Freelance Reflections #51

I’m a little delayed starting up my new music-themed blog series as I’m yet to receive the funding, so have been focussed on the preparation stages, and somehow feeling really busy and overwhelmed despite having hardly any students. I would love to feel on top of things before the school term properly starts, with tutoring easing back next week, and on a full timetable come the second week of September. With the weather looking like storms for ‘Latino Life’, which I would have loved to go to, it’s likely I’ll use tomorrow to do some catching up.

I’ve had some time off to see my gran, who took me to see Amelie and for tapas for my birthday (which was in May). I’ve attended a few meetings, and in the process of arranging more for various aspects of my work, including this week for my work in providing alternative education, and at The Norwich Radical, who I last wrote for here. This Sunday, I’ll also be taking part in the SoLo Craft Fair at ‘Between the Bridges’ at London Southbank, holding a stall with all my books etc.

Sunday 22nd August

I’ve just had to spend £80 for the year on PIL insurance. I don’t do stalls much, and they are costly to do (this one being £60 a pop!), and even then you’re lucky to sell anything or break even on the day costs, not taking into account your own labour. I really hope it goes well, and that we don’t get rained on! The market in Camberwell before was amazing, as even if it did rain, the table was fully covered.

I woke up feeling pretty tired today, and really craving a night in, despite only having really left the flat for food shopping and gym classes. I’m fighting negative body image feelings at the moment too, as despite sometimes having gone to the gym twice a day, I’ve put on weight rather than lost it, and whether it’s muscle or fat or both, I find it hard to see my body as it actually is, and I find it hard to accept that I will probably always have a “belly”, despite trying my best to have a healthy relationship with food and exercise. These feelings stemmed from I ended seeing someone who liked a post because I’d done a #pancakes on Instagram.

They had so many photos of delicious pancakes and claimed they eat them too, yet had unreal body proportions. I hate getting into a mindset like that, but we all have insecurities, and I honestly think that for most people, having a “belly” is normal, and I know my body well enough that I would have to deprive myself of a lot of food to look like that Instagram girl, and I bloody love food; cooking and eating brings me so much joy, and I know that if I ever had a stomach like that, I wouldn’t be in a healthy place physically or mentally. Anyway, I don’t know why I felt like sharing these feelings today, but to end on a cheery note, here’s a screenshot of my Soca class’ Boss Wine, if you can spot me doing one of the things I love the most!

Freelance Reflections #50

A nice round number for this exciting news! I will be starting up a new blog series on here as I just found out that I have successfully gained funding through Arts Council England’s Developing Your Creating Practice scheme, which funds established artists to explore a new direction of art.

I found out the news whilst in Cornwall last Wednesday, when aside from my usual content writing, I only had ten students across the whole month, so it’s certainly kept me busy on my return! I had pictured myself in parks with books and beer a lot more this month, but it’s also nice to be able to pay the rent!

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My funding is for me to explore music with spoken word poetry, which will involve me learning the ukulele, learning some basic music programming software, and interviewing some poets who have also worked with music. I’ll write more next time in the new blog series, which will be focussed on that.

I’ve been doing a lot of planning and reworking ideas so far, alongside content writing and my Stanza group. August seems to be slipping away, and with lots going on, I better get on with everything else on today’s agenda.

Freelance Reflections #48

I didn’t write last week as I was hoping to share some photos of the Poetry Party, but still yet to see them. For now, here’s some pictures of the lovely park. I performed my poem, ‘The Missing Scissors’, twice. The first time, I bombed it and forgot the lines three quarters of the way through. The second time, I smashed it, and could go home with my head held high. It was really fun to take part in the workshops with Simon Mole and Gecko, sharing some fresh materials with the audience/participants.

I really want to do more visual art, and I’m hoping to do an Art Therapy MA (most likely September 2022 by the looks of things), and I have seen that there may be a way for me to get a loan to cover part of the course after all (as I can’t get a government loan, despite self-funding my first MA). So far, I’ve just been working with a student to produce our own Top Trumps cards, which I’ve really enjoyed. And I won the game we played with them!

In other news, I have bulk bought some Montezuma’s chocolate. I will challenge myself to make it last until the end of the year, but we shall see. I also couldn’t resist the Penned in the Margins sale, and bought four books I’ve been really looking forward to getting. Also, watch this space as on Monday I will be one of sixty chosen poets to feature on a Poetry Map of London, as part of the Royal Society of Literature’s ‘Write Across London’ project.

Freelance Reflections #47

Mainly a reminder this week that this Sunday 4th July, I’ll be performing a new piece for children, alongside Simon Mole and Gecko, at 12pm and 3pm at Stephen’s House and Gardens in North London. I know it by heart now, but will I be able to do it in front of a live in-person audience? I might trial it with She Grrrowls tonight, which is on Instagram at 6pm tonight (in about 20 minutes as I write this!)

I also came third place in the E.H.P. Barnard Poetry Prize, judged by Sarah Smith and presented by Tom Neill, winning £50! I’m really chuffed with myself. You can hear the winning poem online. I’ve found out a teaching placement I have is going to continue with more hours in September, so I’m pleased about that, as coming home for lunch is probably more tiring than going from A to B. I’ve also started going to a Spanish conversation class on Thursdays, so it’s a pretty jam-packed day!

04.07.21

Poetry Party with Simon Mole and Gecko

12pm and 3pm at Stephen’s House and Gardens in North London

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Freelance Reflections #46

Last week was Camberwell Arts Market and despite the grey weather, it was really nice. A couple of people recognised me, which kind of made me feel like a celebrity haha. I got a few new sign-ups, sold a few books, and even got to read a few pages of a Breathe magazine! I’m considering doing a couple more stall as well. Summer seems to be a big question mark in many ways, so it might be good to do a few. You can also buy my books online.

Next up, on Sunday 4th July, I’ll be performing a new piece for children, alongside Simon Mole and Gecko, at 12pm and 3pm at Stephen’s House and Gardens in North London. I’m trying to learn my poem at the moment, and feel super nervous performing live. I’ll probably print a cheeky palm-sized copy just in case I get a mind blank. It’s the first time I’ll have performed live in over a year, though I did learn the poem for my grandad that I recorded with Muddy Feet by heart.

I also watched the film Fatherhood, which was really beautiful and Kevin Hart was fantastic in it. It was funny in places, and really touching, which is exactly my kind of film. I highly recommend it. I also recently posted up some other film recommendations from the past few months on my Instagram.

Freelance Reflections #44

This week’s biggest news is that I’ve had work published in The Rialto, with issue 96 launching on the Thursday just gone. My poem ‘my name in an english accent’, is about my name. It deals with the experience of being ‘Othered’ because of it growing up in the UK, and my experience of then living in Spain, where my Englishness was more apparent than ever before, and talking to someone I met there, who I never became as good friends with as I would have liked, but felt an affinity to, perhaps as they were from Norwich, where I went to university, and perhaps also because our conversations were deeper than a lot of others when getting to know new people in a new city. 

I’ve tried many times to write about my cultural identity, and my Hispanic heritage, and with this poem I feel I’ve managed to capture what I wanted to say in a satisfying way of which I’m proud. It’s a complex piece that deals with other things aside from being just about me, but I also feel like it’s easy to understand the meaning. The issue features work chosen by Degna Stone, seeking to bridge the gap between the stage and the page. Most poets will know what an achievement it is to be published in The Rialto, but I hope many others will read it too. 

I’ve also recently been published internationally in Hong Kong’s Proverse Mingled Voices 5 (The Hungry Caterpillar as a Body Positivity Icon) and Untitled Voices: Issue 3 Volume 3 (Tattooing the Moon). I’m really proud of the poems in each of them. The first two can be purchased online in print form, and the latter can be read online for free. 

I read and reviewed Rosie Wilby’s ‘The Breakup Monologues’ just across one weekend, which is very fast for me (I’ve got several books on the go, some of which I’ve been reading for a year or two!) The temptation of sunshine has got me reading more! Keep your eyes peeled for a review in The Norwich Radical soon.

I also went to an Apples and Snakes workshop on first collections with Lewis Buxton, who I’ve not seen for years, but felt inclined to mock his “Yorkshire” accent; I remembered many things about him, including his love for Simon Armitage (hence the impression), his desire for neat stanzas, and the fact Roger Robinson once questioned why he didn’t read poetry books cover to cover (he does now). Now, I just need to get into gear to work more on my collection, which seems to be ever growing as time shrinks.

Next up, poetry-wise, this Saturday 19th June, I’ll be holding a stall at Camberwell Arts Market from 9am – 5pm. I’ll be selling books, paintings, and providing some bespoke poetry at bargain prices! I just have to get organised this week, and dust off my iZettle ready to sell out my stock!

Freelance Reflections #27

The third week of the Living Record Festival has come and gone, with nearly 10 tickets sold so far, and some kind words from Sally Proctor, the Community Director at Slung Low. I hope to see some more colourful pictures in the final week. Please listen to ‘Circles’ and send me your designs via @carminamasoliver on Instagram.

Last week was also my grandad’s funeral; it was and is surreal and sad, but the sun shined that day. I’ve been watching films like ‘Saint Frances’ and ‘The Book of Life’, and have felt exhausted and overwhelmed, trying to be kind to myself, but still not fully giving myself what I needed. I listened a lot to podcasts like ‘The Good Grief Podcast’ with Alex Di Cuffa, and Griefcast with Cariad Lloyd.

On Friday, I tried to be kind to myself, knowing I had She Grrrowls on Instagram Live in the evening. I took myself off for a walk to my local park to make the most of the sunny weather, and as my grandad also had a sweet tooth, having eaten some lemon curd biscuits in his honour on the day of the funeral, before She Grrrowls, I made myself a hot drink to have with some shortbread biscuits and a blackcurrant and apple pie.

I was glad I didn’t cancel She Grrrowls, as with nine acts on the open mic, it was a full house. I read a poem about Yorkshire that my grandad had written, and a poem I’d written for him as part of his eulogy. In speaking of death and grief, I’ve also shared one of my favourite books on sadness: Sad Book by Michael Rosen.

As I write now, there is a flurry of snow outside my windows, and I’m safely inside after a long walk to Greenwich yesterday, covering 19km. Any sun soon turned to cloud and then rain. Exhausted, I had an array of Korean dishes for dinner, and played the ‘7 Wonders’ board game a couple of times. It is the unbelievableness of the situation that allows me to enjoy these moments, but at other times I lean into the grief, allow myself to feel the shock and sadness of such unexpected loss.

Freelance Reflections #23

Since my grandad passed away just over a week ago now, I’ve found how difficult it is to experience such close familial loss and try to work at the same time. This week has been a struggle, but when you’re self-employed, there is so much uncertainty about your finances and I didn’t find out about the funeral date until the end of the week, and which days of work would be impacted. It’s hard to even allow for time off, even when it’s so needed. Then again, my cousin has also been in the same position, unable to take time off from her job, despite 3-5 days being the standard, from what I know. It has meant welling up with tears whilst walking to work for 45 minutes, finding more time to talk to family without being able to see them, and writing poems of grief in the early hours of the morning.

I feel like I’m just about staying afloat, whilst wanting to carve time that allows me to realign my schedule the way that is more fulfilling each day. I’m also ordering 25 copies of my book ‘Circles’ from my publisher, Burning Eye Books, ahead of the digital ‘Living Record Festival’, which will be taking place from 17th January until 22nd February, where listeners can buy a copy of my physical book, along with the audio and creative activity. You can now buy £15 tickets for the festival, remembering that this includes a copy of the book, which is worth £10.

I am also waiting to hear the results tomorrow having been shortlisted for the Anthology Magazine prize, so fingers crossed! It would be something positive to hold onto for my poetry career, for sure, but even making the shortlist is still an achievement worth celebrating, something that I forget to do all too often.

Freelance Reflections #21

The main news this week is that I am in the process of recording audio for the Living Record Festival. I’ve done one recording already, but I’ll be experimenting with a binaural microphone to see if I can do something a bit different. I’m going to try to give myself three solid days off for spending time with my bubble, walking, reading, watching films and eating good food, then I’ll be back in the studio recording and at my laptop polishing the piece.

I saw fellow Burning Eye poet Maria Ferguson post about it and thought I would also apply. After many years after doing Scratch That Hackney, I’ve been working with producer Ellie Barr as part of the festival, which I believe is where I may have performed some of ‘Circles’ before. To find out more about the festival and the other artists involved, please sign up to this mailing list.

As part of this digital festival, I’ll be featuring an audio version of my book ‘Circles’, with a ticket option to include a copy of the the physical book. Whilst listening, I’ll also include a PDF of an activity with every ticket. The festival launches in January 2021, so make sure to sign up to the mailing list to keep updated.