Christmas Catch-Up and a Cuppa

Grab yourself a cup of tea and join me for a much needed Christmas catch-up! I’ve not written in over a month as I’ve been so busy. Now I’m writing I can’t think of much that is new. But what is new is pretty big!

My major news is that I have now found out my grade for my Creative Entrepreneurship MA – DISTINCTION!! I was feeling nervous so am relieved and happy with my result! I can now either wait until July for the congregation, or pick up my certificate in February  I’m not sure which to do as I won’t know many people there – if anyone!

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Secondly, I performed my piece at The Gallery Cafe for ‘Word’s A Stage’. I was really pleased with how it went and spoke to lots of lovely people afterwards who showered me and my fellow poets with kind compliments and conversation.

I performed the piece again at The Place, in Bedford, as a part of ‘New Write Nights’. As I had work the next day I had to dash off during the interval. The organiser was kind enough to be my taxi for the night and I got paid expenses so it was great to get out from London for something different. I also met a woman called Jan, who works for the Arts Council and I had the pleasure of talking to her on the train back.

Here is the feedback I got from the night at The Gallery Cafe:

Carmina’s piece was nicely written and touching. I enjoyed how she used the tube stops as beats.

Great! Really interesting combination of content with structure (circular) – worked really well to express emotion of a breakup. But slight overuse of pop culture references, I thought (didn’t add anything).

Great [illegible word – simile?]. It flowed lovely. Would love to hear more. I love the excellent references. Q: What is your main influences [sic]?

Beautiful & moving, really drew me in.

Great control, structured by the underground stations – would love to read it. Wonderfully consistent rime [sic] scheme.

Nice – great use of the train journey as a structure for the piece. Some beautiful lines – “not trying to make you jealous – I want you to come back.” Lovely delivery, could perhaps play more with pace. Reflecting in the Indian meal for example, this is a bright moment.

Beautiful – train lines like a web was wicked and revisiting this was great – you had my stomach in knot. Very powerful.

Really liked the Circle Line framing for this piece – something all Londoners can relate to – as well as the excruciating heartbreak too.

Carmina’s words just escaped being too tragic to bear. The train metaphors link could mesh more.

Graceful, passionate, emotive, soulful, honest, scarred.

I’m feeling the urge for a clearing as I have a few scraps of paper and books etc. under my bedside cabinet that needs sorting. I have pieces of poetry in books, on my iTouch and on the tip of my tongue. I started a novel in November but will need to save that for the future, having written no more than 5,000 words.

For now, I’m awaiting the response of the Arts Council for my funding application for my event for Poetry & Paint. The event will go ahead nevertheless, but funding would make an amazing difference. It will be quite intense organising the event for March 31st 2013 but I’m confident I can do it. I’ll also be making a book to go along with the event and act as a kind of programme, showcasing the featured artists as well as others that have produced work for the concept and a piece introducing the topic and outlining why it is important for writers to engage with other artforms.

So, with the new year approaching, I am concentrating on this event, as well as working towards gaining a publisher for my own poetry. I also want to focus on extending the piece I did for ‘Word’s A Stage’ to a full-length show, and from Spring, look at setting up more regular events. I also want to reflect on my Arts Plan to see how much progress I’m making.

As for my new years resolution; it can be summed up by two words: appreciate life.

At times I have been overwhelmed, taken too much on,
burned the candle at both ends,
felt like I was losing friends,
and before I knew it the year was gone.

To a new year, and truly appreciating life.

xxx

“Are you doing burlesque?” – “No, I’m doing poetry”

On Sunday 4th March I finally made my first appearance at Finger in the Pie Cabaret at Madame JoJo’s. I did a sound check which was a bit odd as I’ve never really done one before. I then had a long time to wait in the dressing room. My nerves were building in this time, and made all the more intense as the room was bursting with other performers; mostly burlesque dancers. The atmosphere was more intense than other poetry gigs, because there was more of a sense of unity and collectivism – we were putting on a show together, rather than just individually putting on each act. It was a very supportive and friendly environment. Everyone was lovely, but burlesque dancers Shady Lane and Velvet Lune spoke to me the most. Marga, another burly girl, from Italy, made a great effort to speak to everyone. Although not in the show, Annaliza Jennings was also really lovely – she does the marketing side of The Cheek of It!

The butterflies in my stomach, and sudden mind-blanks regarding my act, reminded me of my days at Gemini Dancers shows (Royal Albert Hall baby!) and UEA Dance Squad and Pole Dancing competitions. Before taking to the stage, the hosts (Moonfish Rhumba, reminded me a bit of Flight of the Conchords) assumed I would be doing burlesque when checking my act, and I told them I was actually doing poetry. They were going to mention I had books to sale (Carmina’s Poetry Tease) but sadly didn’t which is a shame because I would have mentioned it myself at the end and maybe would have sold some. It’s not really something you can just mention every time someone compliments you!

I wish someone had filmed the performance as it pretty much went perfectly. I was thrown a bit at one point when I thought someone had been laughing inappropriately, but I remembered all my poems – yay! I felt I performed well and gave a performance worthy of the £10/12 entry (although, as we discussed, none of us were getting paid). I think most of the material I chose suited the environment and I got a few laughs. And although I felt a little less glamorous than all the burly girls, without the glitter, I thought that my outfit gave a nod to the cabaret surroundings, wearing my pink fascinator (which I love). As I stepped out of the backstage area and into the audience, I was surprised by the people sitting directly behind the door. A guy gave me a thumbs up (which I will assume was in approval of my performance) and a few other people congratulated me on my efforts and said they enjoyed it. One girl put it on the same level as Glastonbury performances (organisers, take note for 2013!) Overall, it was a great show and I was really happy to be a part of it.

I did decide to take out one the poems I was going to read as it may have been misconstrued, as there is a line that says ‘I will not wear nipple tassels and knickers and call myself burlesque.’ I had the feeling that this may be seen as a negative statement and I didn’t want to have to explain myself. What I mean by that line is more complicated than a statement about burlesque dancing. It is more about the idea that not everyone can be a burlesque dancer, and is more a reference to girls that go out clubbing in such attire (I have witnessed a picture of one girl where she only had one of the nipple tassels on) and a comic poking at myself for times I may have gone out with too-revealing clothes, where the goal is to attract male attention. It is a statement to say I will not act like that, with an implication that maybe you have in the past but need to embrace the past and what you have learnt.

It is also about the discussions that took place at Madame JoJo’s. The burly girls told me that the clientele of the Proud Cabaret at Fenchurch Street wasn’t nice. I got the impression it had a seedy vibe, and attracted leery men that just want to see naked women, which is not what burlesque is about. If I were ‘Proud’ I’d take on board the feelings of the performers and get stricter with the audience. The point is, there is so much more to burlesque than simply taking your clothes off and I realised that more than ever being in the company of such lovely ladies; witnessing the nerves, the glitter, the hairspray and the huge amount of preparation it takes to get an act polished to perfection.

Here’s the full poem:

Tick the Box

I will buy a Yorkie bar, let it melt in my mouth and drink milk,
ignore the calories and not stick my fingers down my throat to be sick.
I will dream I have a dick
at night in my bed alone, wrapped in Cath Kidson flowers

I will be unattainable, no I’m not available
for you to screw, do what you do, and leave in the gutter
like butter wouldn’t melt.
And any tears I cry are simply for the time I’ve wasted in my life
over those that didn’t deserve more than the stir
of the spoon in my cup of tea,
because life is short and some people you just don’t need.

I will drink a cocktail or a can of lager,
and don’t want to know you if you judge me on the choice.
I will be shy as I am but you will never take my voice.

I will not wear nipple tassels and knickers and call myself Burlesque.
I will not fuck drunk, load each hole with spunk and call myself a feminist.
I will not be a nought
or throw myself over the balcony
or drown myself in the river
or have my tongue cut out by some Tereus
I will not be trapped in the attic
or be called over-dramatic,
or be told to rest, suffocated by yellow wallpaper
until my death.

I will not let you put me in a box of what you think female should be,
all I know is who I am, and I can only be me.

It has been a bit of a Feminist weekend. On the Saturday I had taken the day off work to go to the Million Women Rise march. Sadly, none of my friends came along so I had to go on my own. It was a rainy morning but by the time I arrived at Bond Street, the sun was shining. I got a bit of free cake from the Hare Krishna stand and chatted to a couple of people. We marched through the streets with tourists snapping cameras and filming like we were celebrities.

It was great doing the different chants and making a statement in such a way, that seemed to have more impact than Reclaim the Night due to its central pathway. My favourite was ‘power to the women, women have the power, sisters can you hear me, getting strong by the hour. Power! Power!’ This was because, it felt (needless to say really) very empowering. The rally in Trafalgar Square was interesting, informative and very moving.

Taking advantage of my time off work, I also went with a friend I hadn’t seen in ages to the Hayward Gallery. David Shrigley’s Brain Activity and Jeremy Deller’s Joy in People was showing. I’d only seen Shrigley in books and in collective exhibitions.

It was great to see the variety of work he has done and his 3D work, which is pretty much like walking into a pop-up book of his illustration work. He is known for being very comic, but it was interesting to see the more macabre side.

I was not really that aware of Deller,
however, I really enjoyed what he brought to the show, and found it interesting how
a thread of the concept of obsession in his work. The mining stories reminded me of my Grandad as he is from Barnsley, which was the setting at the point I started viewing from. It was also intriguing to watch the piece about Depeche Mode fans.

It also documented a lot
of the 80s and 90s which gave it a real sense of that era. I especially liked the quirkiness of the cafe installation, and the recreation of his bedroom exhibition. I also liked Pensées, which included extracts from his artist’s book, compiled from toilet graffiti – and in this case, surrounding an actual toilet. When a queue formed, this amused me quite a bit.

I found both artists inspiring in terms of my own work. Deller’s bedroom piece had elements of my own idea for my MA showcase. Shrigley inspired me in the more general sense, about how text and imagery work together, as well as this mixture of comedy and tragedy.

Well, it’s a longer post than usual, so if you’ve made it to here, congratulations. One last note; you can now find my work on Zukuri UnLtd – I have one piece up and running, with the next to follow shortly.

On here, look out for the Artist of the Month for March. As you can see, I’ve been busy, but it’ll be posted soon. Meanwhile, see if you can guess who it might be?! Also, I will be attending Lady Ha Ha  at Norwich Playhouse, to celebrate International Women’s Day. Let me know what you’re doing for it!

xxx