Freelance Reflections #24

The Living Record Festival is why we do what we do. The creative work is why I have pursued the path of being self-employed. At times, I can lose sight of that, so it always feels good to be a part of something that nourishes the reasons for our being.

Tomorrow, Living Record Festival officially launches, and you will be able to listen to my audio for ‘Circles’, and use the PDF to print and use as you listen. You can buy tickets now and listen every day from tomorrow until 22nd February. I’ve also included a Q&A session for free, which will take place on Zoom on Friday 12th February 5-6pm. Tickets to listen cost just £5, and there’s also a link to buy the book, which I can sign and dedicate to you.

I’ll probably continue to bang on about the festival throughout it. As well as my own show, I’d recommend checking out Maria Ferguson’s ‘Alright, Girl?’ reading her book (which I’ve read) published by Burning Eye Books and Leanne Moden’s Skip Skip Skip (which I’ve seen live at Edinburgh Fringe Festival). I’d also like to recommend Elian Gray’s show as he kindly helped me when recording my piece, and it sounds exciting! With the national lockdown, it’s the perfect time to support artists and listen to something different each day, perhaps using the money that may otherwise be spent on your lunch break!

Freelance Reflections #22

The start of the year will begin with the Living Record Festival, where I’ll be sharing ‘Circles’, as previously mentioned. I’ve been challenged as things have not gone as expected. My binaural experiment failed as it appeared the microphone was broken after spending an hour and a half setting it up, with lots of phone calls for support. I’d realised when I collected it that I could only test it out in the studio, and everything went perfectly in terms of set up, but it was just sod’s law that it didn’t work.

However, this has all been put into perspective and I’ve given myself more time to rest than ever. Yesterday, my maternal grandad died. It is still so raw and the shock is intense as he was in hospital only a week. As many others have experienced this year, it is the worst time to lose someone, as my parents and my nan are having to self-isolate after having seen him. But I am grateful they at least had that. He turned 80 just as we went into lockdown, and although we never got the celebration, we managed to see him in August.

I had 25th – 27th off to rest and relax, and likewise, I have given myself most of the time from the evening of New Year’s Eve until now to do the same, and just taking things slowly. Tomorrow is ‘Blue Monday’, but work may end up being a welcome distraction at the moment. Perhaps grief will allow me to work more in the way I want to, rather than with the stress and pressure I have been putting on myself on the lead up to and between these holiday breaks.

Freelance Reflections #21

The main news this week is that I am in the process of recording audio for the Living Record Festival. I’ve done one recording already, but I’ll be experimenting with a binaural microphone to see if I can do something a bit different. I’m going to try to give myself three solid days off for spending time with my bubble, walking, reading, watching films and eating good food, then I’ll be back in the studio recording and at my laptop polishing the piece.

I saw fellow Burning Eye poet Maria Ferguson post about it and thought I would also apply. After many years after doing Scratch That Hackney, I’ve been working with producer Ellie Barr as part of the festival, which I believe is where I may have performed some of ‘Circles’ before. To find out more about the festival and the other artists involved, please sign up to this mailing list.

As part of this digital festival, I’ll be featuring an audio version of my book ‘Circles’, with a ticket option to include a copy of the the physical book. Whilst listening, I’ll also include a PDF of an activity with every ticket. The festival launches in January 2021, so make sure to sign up to the mailing list to keep updated.