Freelance Reflections #24

The Living Record Festival is why we do what we do. The creative work is why I have pursued the path of being self-employed. At times, I can lose sight of that, so it always feels good to be a part of something that nourishes the reasons for our being.

Tomorrow, Living Record Festival officially launches, and you will be able to listen to my audio for ‘Circles’, and use the PDF to print and use as you listen. You can buy tickets now and listen every day from tomorrow until 22nd February. I’ve also included a Q&A session for free, which will take place on Zoom on Friday 12th February 5-6pm. Tickets to listen cost just £5, and there’s also a link to buy the book, which I can sign and dedicate to you.

I’ll probably continue to bang on about the festival throughout it. As well as my own show, I’d recommend checking out Maria Ferguson’s ‘Alright, Girl?’ reading her book (which I’ve read) published by Burning Eye Books and Leanne Moden’s Skip Skip Skip (which I’ve seen live at Edinburgh Fringe Festival). I’d also like to recommend Elian Gray’s show as he kindly helped me when recording my piece, and it sounds exciting! With the national lockdown, it’s the perfect time to support artists and listen to something different each day, perhaps using the money that may otherwise be spent on your lunch break!

Freelance Reflections #23

Since my grandad passed away just over a week ago now, I’ve found how difficult it is to experience such close familial loss and try to work at the same time. This week has been a struggle, but when you’re self-employed, there is so much uncertainty about your finances and I didn’t find out about the funeral date until the end of the week, and which days of work would be impacted. It’s hard to even allow for time off, even when it’s so needed. Then again, my cousin has also been in the same position, unable to take time off from her job, despite 3-5 days being the standard, from what I know. It has meant welling up with tears whilst walking to work for 45 minutes, finding more time to talk to family without being able to see them, and writing poems of grief in the early hours of the morning.

I feel like I’m just about staying afloat, whilst wanting to carve time that allows me to realign my schedule the way that is more fulfilling each day. I’m also ordering 25 copies of my book ‘Circles’ from my publisher, Burning Eye Books, ahead of the digital ‘Living Record Festival’, which will be taking place from 17th January until 22nd February, where listeners can buy a copy of my physical book, along with the audio and creative activity. You can now buy £15 tickets for the festival, remembering that this includes a copy of the book, which is worth £10.

I am also waiting to hear the results tomorrow having been shortlisted for the Anthology Magazine prize, so fingers crossed! It would be something positive to hold onto for my poetry career, for sure, but even making the shortlist is still an achievement worth celebrating, something that I forget to do all too often.