Freelance Reflections #44

This week’s biggest news is that I’ve had work published in The Rialto, with issue 96 launching on the Thursday just gone. My poem ‘my name in an english accent’, is about my name. It deals with the experience of being ‘Othered’ because of it growing up in the UK, and my experience of then living in Spain, where my Englishness was more apparent than ever before, and talking to someone I met there, who I never became as good friends with as I would have liked, but felt an affinity to, perhaps as they were from Norwich, where I went to university, and perhaps also because our conversations were deeper than a lot of others when getting to know new people in a new city. 

I’ve tried many times to write about my cultural identity, and my Hispanic heritage, and with this poem I feel I’ve managed to capture what I wanted to say in a satisfying way of which I’m proud. It’s a complex piece that deals with other things aside from being just about me, but I also feel like it’s easy to understand the meaning. The issue features work chosen by Degna Stone, seeking to bridge the gap between the stage and the page. Most poets will know what an achievement it is to be published in The Rialto, but I hope many others will read it too. 

I’ve also recently been published internationally in Hong Kong’s Proverse Mingled Voices 5 (The Hungry Caterpillar as a Body Positivity Icon) and Untitled Voices: Issue 3 Volume 3 (Tattooing the Moon). I’m really proud of the poems in each of them. The first two can be purchased online in print form, and the latter can be read online for free. 

I read and reviewed Rosie Wilby’s ‘The Breakup Monologues’ just across one weekend, which is very fast for me (I’ve got several books on the go, some of which I’ve been reading for a year or two!) The temptation of sunshine has got me reading more! Keep your eyes peeled for a review in The Norwich Radical soon.

I also went to an Apples and Snakes workshop on first collections with Lewis Buxton, who I’ve not seen for years, but felt inclined to mock his “Yorkshire” accent; I remembered many things about him, including his love for Simon Armitage (hence the impression), his desire for neat stanzas, and the fact Roger Robinson once questioned why he didn’t read poetry books cover to cover (he does now). Now, I just need to get into gear to work more on my collection, which seems to be ever growing as time shrinks.

Next up, poetry-wise, this Saturday 19th June, I’ll be holding a stall at Camberwell Arts Market from 9am – 5pm. I’ll be selling books, paintings, and providing some bespoke poetry at bargain prices! I just have to get organised this week, and dust off my iZettle ready to sell out my stock!

Freelance Reflections #43

So, I smashed my 300,000 steps goals for May, raising money for Leading Lights. You can still sponsor me and donate here. I also missed some steps when I went to play basketball and left my phone, but I recorded 307,372 steps.

I took some time off for the interment of my grandad’s ashes, and spent time with family. It was sad, but it was nice to be together finally and look back at these old photographs. I hope to visit again in the summer and reminisce some more through more photo albums.

Having had the half term break, this usually means less students for me, and I only had two, so it would be a great time to buy some of my books from my Big Cartel. Also, if you’re based in South East London, I’ll be part of the Camberwell Arts Market on Saturday 19th June, 9am-5pm. I’ll also be doing some bespoke poems there; you give the ingredients, and I’ll create a short poem for you.

I’ll also be doing my first in-person live show on Sunday 4th July as part of Simon Mole’s Poetry Picnic at Arts Depot, where I’ll be sharing a new poem written especially for children, aimed at a slightly older age range, probably between 9-13. It’s just under a month away, so I’m sure it’ll come round soon enough!

Otherwise, I’ve been keeping up walking alright, not always keeping to the 10,000 goal, but enjoying some sunsets ping pong along the way. It’s also been nice being indoors again at board game cafes, and now the sun is peeking through the clouds now and again, I’ve taken a few breaks to sit in the sun and read. I’m currently reading comedian Rosie Wilby’s The Breakup Monologues, which I’m reviewing for The Norwich Radical, so technically it’s also working. I’m really enjoying it so far.

Freelance Reflections #30

So, I’m currently decompressing after the Living Record Festival finished on Monday! As well as taking part in the festival myself, I also completed a total of 11 show reviews, pretty much all in the last week of the festival. These mini-reviews will be published on The Norwich Radical soon, so you can find out some artists to follow.

Here are some final images from listeners… though rather unusually, two printed with a black background, and one listener, unable to print, drew her own version. Next, I’m hoping to record a binaural version with the Living Record, and potentially put out a more permanent version of the audio. Watch this space!

I still have over 25 copies of the illustrated poem available in book form from Burning Eye Books, signed directly from me on my Big Cartel shop. Meanwhile, I’m looking to begin a new schedule realistically by the second week of March, which will allow me to carve more space for creativity.

Freelance Reflections #4

The past couple of weeks, work-wise, I’ve done a mixture of exam invigilation, tutoring, and content writing. It feels like I’m slowly building something with more regularity, but work has taken over a bit from a lot of focused writing time.

The exam invigilation hasn’t really been worth it financially, but I’m going to give it a go at a school more local to me over the next month or so. It takes me 35 minutes to walk there (and just as long going on public transport), so that will tick off my exercise that day.

 

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Artistic Director, Lisa Mead

 

The last couple of weeks have included a lot of arts events. This started with Poetry Pioneers celebrating 35 years of Apples & Snakes, which was incredible – I enjoyed seeing those poets I know and love, as well as The Upper World, fusing music and poetry. She Grrrowls was a success this month, and I also saw 4.48 Psychosis and reviewed it for The Norwich Radical.

 

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Photo credit: Paul Point (Chocolate Poetry Club)

I had the privilege of attending a workshop with The BreakBeat Poets. Sadly, I had to leave early to cover a creative writing workshop for work. The fantastic Jemilea sent me notes on what I missed, so next time I carve some writing time out, I can return to this!

 

The following week, I saw Florence + The Machine at the Royal Festival Hall, went to my wonderful friend Sarah K. Perry’s book launch for her debut novel ‘Let Me Be Like Water’, and have generally commenced with my birthday celebrations, with the big day being on Monday!

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I tried to balance work with sunshine time since we had a little heat-wave, which meant a lot of drinking beer in pubs and parks with picnic food. It also meant I got a lot of my maths revision done. Now, I just need to be careful I’m not burning the candle at both ends too much, focus more time on writing, and make sure I have enough time to do all the paid work I’m committing to do.

Sex in the Afternoon

In the light of the publication of my review (The Norwich Radical) on the Wellcome Collection’s exhibition, The Institute of Sexology, I am posting a poem I recorded at the museum this summer. It was played at the related event Sex in the Afternoon, which took place at the Southbank Centre and featured Malika Booker, Kei Miller, Warsan Shire and Rachel Mars.

Recordings were played prior to the event, and featured Burn After Reading poets, including: Antosh Wojcik, Belinda Zhawi, Cameron HolleranHarriet Creelman, Katie Byford, Rachel Long and Victoria Anne-Bulley.

The Institute of Sexology continues at the Wellcome Collection until 20th September 2015. Sex in the Afternoon tour dates include Contact in Manchester on 23rd September and West Yorkshire Playhouse in Leeds on 12th October.