Freelance Reflections #102

So, I haven’t written in over two months. The last time I wrote, I said it had been a quieter period. As you can imagine this has been quite the opposite.

I am still working on a lot of the different things I have intended to work on outside of my course. I also made a big reading list and printed off the university reading list for the summer, and only now am I really able to have some time, which I hope will mean that I can read after having given myself a break.

I spent July tutoring and teaching English as a foreign language. I had quite a few busy weekends as one of my school friends got married in Cornwall and I celebrated my gran’s birthday in Rye.

Love love 💕

I also did two weeks of nannying, which was exhausting, but a big learning experience too, working with children in a context outside of education, ahead of my CAMHs placement.

When I looked back in my diary, I had also scheduled in some rest, but this was because I was physically unwell. It dragged on and on, but I couldn’t afford not to work.

I also got my hair bleached, which I don’t think particularly suits me. It’s a blonde ombré, I believe, but I got it done because I missed having my dip dyed hair and I am quite a low maintenance person and it’s fun, but also easier to maintain than the under died bits I had previously.

Needs some Barbie-pink!

I went to Rally festival even though I wasn’t feeling 100%. I was really disappointed that Festival didn’t communicate that Princess Nokia had had to pull out because I really wouldn’t have gone in order to preserve my energy. We didn’t even know that she’d pulled out because they didn’t inform people via email, but only on social media. We just waited at the stage and people were going on about someone else and we were really confused. I had been so looking forward to seeing Princess Nokia, having missed her the couple of other times that my friends have gone to see her.

The day after I finished work, I headed to the airport to go to Türkiye. It was my partner’s 30th birthday and it was such a privilege to go to his home country. We spent a lot of time with his friends and family, and travelled around a few places not too far from Istanbul. It has inspired me to put more effort into learning the language as I spent a fair bit of time not knowing what was going on. As well as some sightseeing in Istanbul, we also got three proper beach days we went to the island Bozcaada for two nights and Heybeliada for a day. I ate such good food and I feel very grateful to have had a whole mix of home-cooked meals and been treated to delicious dishes that I wouldn’t have otherwise discovered, as well as a few personal fines on a little island get-away.

Making partner be a tourist in his own country

Once I returned, I had some time to myself, but I didn’t get much at first, as I went to All Points East to see The Strokes, where I was really gutted to have stupidly been at the wrong stage, missing Be Your Own Pet, who I was really looking forward to seeing. I have also now accepted that The Strokes on that great live. girl in red stole the show for me and really just made the whole experience worthwhile, as well as spending time with two of my favourite Nats (who we discovered have the same second name too!)

Friends and Festivals

The next day I was in Portsmouth for two nights working at Victorious Festival. I did bar work and I hadn’t done bar work for a long time and maybe it was the festival vibes, but I really enjoyed it, and met one person I wanted to keep in touch with, and having just bumped into her after not thinking I’d see her ever again, I had to ask! I was really fortunate to have a shift on the Saturday, facing the stage where I got to see the likes of Kate Nash and Kasabian. I wasn’t so lucky on the second day when I was at a bar facing the opposite direction. We had to open loads of cans, and even more so on that particular bar and so all of my fingernails broke off by the end of it and it was really painful as I had been moved from a good bar to a rubbish one, I was feeling quite pissed off, to be honest, as well as a couple of times where I was spoken down to, which I didn’t appreciate. However, aside from a couple of people, most of the festival-goers were in an infectious good mood and it was actually quite difficult to stay grumpy!

Portsmouth

On the bank holiday, Monday. I had a student that I had to visit. Unfortunately they weren’t engaged, so I didn’t get to tutor them. However, once I came home, I did some lesson planning for the week ahead. I ended up having to switch that around because the group I was teaching wasn’t as expected. But I did two weeks of online lessons teaching English as a foreign language and although there were difficulties because a lot of the teenagers didn’t like to be on screen, and so it felt more disconnected than in person, overall I really enjoyed it. I also stayed with my parents as I could do it remotely, so that was a plus.

I had a lot of chores to do around the flat and I was really needing some me time, but I had a really great day going to Whitechapel Gallery to see an exhibition going to Bi Pride with a friend and bumping into a few poets there, and then I saw a fantastic film Scrapper on my own a Catford Mews, the cinema where I host She Grrrowls. I also noticed, the guy who runs the comedy night a couple of seats down for me also on his own, which made me laugh, the fact that we both are watching Scrapper on our own making the most of the £3 tickets. As the tickets were sold cheap, I had actually bought two thinking that I would be able to find someone to come with me at short notice, which was very wishful thinking, as someone in their 30s.

Bi Pride

The following week I started with some students in addition to the teaching I was already doing. I also saw the new biopic about Amy Winehouse, but I can’t say no more about that right now. I’ve also been doing some Lego parties and had some time to see friends and family, as well as have some me-time at the Lido to make the most of the good weather.

I have now been balancing students with getting top on top of other things. It’s amazing how full everything can be, even when I haven’t started university on my placement or completely sorted, my schedule of students for the remaining days, I’ve been dealing with a lot of difficult and time-consuming things with my flat. This has been really stressful, put a strain on my relationship and it’s also still ongoing. Thankfully I’ve managed to ask if I can delay my placement until this stuff is sorted, which should be mid-October, so, I really am trying to get through this time until then and that’s honestly just what it feels like. I’ve been so overwhelmed, to the point of giving up. But I put on my insect socks as I bagged up everything for fumigation (yes, we’ve had bed bugs, amongst a broken down washing machine, leaking ceiling and more…) because you’ve got to have a sense of humour when shit hits the fan.

Canvas & Cream, Forest Hill

But I am trying to find some joy where I can, whether that’s just now having seen a friend who is also a neighbour, having some hot chocolate and cake, or whether it’s having some me-time with a bath and a book, or enjoying the routine I have with my partner of having dinner and watching something on Netflix, or finding ways to deal with my emotions like writing in my phone what I’m feeling at that time to self-regulate, or finally getting out my sketchbook and drawing whilst listening to an audiobook. On top of the things that I have these goals to do, I think I need to accept that until I have the stuff sorted with my living situation, that my priorities might shift and that’s okay and I can practice gratitude in that I have this time now to have that flexibility, to support my partner at a time when he doesn’t have that luxury, and perhaps I will get more into that routine once the stress has simmered down.

Again, if you’re able to share or donate to my crowdfund as I train to become an Art Psychotherapist, or buy some books, please do!

Freelance Reflections #97

I have kept putting off writing due to a period of intensity. This week I had less paid work due to the half term break, but somehow it still feels overwhelming at times, trying to balance everything and make time for some relaxing moments without it feeling like a checklist. Still, I’m writing this as I wait for the 122 to a student with heavy traffic delays.

Kunst(Zeug)Haus exhibit

I don’t think I’ve written for the whole of May. It wasn’t all work and no play though. I went to Switzerland for the first time, to meet my partner’s parents. I really managed to switch off, saw some great artwork, and caught up with some reading for uni. In order to do that, I had to cancel some work, or where possible move it from one bank holiday to another.

Just before my birthday, I had an interview for my placement at Coram. I found out the next day that I got it! Plus I’ll be working with another Goldsmiths student from my year. I’m really looking forward to it and hope to make lots of time for reading over the summer.

Interview ready

I had a few days off for my own and family birthdays. I went to a comedy night, had family over for food and cake, went to an Everyman Cinema Eurovision screening with a friend, and spent the actual day of my birthday chilling – I went swimming, had a pub roast and watched Rye Lane. There were shitty points, and my roasts are better than the overpriced pub one, but I had a lot of fun too.

Mi Familia

Despite having written my coursework assignment in one sitting at the start of the month, this was just the reflective part. I then had to read and integrate the theory into the coursework and often worked until 11pm/12/1am leading up to the deadline, trying to perfect it. Eventually I had to accept that I couldn’t read more and submitted it.

Mi amiga

The assignment and paid work took over until I submitted on 25th May. I then had a weekend of celebrations, including seeing The Beths with my dad, Wide Awake Festival on the Saturday with my partner, and catching up with a picnic with a friend on Sunday after work.

Mi novio

Monday ended up pretty much being a write-off, and since then I’ve been focussing on my artwork for the MA Art Psychotherapy exhibition, which is done a rough plan for that day. Aside from this and work, I also had a picnic with my partner and parents. As much as I would have loved to stay in the sun, I had to get back to my canvas. It feels so good to paint and I’m really happy with how it’s turning out. The private view will be at Goldsmiths University on 16th June, with the exhibition continuing until Monday 19th June.

I also did my first paid cat-sitting job and got to look after one of my favourite breeds! This is Harriet – hopefully I’ll get to see her again!

Again, if you’re able to share or donate to my crowdfund as I train to become an Art Psychotherapist, or buy some books, please do!

Freelance Reflections #29

It’s the final few days of the Living Record Festival, and I’ve received my first review of the festival! The Reviews Hub writer Maryam Philpott reviewed my piece ‘Circles’. I found out via Twitter, seeing my photo (taken by Tyrone Lewis) and the four lovely little stars. I told my family straight away, and my dad, who’s a history teacher, immediately knew she was also a historian and author of ‘Air, Sea and Power in World War I’. How exciting! I’ve also managed to get a press pass to write some reviews of other shows for The Norwich Radical, so I can listen to as many as I can squeeze in until the end of the festival.

Aside from this, and doing a bit of a takeover tomorrow for The Bedford Place’s Instagram on Saturday, this week has been less hectic than others, though I’m still trying to get on top of things so that perhaps by March I may be able to test out a new schedule that will seek to bring more creativity into my life. Although I’d love to create a binaural version of ‘Circles’, moving forward, I’m looking towards other ongoing projects, including prose, poetry and a spoken word show.

For some reason, these have been printed with a black background, but here are a couple more activities I’ve been sent. You have until Monday 22nd February to ‘Circles’ and send me your designs via @carminamasoliver on Instagram or head to my contact page for other ways to get in touch. You just need to print out the design and colour with pens, pencils, felt tips – whatever you have at hand!

12.03.18 – Women of the World Festival

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I’ve been attending Women of the World Festival at the Southbank Centre since its inception, and I’m pleased to say that this year, She Grrrowls will be at WOW on Sunday 11th March.

You can catch us at 7pm as part of Gem’s Jam, where there will be live music and DJ sets along with poetry from SG poets Selina Nwulu and Bridget Minamore.

You don’t need a ticket as this part is free for all to attend and takes part in the Clore Ballroom in the Royal Festival Hall.

Verve Poetry Festival 2018

Well, readers (if you exist, it feels like writing into the abyss), I haven’t written properly her since Edinburgh Fringe Festival. Most of my reviews are written for The Norwich Radical, and I’ve now been writing for them for over three years as a volunteer. I felt the urge to write having recently come back from Verve Poetry Festival (alas, as an audience member, not a participant).

One of my cousins is at university in Birmingham, so I took the opportunity to get her a Saturday ticket and visit her whilst attending the festival. We had a lovely time, and I discovered new voices amongst old favourites. It was a bit overwhelming at times being surrounded by so many familiar names and faces, and by the end of the festival my brain kind of stopped working, but it was well worth it. I’ll go through some of my personal highlights.

Dead or Alive Slam

I’d never been to a Dead of Alive Slam, where actors read the work of past poets, and compete against the alive ones. I was very much in team ‘alive’, who were the overall winners, but I discovered poems by both I enjoyed. It featured Genevieve Carver, Isaiah Hull and Caroline Teague – the first two being new to me, and all of them brilliant.  Team Death consisted of poems by Christina Rossetti, Forough Farrokhzad, and Djuna Barnes (read by Tembi Xena, Lorna Nickson Brown, and Zeddie Lawal). Djuna Barnes really stood out to me, which might come in handy for the workshop I’m going to run with Spread the Word – The Femme Canon.

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City Poems

This section featured six commissioned poets, alongside competition winners, and was hosted by the judge Luke Kennard. What I liked about this section was that there were so many poets, and so much variety. It can be difficult to listen to poetry across three days (even for us poets) so this quick succession of poets was welcome for a morning event at the start of a long day. It featured local poets including Roy McFarlane, Bohdan Piasecki, Amerah Saleh, Jenna Clake, Casey Bailey, and Ahlaam Moledina. Having been tutored by Piasecki whilst in the Roundhouse Poetry Collective, and having met Saleh on a previous trip to Birmingham, it was particularly good to hear both their poetry. You can buy the book of poems here.

Stablemates: Bobby Parker

Chaired by Jill Abram, creator of Stablemates, there was discussion and poetry from Martha Sprackland, James Brookes, and Bobby Parker in celebration of new work from Offord Road Books. Although I wasn’t expecting it, Bobby Parker was my favourite poet in this section. He was open about the criticism he had received from his poem ‘THANK YOU FOR SWALLOWING MY CUM’, of which I wasn’t previously aware had provoked accusations of misogyny. I read the poem myself and although I think it’s horrible, I think it’s the intention, it being an exploration of this dark side of masculinity and the validation that men may place on such an act. It is simultaneously simple and complex, and I like it and Parker’s other word. I didn’t realise the connection between this poem and Thank You For Swallowing, which publishes incredible feminist writing.

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The Poetry Assembly: Romalyn Ante

Although a celebration of Jane Commane’s Bloodaxe collection, the event was also supported by Roz Goddard, Liz Berry, Romalyn Ante, and Matt Black. My favourite poet was Romalyn Ante, with her slow, rhythmic poetry, with vivid imagery, it was beautiful to hear her recite. My only issue with the programming of Verve Poetry Festival is the division of sections labelled ‘poetry’ and ‘spoken word’, when there were examples such as this where Ante knew her poems by heart and was in the ‘poetry’ section, yet others such as the Out-Spoken Press section were labelled ‘spoken word’ when both feature books.

Out-Spoken Press Showcase

In moving on to this ‘spoken word’ section, I believe one featured poet, Raymond Antrobus, has been quite vocal about claiming the title of ‘poet’ as his own rather than solely a ‘spoken word artist’. This showcase also featured Anthony Anaxagorou, Joelle Taylor, Sabrina Mahfouz, and Bridget Minamore. I’m very well versed on the latter three poets, all three featuring the the She Grrrowls anthology from Burning Eye Books and so it was great to hear them all together at Verve Poetry Festival.

Nymphs & Thugs: Maria Ferguson

The penultimate event I went to featured Salena Godden, Matt Abbott, Maria Ferguson, and Jamie Thrasivoulou. Whilst they were all great poets, Ferguson was my highlight here, and is always completing captivating. After her show ‘Fat Girls Don’t Dance’ (which I have seen and bought a copy of the book of the same title), she is now working on a show called ‘Essex Girls’. As well as her usual fantastic poetry, in the second half of the two hour slot she gave us a sneak peek into some of her writing from the show.

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Luke Wright & Ross Sutherland

Tom Chivers of Penned in the Margins presented the last section I could attend before hopping on my newly booked coach (otherwise I would have been on night buses from arriving by train 1am the next day in London). It think it was actually Tom Chivers who introduced me to the work of Luke Wright and Ross Sutherland just under a decade ago as an awkward undergrad on an internship at PITM whilst studying at UEA. I have since worked with Ross Sutherland during Shake the Dust, and Luke Wright kindly published my small selection of poems with Nasty Little Press and put me on at Latitude Festival, and I have kept following both their work. It was, as always, great to hear their stuff, especially having recently read and loved The Toll by Wright, and listened to some of the Imaginary Advice podcasts by Sutherland.

All in all, I hope you’ve enjoyed reading my recommendations (I has taken me a couple of hours of writing after all). Hopefully next year I’ll be writing as a fellow participant! I’ve been officially freelance since October 2017, so stay tuned for when I find time to write about what that has meant for me thus far (clue: I’m still very much settling back into the UK since my return from Spain in July).

 

One-Liners: Edinburgh Fringe Festival Reviews

I’ve written more detailed reviews for The Norwich Radical on shows by the Kitten Killers, Luke Stephens, Kate Smurthwaite, Pole and Hannah Chutzpah. Here I’ve included some smaller reviews to give you a flavour of some of my other many highlights.

Megan Ford: Feminasty

Satirical, character sketches and comedic speeches on gender, Ford switches between characters to connect comedy to more serious issues. We get a cool, informative zine on the way out, and a badge.

Shazia Mirza: A Word In Progress

There were moments I wasn’t sure about: the mention of ‘political correctness’, jokes about fat people, and Jewish people, and the upset at the mention of the girls who left Bethnal Green Academy. I work at the school down the road, and it’s something that directly impacts on the students I teach, but perhaps the point was to create discomfort. The theory that they went “for dick” seemed sadly poignant once the laughter died down and we were told that “epilator, knickers and body lotion” were on the top of their packing list. This is a slightly longer review, because I’m interested to see where the show will go, because, although funny, the ending – a commentary on Islam and so-called “ISIS” was momentous and powerful.

Bridget Christie: A Book For Her

There were at least three acts who mentioned the tax on sanitary products, but Christie suggested the ingenious idea of sending bloody knickers with “END VAT’ on them to George Osborne. In this show, she gave an ironic definition of what being a Feminist means and turned to politics in the UK and USA, with an intersectional focus on race issues.

Katherine Ferns: Conscious Incompetent

I disagreed with points made about “manspreading”, which is simply indicative of patriarchy, and as much a part of it as anything else, I didn’t like jibes at Beyoncé, and I didn’t like the use of the word “retarded”. However, she also made the obligatory tampon tax joke, and her ability to touch on taboo subjects such as incest, rape and pedophilia was both clever and somehow funny (and not in an offensive way). She spoke frankly of what difficulties in her life, from depression to drugs, and weighed up whether decisions she’d made were brave or stupid. Well, I’d say the brave outweighs the stupid.

Jack Rooke: Good Grief

He probably won’t want his youth commenting on, but I left Rooke’s show in awe of what he is doing. Not only has he created this wonderful show, which has the perfect balance of comedy and more sombre moments, but he is symbolic of how the personal is political. What goes on with the government directly impacts on our lives, and through The Good Grief Project, he is challenging current changes to the Widowed Parent’s Allowance.

Harry Baker: The Sunshine Kid

You couldn’t help but smile throughout this show, as Baker took us through his life prior to university to now through his poetry, which can be found in the book of the same title by Burning Eye Books.

David Lee Morgan: Building God

An intense show about revolution and communism, Morgan’s voice kept audiences captivated through his ways with words and the beat of the music he played as a backdrop.

Stephanie Laing: Nincompoop

A show about shame that started with not letting an old lady sit down, and inevitably went on to talk about drunken behaviour, bad dreams and sexual antics. With songs and a flute, Chesney Hawks, and a serious note about shame and self-harm, what’s not to love?

Bryony Kimmings and Tim Grayburn: Fake It ‘Til You Make It

I gave this show a standing ovation. I’ve never been made to cry from watching dancing before this. I bought the play text, but I wish I could relive the experience as I read. Bryony Kimmings and her real-life partner Tim Grayburn use comedy, dance, and spoken word to speak about mental health more honestly than I’ve ever seen before. It was incredibly touching and I wanted to cry a lot more than I actually did.

Sophia Walker: Can’t Care, Won’t Care

An insight into the care industry through a legal battle between the state and the carer. This shows as in with such jobs, there is minimal pay and agency for those who truly care about the individuals they work for, the service users. It was honest and passionate, and so heartbreaking.

The Kagools

No words and a whole lot of audience participation. I was thankful to do no more than eat a Hula Hoop. The best part was their use of pre-recorded material on the screen, and that whilst it felt like each part was a random act, it tied neatly together by the end.

Elf Lyons: Being Barbarella

I loved the Feminist angle of wanting to be this confident person, and wanting to be empowered sexually and otherwise. Lyon’s mis-matching accents was especially funny, as well as her use of costume.

Ben Norris: The Hitchhikers Guide to the Family

Ben Norris explores his relationship with his father through a hitchhike through all the places his dad had lived, proving an interesting story that explored masculinity as a whole and was sure to connect with many men in the audience.

Aisling Bea: Plan Bea

I loved this and was laughing constantly. She had good accents and I liked the reclaiming of ‘girl’ as a word of complexities, and there were slight political points, but worked in a subtle way. Again, this was about confidence and owning your own “shame” (her being in this heavy metal pirate video)

Mark Watson: Flaws

A show about flaws, obviously, and lacking self-esteem, mental health issues and turning to alcohol. Watson is such a warm character that you can’t help but warm to him (unless you were one of the three women who left after fifteen minutes).

Paula Varjack: How I Became Myself (By Becoming Someone Else)

A really interesting piece, as well as in terms of subject matter – the idea of changing your identity – but also in terms of how this was done visually – mixing front performance, through the camera and on screen. 

So It Goes

Another show with no words spoken aloud, but written on white boards, using props and dance to illustrate the story of Hannah’s dad, dealing with his death, and her friend David helping her to tell this story. There was laughter, and many, many tears.

Sara Hirsch: How Was It For You?

‘I can’t rhyme you,’ Hirsch proclaims, asserting why she can’t write a poem for her then-boyfriend, in the middle of what is almost a long love poem to the ex in question. But it was also a love poem to herself, and for everyone out there searching for love and the meaning of life.

Jemima Foxtrot: Melody

Beautifully intricate language, so poetic and mixed in, as the title would suggest, with a’cappella song. Foxtrot plays with humour and the unexpected in this wonderfully crafted piece.

Kirsten MacGregor: Hello Cruel World

I couldn’t believe this comedian was just 18 years old. It wasn’t only her grumpy persona that made her seem mature, but her confidence and comic timing.

Michael Burdett: Strange Face – Adventures with a Lost Nick Drake Recording

Really interesting true story of… well, it does what it says on the tin. There’s a book with lots of people, including well-known people, photographed whilst listening to the a rare recording of ‘Cello Song’ with their stories.

Mark Stephenson: Amsterdam

A hilarious story about an absent father, a beautiful marriage and selective mutism. Or it is? Very much recommend.

Izzy Tennyson: Brute

I find it difficult to create characters that exist beyond binaries of good and bad, yet Izzy Tennyson managed to do this in the creation of ‘Brute’. In the classic conversational style of Tennyson, she embodies a teenage girl to tell a story that is familiar in the sense of going to a single-sex state school, but looking into why girls can be bullies, exploring the complexities of a psyche so often dismissed.

Dan Simpson: Nerdsmith

Reading poems from his Burning Eye Book, Applied Mathematics, Simpson attempts and admittedly fails to get to the heart of an emotional provocation. But at the end, it’s okay, as the audience enjoy his playing with language, from puns to extended metaphors. I bought his book in hope of some poetic inspiration!

Tim Renkow: Kim Jong-Un, Mohammed, Jesus and Other Power-Hungry Maniacs

Renkow was knowingly provocative in his comedy from the onset, warning the audience that his record number of walk-outs is nine people. However, I was most offended by the implication that, in telling an anecdote to illustrate negative attitudes to disability, his erection was due to the woman’s “fear”. There were certainly other moments where I questioned where he was going, but you didn’t have to wait for long to see that he was mocking injustices he sees in society.

So, it was pretty much all amazing…

There were some I enjoyed more than others, but the only show I was completely disappointed by was Tony Law. I’d seen him before, but a majority of this improvised show I didn’t find funny, and on top of that I was worried about him, especially when he started to drink a pint after telling the audience he’s quit drinking. I hope he’s okay…

Tell A Story: #1 Desert Island at Bestival 2014

I’ll write a proper update soon. Things are busy. I got ill for four weeks… that didn’t help. I feel like I have to sit down and write a big long post, like, settle down, let me tell you a story with a cup of tea.

Anyway, speaking of stories, while you wait for another long post (because our attention spans are so great, and you love me so much), have a listen to this podcast on Tell a Story. It features myself alongside two other members of the old (old!) Roundhouse Collective, Joel Auterson and Sophie Fenella – and we’re now called ‘Kid Glove’! I hope you like it, because it was a long process.

It also features Kate Tempest, Tim Clare and Scroobius Pip. I wasn’t very good at it; I’m an INFJ (which I just got a book on) and maybe that has something to do with it. I need to be briefed and have time to prepare… hence I’m not on it much! Oh my god, that was literally the only vaguely good thing I came out with.

Not quitting the day job just yet folks. At least I’m educating a few young people on the way.

Ben Howard: How not to do a gig.

So, I’m thinking of creating some tips for artists after seeing Ben Howard at the Roundhouse, where I was on the guest list after being part of the Poetry Collective there. Sadly I had this idea from a ‘what not to do’ perspective as I was utterly disappointed in Howard’s performance, as were many other audience members. Our only solace was a good old British moan afterwards.

A British lad, one might expect that typical dose of modesty. Actually, it looked more like this Venn diagram:

At times he was overly self-critical, saying ‘you know when you wake up and sometimes you’re not funny and sometimes you are, well today I’m not funny.’ Ensue sparse polite laughter (what this meant to be irony?) Yet, as he whisked through songs from his new album, he told fans ‘Is this how it works? You get free tickets, you get what you’re given.’ This felt deeply insulting to the audience; was our time worth nothing? I would have happily had a night at home instead of this gig, and goodness knows I needed one.

There would surely be people who travelled further than my hour-ish journey to see him. I had been waiting to see him for years and never been able to, and I had been listening to his old album in excitement. Yet, there was a woman in front of me who knew all the words to the only song he’s released from the new album, suggesting there were bigger fans than me out there. How do you think they felt?

Howard also spent a lot of the set sitting down whilst most of the audience were standing, unable to see. Some would have come straight from work, some spending money, no Ben, not on tickets, but on food and drink, and whatever else, to go to the gig. And he’s sitting down. I’m sorry, genuinely, do you have ME? Do you have an actual reason why you needed to sit down? The audience, whoever they are, came to see you. YOU! And you owe them respect if it really was such a privilege to be performing at the Roundhouse after being at The Enterprise a few years ago.

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My friend, Hannah, and I bought lovely beef chilli burritos and sweet potato fries for dinner from The Enterprise – that was the best part of the night. This sentimental comment from Howard just seemed contradictory and his point was made clear as he left the stage without an encore and no old album tracks. Do you think we want to buy the album now? Do you think we’re dying to see him live again? I’m afraid not. It may be fun for the artist to play all new material, but it’s about the relationship between the audience too, and whilst we would have been happy to listen to some new material, it would have been best to also play songs we know and love. Instead, the performance was alienating and underwhelming.

So, some lessons to learn from Ben Howard:
1. Give a mixture of what you would like to do and what you know the audience wants.
2. Put your all into it no matter how big or small.
3. Don’t be a dick: appreciate and respect your audience.

Bestival

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“Are you doing burlesque?” – “No, I’m doing poetry”

On Sunday 4th March I finally made my first appearance at Finger in the Pie Cabaret at Madame JoJo’s. I did a sound check which was a bit odd as I’ve never really done one before. I then had a long time to wait in the dressing room. My nerves were building in this time, and made all the more intense as the room was bursting with other performers; mostly burlesque dancers. The atmosphere was more intense than other poetry gigs, because there was more of a sense of unity and collectivism – we were putting on a show together, rather than just individually putting on each act. It was a very supportive and friendly environment. Everyone was lovely, but burlesque dancers Shady Lane and Velvet Lune spoke to me the most. Marga, another burly girl, from Italy, made a great effort to speak to everyone. Although not in the show, Annaliza Jennings was also really lovely – she does the marketing side of The Cheek of It!

The butterflies in my stomach, and sudden mind-blanks regarding my act, reminded me of my days at Gemini Dancers shows (Royal Albert Hall baby!) and UEA Dance Squad and Pole Dancing competitions. Before taking to the stage, the hosts (Moonfish Rhumba, reminded me a bit of Flight of the Conchords) assumed I would be doing burlesque when checking my act, and I told them I was actually doing poetry. They were going to mention I had books to sale (Carmina’s Poetry Tease) but sadly didn’t which is a shame because I would have mentioned it myself at the end and maybe would have sold some. It’s not really something you can just mention every time someone compliments you!

I wish someone had filmed the performance as it pretty much went perfectly. I was thrown a bit at one point when I thought someone had been laughing inappropriately, but I remembered all my poems – yay! I felt I performed well and gave a performance worthy of the £10/12 entry (although, as we discussed, none of us were getting paid). I think most of the material I chose suited the environment and I got a few laughs. And although I felt a little less glamorous than all the burly girls, without the glitter, I thought that my outfit gave a nod to the cabaret surroundings, wearing my pink fascinator (which I love). As I stepped out of the backstage area and into the audience, I was surprised by the people sitting directly behind the door. A guy gave me a thumbs up (which I will assume was in approval of my performance) and a few other people congratulated me on my efforts and said they enjoyed it. One girl put it on the same level as Glastonbury performances (organisers, take note for 2013!) Overall, it was a great show and I was really happy to be a part of it.

I did decide to take out one the poems I was going to read as it may have been misconstrued, as there is a line that says ‘I will not wear nipple tassels and knickers and call myself burlesque.’ I had the feeling that this may be seen as a negative statement and I didn’t want to have to explain myself. What I mean by that line is more complicated than a statement about burlesque dancing. It is more about the idea that not everyone can be a burlesque dancer, and is more a reference to girls that go out clubbing in such attire (I have witnessed a picture of one girl where she only had one of the nipple tassels on) and a comic poking at myself for times I may have gone out with too-revealing clothes, where the goal is to attract male attention. It is a statement to say I will not act like that, with an implication that maybe you have in the past but need to embrace the past and what you have learnt.

It is also about the discussions that took place at Madame JoJo’s. The burly girls told me that the clientele of the Proud Cabaret at Fenchurch Street wasn’t nice. I got the impression it had a seedy vibe, and attracted leery men that just want to see naked women, which is not what burlesque is about. If I were ‘Proud’ I’d take on board the feelings of the performers and get stricter with the audience. The point is, there is so much more to burlesque than simply taking your clothes off and I realised that more than ever being in the company of such lovely ladies; witnessing the nerves, the glitter, the hairspray and the huge amount of preparation it takes to get an act polished to perfection.

Here’s the full poem:

Tick the Box

I will buy a Yorkie bar, let it melt in my mouth and drink milk,
ignore the calories and not stick my fingers down my throat to be sick.
I will dream I have a dick
at night in my bed alone, wrapped in Cath Kidson flowers

I will be unattainable, no I’m not available
for you to screw, do what you do, and leave in the gutter
like butter wouldn’t melt.
And any tears I cry are simply for the time I’ve wasted in my life
over those that didn’t deserve more than the stir
of the spoon in my cup of tea,
because life is short and some people you just don’t need.

I will drink a cocktail or a can of lager,
and don’t want to know you if you judge me on the choice.
I will be shy as I am but you will never take my voice.

I will not wear nipple tassels and knickers and call myself Burlesque.
I will not fuck drunk, load each hole with spunk and call myself a feminist.
I will not be a nought
or throw myself over the balcony
or drown myself in the river
or have my tongue cut out by some Tereus
I will not be trapped in the attic
or be called over-dramatic,
or be told to rest, suffocated by yellow wallpaper
until my death.

I will not let you put me in a box of what you think female should be,
all I know is who I am, and I can only be me.

It has been a bit of a Feminist weekend. On the Saturday I had taken the day off work to go to the Million Women Rise march. Sadly, none of my friends came along so I had to go on my own. It was a rainy morning but by the time I arrived at Bond Street, the sun was shining. I got a bit of free cake from the Hare Krishna stand and chatted to a couple of people. We marched through the streets with tourists snapping cameras and filming like we were celebrities.

It was great doing the different chants and making a statement in such a way, that seemed to have more impact than Reclaim the Night due to its central pathway. My favourite was ‘power to the women, women have the power, sisters can you hear me, getting strong by the hour. Power! Power!’ This was because, it felt (needless to say really) very empowering. The rally in Trafalgar Square was interesting, informative and very moving.

Taking advantage of my time off work, I also went with a friend I hadn’t seen in ages to the Hayward Gallery. David Shrigley’s Brain Activity and Jeremy Deller’s Joy in People was showing. I’d only seen Shrigley in books and in collective exhibitions.

It was great to see the variety of work he has done and his 3D work, which is pretty much like walking into a pop-up book of his illustration work. He is known for being very comic, but it was interesting to see the more macabre side.

I was not really that aware of Deller,
however, I really enjoyed what he brought to the show, and found it interesting how
a thread of the concept of obsession in his work. The mining stories reminded me of my Grandad as he is from Barnsley, which was the setting at the point I started viewing from. It was also intriguing to watch the piece about Depeche Mode fans.

It also documented a lot
of the 80s and 90s which gave it a real sense of that era. I especially liked the quirkiness of the cafe installation, and the recreation of his bedroom exhibition. I also liked Pensées, which included extracts from his artist’s book, compiled from toilet graffiti – and in this case, surrounding an actual toilet. When a queue formed, this amused me quite a bit.

I found both artists inspiring in terms of my own work. Deller’s bedroom piece had elements of my own idea for my MA showcase. Shrigley inspired me in the more general sense, about how text and imagery work together, as well as this mixture of comedy and tragedy.

Well, it’s a longer post than usual, so if you’ve made it to here, congratulations. One last note; you can now find my work on Zukuri UnLtd – I have one piece up and running, with the next to follow shortly.

On here, look out for the Artist of the Month for March. As you can see, I’ve been busy, but it’ll be posted soon. Meanwhile, see if you can guess who it might be?! Also, I will be attending Lady Ha Ha  at Norwich Playhouse, to celebrate International Women’s Day. Let me know what you’re doing for it!

xxx