Freelance Reflections #31

I’m currently offering the chance to win a free copy of my book, ‘Circles’, and to be in with a chance of winning, you should be following me on Instagram, and then like or share this post by midnight on Sunday 7th March. Here are some pictures from the post, celebrating the journey so far, which has seen a 4-star review of the audio, and a 5-star review of the book, as well as some really lovely words that people were generous enough to share with me

Meanwhile, I’m slowly starting to get on top of things to begin my new schedule. I’d love to start next week, but it will also depend on how the weekend goes. I’ve had assessment after assessment for Borderline Personality, and I’m still not getting enough sleep, so I’m feeling very drained as I write this. Alas, the show must go on, and tonight we have a full open mic or both new and returning guests, which is sure to fill me with fire once again!

Freelance Reflections #30

So, I’m currently decompressing after the Living Record Festival finished on Monday! As well as taking part in the festival myself, I also completed a total of 11 show reviews, pretty much all in the last week of the festival. These mini-reviews will be published on The Norwich Radical soon, so you can find out some artists to follow.

Here are some final images from listeners… though rather unusually, two printed with a black background, and one listener, unable to print, drew her own version. Next, I’m hoping to record a binaural version with the Living Record, and potentially put out a more permanent version of the audio. Watch this space!

I still have over 25 copies of the illustrated poem available in book form from Burning Eye Books, signed directly from me on my Big Cartel shop. Meanwhile, I’m looking to begin a new schedule realistically by the second week of March, which will allow me to carve more space for creativity.

Freelance Reflections #29

It’s the final few days of the Living Record Festival, and I’ve received my first review of the festival! The Reviews Hub writer Maryam Philpott reviewed my piece ‘Circles’. I found out via Twitter, seeing my photo (taken by Tyrone Lewis) and the four lovely little stars. I told my family straight away, and my dad, who’s a history teacher, immediately knew she was also a historian and author of ‘Air, Sea and Power in World War I’. How exciting! I’ve also managed to get a press pass to write some reviews of other shows for The Norwich Radical, so I can listen to as many as I can squeeze in until the end of the festival.

Aside from this, and doing a bit of a takeover tomorrow for The Bedford Place’s Instagram on Saturday, this week has been less hectic than others, though I’m still trying to get on top of things so that perhaps by March I may be able to test out a new schedule that will seek to bring more creativity into my life. Although I’d love to create a binaural version of ‘Circles’, moving forward, I’m looking towards other ongoing projects, including prose, poetry and a spoken word show.

For some reason, these have been printed with a black background, but here are a couple more activities I’ve been sent. You have until Monday 22nd February to ‘Circles’ and send me your designs via @carminamasoliver on Instagram or head to my contact page for other ways to get in touch. You just need to print out the design and colour with pens, pencils, felt tips – whatever you have at hand!

Freelance Reflections #24

The Living Record Festival is why we do what we do. The creative work is why I have pursued the path of being self-employed. At times, I can lose sight of that, so it always feels good to be a part of something that nourishes the reasons for our being.

Tomorrow, Living Record Festival officially launches, and you will be able to listen to my audio for ‘Circles’, and use the PDF to print and use as you listen. You can buy tickets now and listen every day from tomorrow until 22nd February. I’ve also included a Q&A session for free, which will take place on Zoom on Friday 12th February 5-6pm. Tickets to listen cost just £5, and there’s also a link to buy the book, which I can sign and dedicate to you.

I’ll probably continue to bang on about the festival throughout it. As well as my own show, I’d recommend checking out Maria Ferguson’s ‘Alright, Girl?’ reading her book (which I’ve read) published by Burning Eye Books and Leanne Moden’s Skip Skip Skip (which I’ve seen live at Edinburgh Fringe Festival). I’d also like to recommend Elian Gray’s show as he kindly helped me when recording my piece, and it sounds exciting! With the national lockdown, it’s the perfect time to support artists and listen to something different each day, perhaps using the money that may otherwise be spent on your lunch break!

Freelance Reflections #19

So, what can I say about this week being freelance? Well, I have a bill of nearly £1000 coming my way from overpaid tax credits in 2018-19. The good news: I earned more money than in 2017-18. The bad news: it’s 2020, I now pay rent, the Christmas holidays are approaching, and we’re in the middle of a pandemic. With that in mind, I’ve been taking the opportunity to plug my book, ‘Circles’.

Circles is an epic poem inspired by Sarah Kane’s 4.48 Psychosis. Taking the point of view of a suicide victim’s lover in the play post-death, the piece takes place on London’s tube network and follows the fragmented views of this once-absent character. It is a piece about love, loss and the line between sanity and insanity. Whilst fictional, the emotions and experiences are also inspired by elements of the author’s life, and are written with the aim to bring comfort and healing to those who can relate to its themes.

The book was published last year and I began to tour at the start of the year, and then… you know the rest. If I sold just 100 copies of this, then my bill would be sorted, so if you’re reading this and can spare a tenner, order a copy for yourself. If you can spare more, why not buy some for your friends and family? And if you can’t afford it, a share on social media or any way you can would really help.

I shared extracts from ‘Circles’ on ‘Spork’ in place of the real-life gig from my tour dates. It’s available to listen to on Spotify, and I’ll also be recording an audio version of the whole poem for The Living Record Festival in 2021, so watch this space for updates on that.

“I speak and the only voice I want to hear is yours” This is a quote from Carmina Masoliver’s stunning epic, Circles. Yet, I find myself feeling this way about her voice. Carmina has a very special way of finding the smallest of cracks in your heart and filling them with visceral, yet elegant poetry. She mines the mundane; those everyday moments riding the tube, or in the shower, or sitting with a stranger on a fence, and she brings you into them so gracefully, before you know it, you are sitting on the tube with her, “holding onto her hand in a reverie.” – Sabrina Benaim

‘This poetic dramatic monologue is at once lament, and testament to an unimaginable reality. Masoliver has created a theatrical poem that is both haunting and ethereal, where the audience experience the world though a protagonist trapped in on a train looping the central line and and her recurrent memories of a lost lover. The fragmented beautiful lyrical prose unfolds like a smashed mirror, each piece a jigsaw. Circles takes us effortlessly into the head of a suicide victim’s lover in order to illuminate the devastating effect of her grief. She captures an elusive emptiness whilst hypnotising us with an honest lyrical epic.’ – Malika Booker

I have five copies of my book in stock, and five more of the She Grrrowls anthology, so even if I sold those ten books, it would be lovely (as I would have to buy another big lot of books from the publisher in order to sell more than five of each). You can get them from both Burning Eye Books directly too, and I will be sure to plug again once I’ve sold out.

Tonight, I’ve just done the final Instagram Live show for She Grrrowls until next year. I’m giving myself January off, so the next show will be February 2021! It was particularly exciting to have fellow Burning Eye poet Cynthia Rodríguez share their work, which I loved during the She Grrrowls tour, when collaborating with Leicester’s Find the Right Words.

Meanwhile, I’m trying to find some balance between being horribly productive with all the stuff I have to do, doing the more creative stuff (when, oh when will I have time?) and giving myself a break and resting. This weekend, I’m having an actual weekend filled with mother-daughter Christmas shopping time and chilling the fuck out on Sunday with some wintery walks or something.