visual art – Page 10 – Poet on page and stage. Creator of She Grrrowls. Facilitator. Writer.

Freelance Reflections #87

I’m writing this on a Sunday, which used to be a protected day, but I’m now starting to work. I’m working on at least having Tuesday and Sunday evenings free, and I have enough other self-care stuff in place that it should all be manageable. There’s flat changes going on that are being delayed, so everything is going to still be somewhat unsettled for the rest of this month.

I’ve signed up for more agencies, I’ve got a potential content writing job, and I’ve been accepted as an exam invigilator, whilst protecting my Friday yoga time. When the work starts coming in, it’s hard to protect these things, but it’s vital to prevent burnout. I don’t mind making sacrifices, and I’m no stranger to hard work, but studying at Goldsmiths, having my learning impacted by strikes (which, to be clear, I support), whilst the current warden splashes out £20,000 on Addison Lee expenses is infuriating.

Speaking of my studies, I managed to heal some trauma this week. I had an upcoming debate and put everything I could into the preparation, not knowing if I would even be able to speak on the day. Sat there in a group five times the size of the one I had to be in at school (the source of the trauma), with an audience double that, I didn’t think I’d be able to speak. However, I not only managed to speak, but also made the concluding point to the debate, was able to embrace having no structure, and others commented about how I steered the debate!

Although I’m not actively writing my show on quietness and shyness, all these experiences are feeding into my vision for what this piece could be, and the understanding of myself and how these terms apply to me. My hope in any work I create is that others connect to what I’m saying, so as much as my recent experience may seem like I’m not quiet or shy, what really enables me as someone who does identify with these terms, to have a voice, is to feel held in the space that I’m in and the people I’m with.

So, know I’m working hard to survive and save £500 a month for my course fees. If able to, please donate to my crowd funder, or share, or buy my books. Every little you can do means a lot.

Freelance Reflections #86

News

This week has been full on, with more work on, as well as preparing for debates at university. I’ve honestly put too much work into the debate preparation, and it’s been hard to focus my argument on one particular area. It’s all be really interesting though! But I still need to do the reading for the week ahead. I’ve planned loads of notes and quotes, created a PPT that can be viewed with a QR code, and made both physical and digital art.

I found out that I didn’t get the artist role at SPINE festival with Apples & Snakes. There really needs to be more transparency in the arts, which is why I will have no shame is sharing that I cried my eyes out for at least half an hour on reading the news. Yes, this was coloured by my financial situation, but I also felt embarrassed. It was the second time that I had interviewed for this position, and not only had I not been successful, I also felt really alone because I didn’t know who was in the same boat. After having done a workshop for Apples & Snakes, I went back to feeling like I don’t get picked. I consoled myself with my course, and the new direction I’m taking, but after swearing I wouldn’t do it again, I’ve signed up to do exam invigilation work, so when I could have been getting paid £200 a day in a April and May for something I love, I’ll now be getting barely over minimum wage for something that’s really mentally challenging (I try to think of it as meditation). And then it turns to self-blame, because who else is there to blame? My 5-minute workshop wasn’t as strong as others, and my answers weren’t good enough. It’s actually so demoralising. I know I’m capable of the work, but what now – try again next year?

In other news, I’ve also had two meetings about two different events in March. The first is the first Forest Hill Poetry Stanza at a cute cafe-bar ‘Mozart’ in Anerley on Friday 3rd March. The second is She Grrrowls, back for International Women’s Day on Thursday 16th March at the Catford Mews cinema. Aside from this, which is a fair bit of work for little to no pay, I’ve also got another minimum wage role for humble warrior drinks, offering product samples in store.

So, all this has been doing on whilst I’ve had my regular students, applying for more jobs, hosting the online Stanza group, and getting ready for my flatmate moving out! Thankfully I also had time for some exercise – Pilates, Yoga, Boxing and Zoca! I’m also trying to walk more again, but it’s not always possible, so I’ve only gone beyond 10,000 steps twice this week!

Once again, if you’re able to support me on my journey to becoming an Art Therapist, please consider buying my books or sharing stuff on social media, likewise with my crowdfunding campaign.

Freelance Reflections #77

News

One of the catchphrases from my Art Therapy course is to “trust the process”. Whilst I often say such things tongue-in-check, there’s always some truth there too. I’ve accepted some EFL work which looks like it’ll be fun – apparently one of my students has pink hair and likes to wear pink (there I am in the meeting today, head-to-toe in pink!) So, now I’ve gone from being scared about not having enough work, to having too much work. I’m hopeful for another alternative education placement after the next three weeks, but I’ve also been offered an interview for EFL work for Lewisham Council.

I dedicated some time to art making the other day (see above) and I’ve still got some more works-in-progress, but it felt so good to do. It’s all very responsive to the present moment and things that have come up through the course, rather than the ideas I have for specific pieces connected to my poetry, but I trust that will come with time.

To help support me as an Art Therapist Trainee, please donate here.

Carmina’s Cantata #13

Carmina's Cantata

I haven’t written an update on Carmina’s Cantata in a while, and as I’m back to it after a bit of a break, I thought I’d write a little on what I’m doing, as well as some more general stuff. So, after the festival, I didn’t listen to my body. I had an amazing massage should have gone home to rest, but I went to the Taking Back Sunday, Alkaline Trio and Destroy Boys gig… which I’m pretty sure if where I then got Covid! Made worse by going to see Funeral For A Friend the following week! I’d gone so long without it, I even thought maybe I’d had it but been asymptomatic. It was rough. It’s the second-worst illness I’ve had (the other being a kind of relative of Glandular Fever). I’m still struggling with the fatigue and my lungs don’t feel 100% when exercising. At one point I even got mixed messages about going to A&E, but I waited until Monday to see a doctor and it turned out that I just rushed into exercise. I’m feeling super tired right now and hoping I’m getting the balance right, as it’s something I struggle with.

I’d had to cancel my poetry gigs at SHEreos of Lewisham and R.A.P. Party, but I was at least able to watch The Albany stream, where an audio of my poem I’d recorded in the day was played, and a couple of people told me that my poem was one of their favourites. It was a joy to see people dancing to my chosen tracks as well. I was able to see the SHEReos of Lewisham exhibition with my poem in it the following weekend at Crofton Park Community Library. I have also been accepted onto the MA in Art Psychotherapy at Goldsmiths. As I’m not eligible for a government loan and getting a loan to cover the full tuition is proving to be impossible, I’m trying to crowd fund as much as possible. Read about and share my journey here.

As I was trying to work out what I could do whilst still resting… I did some drawings inspired by the themes of Grayson Perry’s Art Club. I just felt weirdly guilty for watching and listening to things… though I wish I knew you could get audiobooks from the library on your phone then! It’s just so hard to manage fatigue. So, this week, I have started to work on the podcast interviews. I have finished editing the one I used for the production course I did, and after a panic that I have forgotten everything, I now know what I’m doing again.

I interviewed poet and theatre maker Hannah Jane Walker about her book on sensitivity… and just had to cut it down from over 13,000 words to nearly 5,000 words! I may have to cut it down even more, but it is taking a lot longer than anticipated. Although off-putting in some ways, I have made a note on my to-do list to use the same platform (Otterly) to write transcripts. It won’t take quite as long as I won’t have to edit it down to an article length thankfully!

Freelance Reflections #38

News

Last weekend was the ‘Free Spirits: Loss in Lockdown’ exhibition. I went with my parents, and my mum could especially relate to Rachel Sambrooks’ beautiful poetry, alongside the visual artwork, since also losing her dad at the start of the year. Two of my poems were on display: the first one I wrote after his death, and the other simply titled ‘Grandad’, which I had written about last week in relation to the Muddy Feet Poetry video.

This week, I have started with a few more students again, and I’m slowly getting on top of things and starting better habits, with writing at least. I’ve felt quite stressed out with work at times, still feeling overwhelmed, but I’m feeling a bit lighter now. I also have made a few tweaks to a new book I’m self-publishing, ‘Selected Poems: 2007-2012’.

With my Nasty Little Press having came out in 2014, I felt this period would be nice to have as a kind of time capsule. I previously published ‘Carmina’s Poetry Tease’, but this work combines poetry with a kind of visual mixed media. Initially produced during my MA in Creative Entrepreneurship, it’s a third of the size of the original. I got the proof copy, and needed to make some adjustments, and once I’ve approved the next copy, it’ll be available for global distribution via Lulu.

I’ll also make some available on my Big Cartel, though as it’s print-on-demand, it’ll take a little longer to come through, but much better for the poet than buying on Amazon! In other news, I treated myself to this lovely rose and peony candle from Art Wow, which is a cool website with affordable artwork. The candle is in my favourite colour combo (also the colours of the pansexual flag) – blue, pink and yellow! As I write this, I’m also wearing my Biffy Clyro ‘There’s always space for the arts’ t-shirt*. I’m excited about seeing them live in November! I also got to eat this lovely lunch with my flatmate for her birthday, from The Guava Kitchen in Forest Hill (I recommend the guava balls!)

*100% of proceeds will go towards supporting Create (Arts) Limited to improve the lives of society’s most vulnerable and disadvantaged people through creative arts. (Registered Charity No 1099733).

Freelance Reflections #33

News

This Saturday 20th March I am going to be a special guest on Ibizo Lami’s ‘Self-care Saturdays’ on Instagram Live. The show starts at 3pm and lasts for around half an hour. Simply tune in via the live feed and I’ll be sharing some of my personal self-care tips, especially useful if you have any traits of Borderline Personality.

This week has been a struggle, but I’m dealing with things surprisingly well, and I think that’s thanks to working so much last week, and having a little less work this week. That meant that when I was told that I don’t meet the threshold to get therapy via the NHS for my particular needs (essentially, the therapist told me I do need help, but I would need to pay for it thanks to the lack of resources i.e. fuck the Tories), I was able to finish a painting that I have submitted to Grayson Perry’s Art Club. However, I just realised that I forgot to send a 2-minute video about the piece, so I hope it can still be considered, as you never know!

I also recently found out that a friend who I had sensed was being distant was doing so intentionally, (trust your gut!) and after seeing they had unfollowed me on Instagram, I asked them about it. All my worst fears came true: they didn’t want to talk about it, and it was to do with my ‘intensity’. It sucks having issues with fear of abandonment, so then when someone does essentially abandon you, as well as dealing with the loss of that person, it also reaffirms the negative beliefs about your personality and being “too much, too intense”.

Well, in the words of Beyoncé: ‘I’m just too much for you’.

Being Borderline, it’s hard to not let such things make you think that all friends who you haven’t spoken to in a while are feeling the same way. Talking to another BP babe, they pointed out that the true friends are the ones who stick it out, even when you exhibit such behaviours. Everyone communicates in the wrong way sometimes, and the best way to deal with things is through proper conflict-resolution. If a friend isn’t willing to do that, then you’re probably better off without them anyway. For the first time in my life, my self-esteem is somehow high enough for me to truly believe it is their loss.

My painting ‘Footprints’ is for sale on my Big Cartel for £200. Although I am a poet, my book ‘Circles’ features my own illustrations, I completed an Art Foundation Diploma at Central Saint Martins, sold my first painting prior to that, and I’m going to put out another mixed media poetry publication. I hope to carve out more time to combine my poetry with visual art, producing text-based canvases.

Freelance Reflections #3

News

Another couple of weeks of freelance life, and I’ve now got three students I’m tutoring, and although other paid work has not been much over these last two weeks, I’ve been busy with lots of unpaid activities, such as planning workshops and tutoring sessions (which takes a long time at this stage) and writing a funding application. I’ll still be working on both of these things next week too.

I’m also using a maths revision book to brush up on my Maths, and have found there are a couple of different ways to do subtraction, and the new way I’ve found is actually the one recommended by the government.

Joel Auterson at his book launch for ‘Unremember’

I went to Joel’s book launch, which was really lovely, and there I saw lots of old familiar faces, as well as a few new ones. The next evening I went to see The Head Wrap Diaries, and I ended up reviewing it for The Norwich Radical.

I’ve dedicated some time to writing, particularly on Sundays, but have been using my long journeys to take part in NaPoWriMo still, which ends on Monday. I’ve been sharing some extracts from my new poems via Instagram. I’ve also done a little bit of illustration as an experiment to get me back into visual art a bit.

(L-R) ‘unnatural council hands in cold looked blue’ by Sara Barker and ‘Sleeping Beauty will hum about mine ears’ by Fiona Rae

Yesterday I decided to go to a few exhibitions around Old Street, including a visit to BEERS, Victoria Miro, and Parasol Unit. I went for an incredible tapas meal at Boqueria and then to a reggaeton and salsa night, where I danced until the early hours. I’m now feeling pretty smug because I’ve had so little sleep, but I’ve been super productive doing some content writing work, plus poetry and Spanish practice and this!

I also recently got an office chair for my bedroom and I love it! I was on a horrible wooden fold-up one all this time before. I can even put it on a massage function!

‘Sea Painting, Dunwich’ by Jessica Warboys

24.09.17 – Hastings Fringe Festival

Events, Uncategorized

The Beacon, Hastings, 7pm

A free night of music, comedy, poetry and dance, featuring:

Carol Prior (compere), Chris Fraser, Carmina Masoliver, Miranda Gavin, Las Pasionarias, JC McFee, Mellow Baku, Alice Denny.

We will be raising money for The Penny Beale Memorial Fund, which has been created to preserve and protect the physical and mental health of persons who are or have been victims of domestic violence and to advance the education of the public, including local authorities and voluntary bodies, by the provision of information, advice and training programmes into the causes, remedies and prevention of domestic violence. Charity No. 1110528.

Norwich Love – from Art in My Mouth to the Waterfront

Music, Reviews

I have spent a few days with my boyfriend in Norwich. I read and wrote, and memorised and recorded poems. On our day off we went for a Chinese buffet, and went to an art gallery and to see a band. Here are some photographs from Moosey Art’s exhibition at Stew Gallery, Art in my Mouth. I really recommend checking out all the artists and the work is really affordable, so I really hope some people get behind these guys.

Funnily enough I saw someone post something on Facebook about the coins above. Check out the Tales You Lose page to find out more and see some of the other designs.

These pineapples are only £30 each! I really want one… but then, you can’t really just get one can you? They look so scrumptious, I’d love them to go up in my house, if I ever move out of my parents’ house! The wall below was completed as part of the live art they had at the opening night.

That evening I had booked tickets for Annie Eve the day before. I felt like we were a bit of a rubbish audience, as everyone seems too shy to come forward and lingered at the edges the whole night. Matt’s house is quite a walk from the city centre, so we were quite happy to follow suit and sat on the floor for the gig. Matt spoke to the support act that we saw, and so we think this was Norwich lad, George Cheetham (and not Harry Edwards, whose name was also on the line-up). He was a great support act, with loop pedals and tricks up his sleeve in the form of a harmonica and melodica. He was a bit too self-deprecating at times, but he mostly appeared confident and friendly.

Whilst Cheetham had fully enunciated his words, my only criticism of Annie Eve would be for her to open her mouth wider so we could hear her beautiful lyrics more clearly. Cheetham’s words were very clear, but with lyrics such as ‘she’s as drunk as a skunk’, they didn’t have the emotional depth of Annie’s. Still, I think it’s great that he played both old and new material, and with tales of working in shops and taking five years to make his album, he seemed like a pretty inspirational guy. So, with that in mind, I felt like my ears were straining to make out the words Annie Eve was singing, which hindered my enjoyment a bit. However, I was really glad to see her live, and she can only grow as a performer, which her change between acoustic and electric shows. Maybe with time and more confidence and experience she will sing more clearly, as I really think her lyricism is a big part of her appeal. I’ve given a few hints to Matt to get me her album, so hopefully he will take note – and hopefully it will contain lyric sheets (my main reason for still wanting to buy CD albums). Click below to view her song ‘Ropes’ on YouTube.

14.06.14 – ‘Writing in the Blackout’ Launch

Events

I will be reading my ‘Vultures’ poem from the ‘Writing in the Blackout’ Anthology during its launch party at Keats House Museum, Saturday 14th June. I wrote the poem as a collaboration with Matthew Dickerson; his image was commissioned for the anthology. The anthology is a online zine that explores themes of censorship in the arts and freedom of expression. Carmina has had her work featured here and will be standing alongside other selected poets to perform their work. The launch will also have 25 limited edition copies of the anthology available to buy for just £5. For more event info, please visit the page here.

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