (@carminamasoliver), which is where I have found it easiest to share my work. It’s every last Monday of each month, when I figured maybe people are staying in more now there are less restrictions, as it’s near many people’s pay day. It can also be viewed later on IGTV. It’s very off the cuff, and all new material, where I chat around it, and sometimes the chat is longer than the poems.
I like it, as I feel YouTube videos need to be more polished, whilst on Instagram Live, part of what can be lovely is that it’s a little bit messy and raw. A couple of weeks later, I also host an online open mic on the She Grrrowls Instagram account (@shegrrrowls). It’s a strange time now as the rules are continuing to change, yet some people still are at home with very little human contact, whilst others are at the opposite end of the spectrum. I’m somewhere in between. I really enjoy doing these little streams anyway, so if even one person gets some enjoyment out of it too, it’s worth keeping up!
It’s been about a month since I’ve written here. At the moment, I feel as if a big mountain has piled up and I’m still working my way over it. I’m slowly getting on top of things that I tend to avoid doing, whether it’s admin stuff or less important things that I do out of my own interest. The admin stuff involved sorting through papers (I missed one pile under my bedside cabinet and another near my computer is creeping up once more), and I’m still a few months behind on my fiance records. I did do my self-assessment though as I had all my records from October 2017-April 2018! I just need to pay them and inform the tax credits people.
Like bits of paper, emails can also pile up, so I got on top of those and the numbers in my inbox are creeping up once more. Today I’ve had a fellow freelancer round mine and I’ve sewn some things I hadn’t got round to sewing and updated my scrap books. I know I’ll be working Saturday due to doing this, and having spent much of yesterday studying and completing my Spanish assessment, but if it wasn’t for her, I wouldn’t have had a day like this and I think it is just what I needed. Another thing I will probably leave for over the Christmas holidays (when I don’t have students) is taking quotations from books. I actually used to be really good at posting these online, as well as a few snippets of my own stuff. Why wait for New Year’s Resolutions to get back on these habits?
I’ve had a cold for a couple of weeks. As a freelancer, obviously you don’t get sick days. Or rather, you don’t get paid sick leave. It never got too bad that I felt I couldn’t do any work, but the day of the Bristol tour date I wasn’t feeling up to travelling home the next day and then doing lessons the same evening, so I cancelled them. When it came down to it, I ended up doing some content writing at home to make up for the loss of income. I still socialised when I was ill, and never really rested properly, which was probably why it dragged on for so long. At times, I began to feel feverish and worried I was getting worse, but three weeks on, I’m back to my usual self.
Another thing that I did, whilst probably feeling at my worst, was go all the way to the other end of the Northern line (my nearest tube station, still buses away). This was to get my photograph taken for an agency for being a supporting artiste. It meant hours out of my day for a very short thing that may come to nothing, but it could also provide some fun days out for some alright money. Another thing I’m doing for extra cash is tutoring a mature university student. Other than that, it’s more or less the same stuff I’m doing.
In terms of poetry, I actually recently judged a poetry slam at a university, which was a great experience. It was lovely to hear how varied these young voices were and providing feedback for them was really enjoyable because of how talented they all were. We got some flowers and chocolates as judges and felt very special on that day. Otherwise, spending more time on my own writing is one for the New Year’s Resolutions, especially with the Christmas break coming up as I’ll be trying to to get a bit of income whilst also read more into the texts that my GCSE student is studying so I can do my best to help her.
The She Grrrowls Autumn 2018 Book Tour is now over, with the last event ending in Hackney and ending on a real high. Tonight is the final She Grrrowls event of the year, and we’ll be back in February at The Poetry Cafe, which I am so happy about! It has been a struggle for years, changing venues a lot, but I hope it continues to thrive in this wonderful space. Now I just need to complete the evaluation for ACE and plan the next steps for the ideas I have for She Grrrowls.
It’s been a month since I’ve written, and another busy one at that! My room is a mess with big stacks of papers, I’m behind on my record keeping for finances, and I haven’t had proper dedication writing time towards the three main projects I want to focus on in what feels like an age, so this weekend I plan to do a lot of that boring admin stuff, as well as a bit of personal writing today (including this blog!) I’ve worked five days already this week, yet it’s still difficult to reassure myself that doing this today is worthwhile, and I’m going to take some time to de-stress by going to a swimming class after writing this.
I have deadlines looming over me for content writing, and last night I did a last minute job working with a university student from Malta to help with their English. I have an almost full time table of students, which includes a couple of days where I’m out 2.30-9.30pm, including the travel time. It means I’m able to get into more of a routine, but planning and marking takes so much time at the moment that it’s quite difficult to fit in the content writing and meet the deadlines. On top of that I’m doing events and tour management and yesterday I did a big chunk of this once I’d finished my lesson planning.
There are now only two tour dates left for the She Grrrowls Autumn 2018 Book Tour! In October, we went to Norwich and Cambridge and both dates were lovely. The next two are in Bristol and London. I’ve also been trying to run some informal workshops, but because the tickets are free, I’m getting a lot of dropouts on the day. The workshops are called ‘Don’t Get Bitter, Get Better’ and I managed to meet up with a poet who is local to me called Rachel Sambrooks, and it was honestly so refreshing to actually talk about our work. We both found it incredibly valuable… now to find the time to go back to those poems to make those edits!
Last month’s regular She Grrrowls event went really well again, and I’m so happy to be at The Poetry Cafe. It ended up being a rather northern evening, featuring Sophie Sparham, Fran Isherwood, and Sarah Crutwell. It was particularly enjoyable to see Sarah Crutwell as I had never seen her before and I could really relate to her poetry, plus she gave me this cool POWER pin! I can’t believe that it’s just over a week until the next date and soon enough it will be over! Amongst all the work, I’ve also found time to have fun socialising, plus go to Spanish lessons and salsa classes!
As of last Wednesday, it has officially been a year since I registered as self-employed. I’m in a much better position than I was a year ago when I started. The main battle is with my mind, to stop questioning myself and live how I want to live. I have regular work to keep me going Monday to Wednesday, which spills a little over into Thursday. This means I have between 3-4 days to focus on other things.
The challenge is to stick to this routine and give myself permission to do the necessary creative work, and remember that this is a legitimate use of my time, as well as the work that I’m being funded to do for the She Grrrowls book tour. Yet, there are also times where other things come up, the routine gets disrupted… usually with work, but also with other things like seeing friends and family.
Most recently, I went to Leicester for the She Grrrowls book tour with Joelle Taylor and Esther Poyer. It was a great night and from there I went to see my grandparents in Yorkshire, and my cousin in Nottingham. Last week, I did a week of TEFL work and it was intense. I taught 9am-1pm, had a nice lunch break before leaving to tutor 2.30pm-8.30pm, then did my planning for more tutoring sessions after a quick dinner, leaving just enough time to squeeze in a bit of Spanish and Netflix before doing the same again. It was also National Poetry Day that week, meaning I had an excuse to show a video of Joelle Taylor to the most advance group, tell them about Rallying Cry, and make them do some of their own poetry.
Things eased up towards the end of the week, but as anyone who’s freelance knows… there’s always more work to do be done, so I filled my time with all the other necessary tasks. I ended the week by hosting She Grrrowls at The Poetry Cafe. It was so busy, I was regretfully having to turn people away or there wouldn’t be room for people who had booked tickets in advance… something I’ll have to think about in future in case of no-shows. A much better problem to have than being in a cold room in New Cross with just a handful of people.
I took a train to Norwich with a friend, where we celebrated with a group of our uni friends as it has been 10 years since we started at UEA together. I came home to find that poet and artist Scott Tyrrell has completed his map of poets. I managed to wrangle my way onto the East Anglia section, which I’m not sure I am entirely deserving of, but I am proud to be there. Although back in London, Norwich was where I really grew as a writer, studying it in a couple of modules at university, but also being part of the local scene of live lit events thanks to people like Amy Wragg and Russell J Turner. I got to support acts like Francesca Beard and Kate Tempest, and gradually made connections with poets from Aisle 16 like Ross Sutherland and Luke Wright, that saw me getting into working with young people, getting my first pamphlet published by Nasty Little Press, and performing at Latitude. For these reasons, my poetry career has a deep connection with the East of England.
I don’t get that many gigs to do my poetry, but really this is connected to my ideas of what it means to be a “success”. Really this is a a destination that I will never arrive at, because it doesn’t exist. As a creative, you will always keep striving for more, but really the goal should be continue to make work and do what you enjoy whilst having some kind of stability to enable the work. There are so many ways of doing this, and just because your way is different to someone else’s doesn’t make it any less valid. I want to focus more on creative goals and taking small steps towards bigger things, like the fact I’m going to have two videos from Muddy Feet Poetry in the autumn!