Freelance Reflections #39

The best part of this week has been working with Simon Mole and a group of other poets on Zoom workshops to write and perform poetry for children. I wasn’t the only one feeling nervous, as the children joining were not only to be our audience, but also our “poetry bosses”.

The children were amazing and it was such an incredible experience, even being online. It was so lovely to hear positive feedback from them, but also how engaged they were in the topic, that my poem got them thinking and debating about it.

It was interesting to also hear what the other poets came up with, and next week will be the final workshop, where we’ll get so share some of the other work we produced. Hopefully we will get to perform our final poem in front of a live audience in the summer.

Otherwise, the week has been pretty normal. Emails are piling a little bit again. I’ve had applications rejected from ACE’s DYCP fund, The Museum of Banksy, and a content writing job. However, I’m also now thinking more long-term about the work I’m doing, and planning to apply for a part-time MA in Art Psychotherapy, for which I would get a loan out to pay the tuition fees.

Selected Poems 2007 - 2012

Most art therapists are employed on a part-time basis (I’ve seen jobs between 4-22 hours a week) and can work on a self-employed basis once on the HCPC register, and being an artist is an important aspect of the role. With this in mind, I’m excited to put out my book ‘Selected Poems: 2007 – 2012’, which is a selection of poetry and mixed media illustration from the first five years of when I started to get into poetry on the stage and page. I’m still awaiting for the final proof copy to approve, but I’ve added it to my Big Cartel and it will also be available on sites like Amazon and Barnes and Noble.

Freelance Reflections #38

Last weekend was the ‘Free Spirits: Loss in Lockdown’ exhibition. I went with my parents, and my mum could especially relate to Rachel Sambrooks’ beautiful poetry, alongside the visual artwork, since also losing her dad at the start of the year. Two of my poems were on display: the first one I wrote after his death, and the other simply titled ‘Grandad’, which I had written about last week in relation to the Muddy Feet Poetry video.

This week, I have started with a few more students again, and I’m slowly getting on top of things and starting better habits, with writing at least. I’ve felt quite stressed out with work at times, still feeling overwhelmed, but I’m feeling a bit lighter now. I also have made a few tweaks to a new book I’m self-publishing, ‘Selected Poems: 2007-2012’.

With my Nasty Little Press having came out in 2014, I felt this period would be nice to have as a kind of time capsule. I previously published ‘Carmina’s Poetry Tease’, but this work combines poetry with a kind of visual mixed media. Initially produced during my MA in Creative Entrepreneurship, it’s a third of the size of the original. I got the proof copy, and needed to make some adjustments, and once I’ve approved the next copy, it’ll be available for global distribution via Lulu.

‘Leopard print is my favourite colour’

I’ll also make some available on my Big Cartel, though as it’s print-on-demand, it’ll take a little longer to come through, but much better for the poet than buying on Amazon! In other news, I treated myself to this lovely rose and peony candle from Art Wow, which is a cool website with affordable artwork. The candle is in my favourite colour combo (also the colours of the pansexual flag) – blue, pink and yellow! As I write this, I’m also wearing my Biffy Clyro ‘There’s always space for the arts’ t-shirt*. I’m excited about seeing them live in November! I also got to eat this lovely lunch with my flatmate for her birthday, from The Guava Kitchen in Forest Hill (I recommend the guava balls!)

*100% of proceeds will go towards supporting Create (Arts) Limited to improve the lives of society’s most vulnerable and disadvantaged people through creative arts. (Registered Charity No 1099733).