Freelance Reflections #4

The past couple of weeks, work-wise, I’ve done a mixture of exam invigilation, tutoring, and content writing. It feels like I’m slowly building something with more regularity, but work has taken over a bit from a lot of focused writing time.

The exam invigilation hasn’t really been worth it financially, but I’m going to give it a go at a school more local to me over the next month or so. It takes me 35 minutes to walk there (and just as long going on public transport), so that will tick off my exercise that day.

 

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Artistic Director, Lisa Mead

 

The last couple of weeks have included a lot of arts events. This started with Poetry Pioneers celebrating 35 years of Apples & Snakes, which was incredible – I enjoyed seeing those poets I know and love, as well as The Upper World, fusing music and poetry. She Grrrowls was a success this month, and I also saw 4.48 Psychosis and reviewed it for The Norwich Radical.

 

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Photo credit: Paul Point (Chocolate Poetry Club)

I had the privilege of attending a workshop with The BreakBeat Poets. Sadly, I had to leave early to cover a creative writing workshop for work. The fantastic Jemilea sent me notes on what I missed, so next time I carve some writing time out, I can return to this!

 

The following week, I saw Florence + The Machine at the Royal Festival Hall, went to my wonderful friend Sarah K. Perry’s book launch for her debut novel ‘Let Me Be Like Water’, and have generally commenced with my birthday celebrations, with the big day being on Monday!

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I tried to balance work with sunshine time since we had a little heat-wave, which meant a lot of drinking beer in pubs and parks with picnic food. It also meant I got a lot of my maths revision done. Now, I just need to be careful I’m not burning the candle at both ends too much, focus more time on writing, and make sure I have enough time to do all the paid work I’m committing to do.

Freelance Reflections #2

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Another couple of weeks have passed, so I thought I’d write a bit about what I’ve been up to during this time. I’ve not been earning much the last few weeks for a number of reasons. Time has been taken up with family celebrations for both Easter and a cousin’s hen party. Secondly, the majority of my time has been taken up with planning workshops that won’t even nearly cover my costs in terms of the amount of research and planning that I’m doing. I’m also planning a book tour for She Grrrowls, which I will be attempting to get funding for so that it can go ahead.

I attended the Out-Spoken Press Prize and I really enjoyed all the incredible poetry there and avidly Tweeted about it. I was feeling pretty shy and anxious that night, but I said hello and/or well done to around five people, so I didn’t feel so bad. I’d been long-listed for the performance category, but I didn’t make the shortlist, so felt it was important for me to attend, resisting the urge to hibernate. She Grrrowls was a couple of days later and the turn out was much better than the last two (though still not enough to cover my costs) – it was a really lovely evening as always and I enjoyed it as much as a headless chicken can enjoy such a night.

So, this week I’ve been trying to work as much as possible, but I did manage to schedule a day with my friend and artist Natalie Cooper (she did the illustrations inside the She Grrrowls anthology). She introduced me to Salsa 98.1 (I like to listen to Spanish/Latin music when content writing), cooked me a Cuban-inspired dish with kidney beans, and provided me with tea. I wrote some of my spoken word show It’s Always the Quiet Ones without getting too distracted by the music, so felt really pleased with my production levels!

On Saturday I facilitated the first workshop as part of The Femme Canon monthly series with Spread the Word at The Albany. I really enjoyed it and the participants were not only insightful in their readings of the work we covered, their reading voices were delightful, and their poetry was incredibly powerful. I’m looking forward to the next one and although I have all my own materials at the ready, I have asked participants to send me a poem of their choice to make the workshops a little bit more collaborative. With that in mind, if you’re reading this, please feel free to comment with your own favourite writers who are women or non-binary.

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I’m really excited about my Saturdays, even though I’m working a lot of them! On 28th April I’m running a one-off workshop with The Poetry School aimed at writers wanting to develop work for the page who regularly perform their work. I’ve also got a few sessions where I’m covering someone as part of the tutoring agency I work at delivering creative writing workshops to kids. These sessions, along with the rest of The Femme Canon workshops – there’s one ticket left and at £30 for all sessions, it’s still a bargain for six hours of workshop time! The reason why I’ve been aiming to work Monday-Wednesdays with regular work is partly to be able to do one-off workshops across the rest of the week (as well as to try to give myself time to write!)

As for today, I’ve done a bit of admin, as well as person writing, NaPoWriMo writing, and a bit of writing for my show. I’m going to do a bit more admin, as well as revise my maths a bit to brush up whilst doing 11+ tuition. I’m actually enjoying the focus these exercises give my mind. Yesterday afternoon I met up with a friend called Ella Daniels (also a writer, I’m incredible excited for what she has planned!). We spoke about making time for doing the things we love, so I’m planning to get into better reading habits by slightly changing how I schedule my time.

 

Lastly, next week, Joel Auterson – fellow Kid Glove member and Roundhouse alumni – is having a book launch. I’ve already read his book Unremember from Bad Betty Press and it’s pretty special. There’s a great list of poets supporting on the night, including another Kid Glover, Antosh Wojcik, She Grrrowls poet Aisling Fahey, and another fave Laurie Ogden. Also, Poet in the City have a series of events at Wilton’s Music Hall on Women Poets Who Changed 1968, looking at some of the poets who we cover in The Femme Canon – Maya Angelou and Adrienne Rich.

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Verve Poetry Festival 2018

Well, readers (if you exist, it feels like writing into the abyss), I haven’t written properly her since Edinburgh Fringe Festival. Most of my reviews are written for The Norwich Radical, and I’ve now been writing for them for over three years as a volunteer. I felt the urge to write having recently come back from Verve Poetry Festival (alas, as an audience member, not a participant).

One of my cousins is at university in Birmingham, so I took the opportunity to get her a Saturday ticket and visit her whilst attending the festival. We had a lovely time, and I discovered new voices amongst old favourites. It was a bit overwhelming at times being surrounded by so many familiar names and faces, and by the end of the festival my brain kind of stopped working, but it was well worth it. I’ll go through some of my personal highlights.

Dead or Alive Slam

I’d never been to a Dead of Alive Slam, where actors read the work of past poets, and compete against the alive ones. I was very much in team ‘alive’, who were the overall winners, but I discovered poems by both I enjoyed. It featured Genevieve Carver, Isaiah Hull and Caroline Teague – the first two being new to me, and all of them brilliant.  Team Death consisted of poems by Christina Rossetti, Forough Farrokhzad, and Djuna Barnes (read by Tembi Xena, Lorna Nickson Brown, and Zeddie Lawal). Djuna Barnes really stood out to me, which might come in handy for the workshop I’m going to run with Spread the Word – The Femme Canon.

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City Poems

This section featured six commissioned poets, alongside competition winners, and was hosted by the judge Luke Kennard. What I liked about this section was that there were so many poets, and so much variety. It can be difficult to listen to poetry across three days (even for us poets) so this quick succession of poets was welcome for a morning event at the start of a long day. It featured local poets including Roy McFarlane, Bohdan Piasecki, Amerah Saleh, Jenna Clake, Casey Bailey, and Ahlaam Moledina. Having been tutored by Piasecki whilst in the Roundhouse Poetry Collective, and having met Saleh on a previous trip to Birmingham, it was particularly good to hear both their poetry. You can buy the book of poems here.

Stablemates: Bobby Parker

Chaired by Jill Abram, creator of Stablemates, there was discussion and poetry from Martha Sprackland, James Brookes, and Bobby Parker in celebration of new work from Offord Road Books. Although I wasn’t expecting it, Bobby Parker was my favourite poet in this section. He was open about the criticism he had received from his poem ‘THANK YOU FOR SWALLOWING MY CUM’, of which I wasn’t previously aware had provoked accusations of misogyny. I read the poem myself and although I think it’s horrible, I think it’s the intention, it being an exploration of this dark side of masculinity and the validation that men may place on such an act. It is simultaneously simple and complex, and I like it and Parker’s other word. I didn’t realise the connection between this poem and Thank You For Swallowing, which publishes incredible feminist writing.

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The Poetry Assembly: Romalyn Ante

Although a celebration of Jane Commane’s Bloodaxe collection, the event was also supported by Roz Goddard, Liz Berry, Romalyn Ante, and Matt Black. My favourite poet was Romalyn Ante, with her slow, rhythmic poetry, with vivid imagery, it was beautiful to hear her recite. My only issue with the programming of Verve Poetry Festival is the division of sections labelled ‘poetry’ and ‘spoken word’, when there were examples such as this where Ante knew her poems by heart and was in the ‘poetry’ section, yet others such as the Out-Spoken Press section were labelled ‘spoken word’ when both feature books.

Out-Spoken Press Showcase

In moving on to this ‘spoken word’ section, I believe one featured poet, Raymond Antrobus, has been quite vocal about claiming the title of ‘poet’ as his own rather than solely a ‘spoken word artist’. This showcase also featured Anthony Anaxagorou, Joelle Taylor, Sabrina Mahfouz, and Bridget Minamore. I’m very well versed on the latter three poets, all three featuring the the She Grrrowls anthology from Burning Eye Books and so it was great to hear them all together at Verve Poetry Festival.

Nymphs & Thugs: Maria Ferguson

The penultimate event I went to featured Salena Godden, Matt Abbott, Maria Ferguson, and Jamie Thrasivoulou. Whilst they were all great poets, Ferguson was my highlight here, and is always completing captivating. After her show ‘Fat Girls Don’t Dance’ (which I have seen and bought a copy of the book of the same title), she is now working on a show called ‘Essex Girls’. As well as her usual fantastic poetry, in the second half of the two hour slot she gave us a sneak peek into some of her writing from the show.

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Luke Wright & Ross Sutherland

Tom Chivers of Penned in the Margins presented the last section I could attend before hopping on my newly booked coach (otherwise I would have been on night buses from arriving by train 1am the next day in London). It think it was actually Tom Chivers who introduced me to the work of Luke Wright and Ross Sutherland just under a decade ago as an awkward undergrad on an internship at PITM whilst studying at UEA. I have since worked with Ross Sutherland during Shake the Dust, and Luke Wright kindly published my small selection of poems with Nasty Little Press and put me on at Latitude Festival, and I have kept following both their work. It was, as always, great to hear their stuff, especially having recently read and loved The Toll by Wright, and listened to some of the Imaginary Advice podcasts by Sutherland.

All in all, I hope you’ve enjoyed reading my recommendations (I has taken me a couple of hours of writing after all). Hopefully next year I’ll be writing as a fellow participant! I’ve been officially freelance since October 2017, so stay tuned for when I find time to write about what that has meant for me thus far (clue: I’m still very much settling back into the UK since my return from Spain in July).

 

01.12.17 – ProperGanda

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ProperGanda 

8pm, 6 & 8 Manor Road, N16 5SA London

PERFORMANCE ART from Scarlett Lassoff and Magda Tuke, FILM from Fletch Fletcher and Funki Porcini, MUSIC from Le Fil and Rude Mechanicals, plus DJ John the Revelator and more.

19.11.17 – Listen Softly London

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7pm at Royal George Charing Cross, 133 Charing Cross Road, WC2H 0EA

Pleased to be reading alongside Ric Dove, Ella Chappell and Daniel Carpenter.

20.09.17 – She Grrrowls: London Book Launch

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She Grrrowls does Edinburgh PBH Fringe Free Festival 2017

After my first fringe run, it’s hard to know what I’m feeling, but, I’m so glad that I’ve done it. I viewed it as a learning experience, and wanted to sell some of the 100 books that were delivered to my hostel. I could just about fit the 50 books that were left in my suitcase, so I feel like I did what I set out to achieve. In celebration, I also got my first two tattoos: a heart on my wrist, because that’s where I wear it, and leopard print on my shoulder, to symbolise She Grrrowls.


In terms of learning, I think I could have flyered better in terms of exit-flyering more rigorously. I did well with the Wee Blue Book, but the people taking them weren’t necessarily my audience, and I feel like people who would have liked it weren’t always reached. I tried to pace myself, but as a lone wolf, I saw more shows than people, and could have put myself out there more in terms of meeting other poets etc. Tim Wells bumped into me flyering and stressed the importance of networking, but it isn’t my best skill. For this, I was grateful for people like John Osborne who invited me to hang out at the Book Festival, which I didn’t know much about. Sadly, coming down with a cold meant I had to propose getting well again, but towards the end of the month I was also able to hang out with Tyrone Lewis and Jake Wild Hall from Boomerang Club, and met a few people through them. It was actually BC, along with Joel Auterson who inspired me to take She Grrrowls to the fringe having seen they did it the previous year.

The Fringe is so expensive to attend, even with a free venue, and so I wasn’t expecting to make a profit, or break even, but just hoped to have some money to help me get by. It had put me out of pocket for many months when working in Spain, and it was thanks to a week of teaching work in Wimbledon that I even had money to buy food. I have no savings. The only thing to alleviate the stress what when I secured a couple more weeks of work for September, and started to do interview for tutoring jobs from my hostel kitchen. I was paying over £800 for a mixed 6-bed dorm,  and although this resulted in many sleepless nights due to snoring guests, the location was perfect, and it was pretty clean with a well-equipped kitchen. Doing a solo show I think I’d need something better, but I managed to survive it.

Initially, I was nervous about flyering, and not too excited to have to host the show. I found I surprised myself in both these areas. Flyering was okay when I could be myself, and there were hundreds of others doing the same. Hosting each night felt like I was training a set of muscles. However, there were a few times sexism reared its head. Once a man spoke to me about my event then asked to shake my hand. Except he brought it to his frog-like lips and kissed it. I felt violated. Then there was a time when a guy walked past, whipped a flyer out my hand only to throw it to the gutter – normally, not much to think of, except it seemed a deliberate reaction to the word “feminism” emboldened on the flyer. Just after this a group of guys I recognised (possibly fellow poets) approached me. At first they seemed friendly, but what they said to me was strange, hostile and intimidating. I doubted they would behave the way they did to a man, so regarded it as an act of sexism. And it wasn’t just me: Fay Roberts wrote an account for this problem here.

I did a few feature sets at nights such as Raise the Bar: Poetry Versus and That’s What She Said. Another thing I would have done would be more features and open mics, but this required more planning than I had realised, and I wasn’t quite sure where to look.  I did suffer from “fringe flu” at one point, which was when the wonderful Jane Bradley, host of TWSS, gave me a lovely bag of goodies like grapes and tea and lozenges. When I wasn’t flyering, seeing shows, or doing shows, I was writing reviews for The Norwich Radical (one, two, and three), and applying for tutoring jobs for when I returned to London. This means I’m going to soon become self-employed when I start taking on tutoring clients.

I saw so many incredible shows that it would be impossible to list them all, but I will try now, and did try to tweet about them all during the fringe (categories may cross over).

Comedy

KMT by Athena Kugblenu

Elsa by Isobel Rogers

What Women Want by Amy Annette

Sticky Digits by Pamela DeMenthe

Galpals

The Lol Word

Adele is Younger Than Us

Hurricane Katie by Katie Pritchard

How to be Good at Everything by Next Best Thing

The Conscious Uncoupling by Rosie Wilby

All KIDing Aside by Christel Bartelse

Molesting the Corpse of Traditional Masculinity Since 1987 by Henry Ginsberg

London Hughes: Superstar

Shit! I’m in Love with You Again by Rachelle Elie

 

Poetry

Above the Mealy-Mouthed Sea by Jemima Foxtrot

Circled in the Radio Times by John Osborne

Frankie Vah by Luke Wright

Anxiety and Animal GIFs by Hannah Chutzpah

My Cloth-Eared Heart by Melanie Branton

Neil Hillborn

That’s What She Said

Porky the Poet

Fifty Grades of Shame by Sophia Blackwell

An Evening with an Immigrant by Inua Ellams

No Rest for the Lizard by Gecko

A Matter of Race

Struggle With Purpose by Patrick Shand

Loud Poets

 

Theatre

This Really is Too Much

Happy Hour by Jack Rooke

Socially (Un)acceptable

Brutal Cessation

Show Me The Money by Paula Varjack

Jane Doe

Quarter-Life Crisis by Yolanda Mercy

Good Girl by Naomi Sheldon

The Vagina Dialogues

Side Orders

Syd & Sylvia by Claudia Jefferies

At the end of the run I had a couple of nights still, catching the rest of the shows I could, and trying to do some non-fringe stuff. Having had a picnic for dinner on Calton Hill the night before, I treated myself to a lovely meal at MUMS after climbing Arthur’s Seat on my final day, and had my first try of haggis with a Full Scottish Breakfast the next morning (I spread it on toast and finished it, but I’m more of a hash brown girl). After cooking for myself everyday, aside from exactly two portions of chips and gravy, for the whole month, it was a worthy reward. I’d also been veggie the whole time, so meat was quite a treat.

Now it’s onto the next chapter – the book launch at The Five Bells in New Cross on Wednesday 20th September!

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