After hours and hours, days upon days of editing transcripts and wondering why I decided to do transcripts for the podcast, I have finally released the first episode using the platform Anchor, so it is now available on Spotify! For some reason, the link to the transcript isn’t a link, and I’ve tried to fix that, but maybe it takes time to update. It’s also in the process of being added to other listening platforms.
The first episode features Kayo Chingonyi, who I interviewed first back in October 2021 in Leeds, when I was also able to catch-up with the wonderful Sarah Perry. I felt like Kayo really articulated a relationship between poetry and music in a way that really resonated with me. I’ve been a bit delayed with putting it out, with the She Grrrowls festival and Covid (which I’m currently having a kind of relapse from), so I’m planning to release an episode a week every Friday.
I’ve recorded my penultimate podcast episode! Soon all that will need doing is the editing, and then working out Spotify and putting it out there! This has been my favourite part of this project as I’ve got to have some really interesting conversations and also caught up with poet friends that I haven’t seen in a while!
I’ve been dedicating more focussed time to playing the uke, and doing some tricky stuff in terms of both chord transitions and trying to play along to a metronome. On days where I have been able to have balance and do this, I have been feeling much more fulfilled and happier in what has felt like and up-and-down time. And apparently, only now mercury’s in retrograde.
December always seems to be the time where people start to take stock of the year that’s coming to an end. It is also a time that seems to be extremely busy, making sure to meet deadlines and get everything prepared for the holidays, even though these holidays will be very strange. I don’t like to think about it much as it makes me sad, but I also know I have a lot to be grateful for this year.
I haven’t had time to do much reflection at the moment, so will save that for nearer to the close of the year. Meanwhile, the reflection I have been doing is for how fortunate I am for the work I do. I love working with children one-on-one, and I’ve just started working with a new agency for a 4-hour placement each week, giving tuition to those who wouldn’t otherwise be able to access it. I’ve also started tutoring someone in Spanish, which is great as I am only around B1 level, and they have just started learning.
Today I finally finished Girl, Woman, Other by Bernardine Evaristo. I absolutely loved it, and having recently met with my old She Grrrowls co-host Ibizo Lami, who was listening to it on an audiobook for the second time, I really got the sense that it would be a good book to read again with the knowledge of having read it once. One of the things that I thought was so great about the book was that you would read something from one character’s perspective and agree with them, only to hear a counter-point from another character that made you think in a completely different way. It wasn’t so much about wrong and right, but it held multiple truths in coexistence.
I’ve been enjoying re-listening to all my top tracks on Spotify, and I’m slowly making my way through the ‘On Record’ playlist, which is incredible so far. I listened to Phil Taggart’s Slacker Podcast, interviewing Biffy Clyro, and it just really made me smile and laugh. ‘Switched on Pop’ was really interesting on ‘Unlocking the Rhythms of Rosalía’. A Zach Sang interview with Poppy was weird and wonderful, and I appreciated how she spoke about being softly spoken and commented ‘I like my volume’, when it was brought up. There were a couple of podcast episodes from Skullcandy, including one on Tommy Genesis, and so it was great to hear more about her. The podcast ‘Dissect’ came across as quite robotic in its delivery, but the dissection for Beyoncé’s ‘Lemonade’ was really intriguing.
I watched ‘Prince Avalanche’, which was a really moving story of two brother-in-laws painting road lines, which was equal parts hilarious. I want to share more about the things like this that I come across. I feel like I haven’t really achieved the things I wanted to this year, but seeing as we’re in a pandemic, maybe I should give myself a break and appreciate the things I have done. Next year, I would like to focus less on productivity and more on carving out the time for my creative practice as well as my more regular, paid work, and to have more time on Sundays for reading and relaxing and maybe even watching more films.
So, what can I say about this week being freelance? Well, I have a bill of nearly £1000 coming my way from overpaid tax credits in 2018-19. The good news: I earned more money than in 2017-18. The bad news: it’s 2020, I now pay rent, the Christmas holidays are approaching, and we’re in the middle of a pandemic. With that in mind, I’ve been taking the opportunity to plug my book, ‘Circles’.
Circles is an epic poem inspired by Sarah Kane’s 4.48 Psychosis. Taking the point of view of a suicide victim’s lover in the play post-death, the piece takes place on London’s tube network and follows the fragmented views of this once-absent character. It is a piece about love, loss and the line between sanity and insanity. Whilst fictional, the emotions and experiences are also inspired by elements of the author’s life, and are written with the aim to bring comfort and healing to those who can relate to its themes.
The book was published last year and I began to tour at the start of the year, and then… you know the rest. If I sold just 100 copies of this, then my bill would be sorted, so if you’re reading this and can spare a tenner, order a copy for yourself. If you can spare more, why not buy some for your friends and family? And if you can’t afford it, a share on social media or any way you can would really help.
I shared extracts from ‘Circles’ on ‘Spork’ in place of the real-life gig from my tour dates. It’s available to listen to on Spotify, and I’ll also be recording an audio version of the whole poem for The Living Record Festival in 2021, so watch this space for updates on that.
“I speak and the only voice I want to hear is yours” This is a quote from Carmina Masoliver’s stunning epic, Circles. Yet, I find myself feeling this way about her voice. Carmina has a very special way of finding the smallest of cracks in your heart and filling them with visceral, yet elegant poetry. She mines the mundane; those everyday moments riding the tube, or in the shower, or sitting with a stranger on a fence, and she brings you into them so gracefully, before you know it, you are sitting on the tube with her, “holding onto her hand in a reverie.” – Sabrina Benaim
‘This poetic dramatic monologue is at once lament, and testament to an unimaginable reality. Masoliver has created a theatrical poem that is both haunting and ethereal, where the audience experience the world though a protagonist trapped in on a train looping the central line and and her recurrent memories of a lost lover. The fragmented beautiful lyrical prose unfolds like a smashed mirror, each piece a jigsaw. Circles takes us effortlessly into the head of a suicide victim’s lover in order to illuminate the devastating effect of her grief. She captures an elusive emptiness whilst hypnotising us with an honest lyrical epic.’ – Malika Booker
I have five copies of my book in stock, and five more of the She Grrrowls anthology, so even if I sold those ten books, it would be lovely (as I would have to buy another big lot of books from the publisher in order to sell more than five of each). You can get them from both Burning Eye Books directly too, and I will be sure to plug again once I’ve sold out.
Tonight, I’ve just done the final Instagram Live show for She Grrrowls until next year. I’m giving myself January off, so the next show will be February 2021! It was particularly exciting to have fellow Burning Eye poet Cynthia Rodríguez share their work, which I loved during the She Grrrowls tour, when collaborating with Leicester’s Find the Right Words.
Meanwhile, I’m trying to find some balance between being horribly productive with all the stuff I have to do, doing the more creative stuff (when, oh when will I have time?) and giving myself a break and resting. This weekend, I’m having an actual weekend filled with mother-daughter Christmas shopping time and chilling the fuck out on Sunday with some wintery walks or something.
It’s been over a year since I wrote a freelance reflection, and my 3 year anniversary of being self-employed passed by just recently. Although the current pandemic impacted my work, and meant I had to sadly cancel planned and potential tour dates for my book ‘Circles’, published by Burning Eye Books at the end of 2019, I am now back to my usual work.
I spend mainly my mornings content writing, and my afternoons tutoring. There’s not as much time for creativity as I would like, but I love being freelance and I’ve now moved out of my parental home for the third (and hopefully final) time, living with a friend in South East London. I’d moved to SW around the age of 4/5, so prior to that I had lived around Herne Hill and Norwood, so I feel very at home now, more than I did before.
Part of why I love being freelance is being able to create balance in my life, in a way that isn’t always possible being employed (though it should be, and I think this pandemic has shown how flexible the workplace can truly be). I wake up between 7:30-8am, and after listening to a guided meditation in bed, I’ve started doing my Spanish apps for 15 minutes whilst having breakfast. I digest my food whilst writing my journal, then do some exercise. This has been at home (dancing, hula hooping, skipping, lifting dumbbells, and Nike Training) or outside (jogging, skateboarding, rollerblading), but I’m thinking of joining a gym. After 2-3 hours of content writing, I have lunch and then I have some time for other activities like submitting poems, and studying Spanish. I come home from tutoring between 6:30-7:30pm, depending on the day.
After making my feedback notes, I have dinner and try to spend the evening doing less work-focussed activities. I’ll mess around on my phone, probably a bit too much, watch some sort of programme, and then ideally have some time to do some varied activity, which could include listening to a podcast or music, drawing or colouring in, playing games, chatting, or writing. I also love baths, which I like to have before watching a programme, so this free hour sometimes (often) goes out the window, and then ideally I would read for an hour. I do tend to self-sabotage in the evenings, rebelling against my own structure of the day, and some evenings I’ll go out and do none of these things I plan, but I know when I do follow the structure roughly, it can be really fulfilling.
During the last few months, I’ve been doing some Instagram shows, including with She Grrrowls, my own channel and a couple of other online shows, including Spork, which can be listened to on Spotify, and The Word Bin, where I just talk about why I would bin the word “needy”. I was also commissioned to write a poem about small acts of rebellion during the current pandemic and lockdown, as part of the Royal Museums Greenwich’s Museum From Home series.
I had the urge to look back at my last 5 year plan from 2017 and made a new one. I find it interesting how overly-ambitious I have been, and I’m not sure if I’ve done the same with this new one, but it’s funny to think I had put ‘think about children’ in 2021, and now in 2020, I’ve changed this to ‘freeze eggs’, which I really hope I can do through the donor scheme as I have donated eggs three times now, so this would be my last chance. I’ve included career goals alongside personal goals like this, and imagining I may be able to save for a deposit on a place by the age of 36, and think about children around that time too. I have no idea what situation I’ll be in then, and though it’s a nice idea that I may have a partner to do these things with, in 2017 I had also hoped to move in with my then-partner, and I’m much happier now living with a friend, so there’s no saying that any of these things will make me happy, which really is the most important goal of all.