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What would you do if this happened to you?

Today has been a good day. I reflected on how I’d appreciate my job more if I wasn’t so focused on things outside it (making it in the poetry biz). In this moment, I realised that I can enjoy my job a lot more by adjusting how I’m looking at it. Sometimes I see it as something preventing me from doing things I want to do. I’m sure we all do from time to time. Actually, there’s room to be quite creative in my role as an Academic Mentor for English, and it’s given me a lot of experience that is sure to benefit me in my future career.

Today I also took the opportunity to read some of my poetry on the theme of adventure to some visiting primary school students as part of World Book Day/Week. They were in Year 6 and were adorable, and so hardworking and talented. It was a real pleasure to work with them to produce their own adventure poems! I saw only a handful, but I was really impressed by the imagination and creativity of their work, and how enthusiastically they scribbled away.

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I left work having read an Irish myth with some Year 11s, and having written some sonnets with my Creative Writing Club. I was feeling pretty chuffed, and looking forward to writing a different blog post and hoping to revive the novel I started a couple of years ago now. I then passed a man who, mid-crossover, held out his hand to me. There was a wad of cash and a piece of paper, and he was gesturing to me to take it. He told me, “you’ve had a good day, you deserve it.”

I was really taken aback, and for some reason, I said “that’s alright” and refused the money. It was about £20-60. I didn’t look at it long, and soon enough the moment was over. But it got me thinking. I was so curious as to why someone would do that. And why me? Pure chance, luck of the draw? It also made me think about my reaction – why did I reject it?

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Well, my first thought after rejecting it was that I could have given it to someone who needed it more than me; if this was a random act of kindness, I could have accepted it and passed it on. Remember the film, Pay it Forward? I thought of the woman who is regularly on the streets outside Bethnal Green tube station, about the poets coming to perform at my place of work for very little money, and the friends and loved ones who are struggling to earn who I could treat with it.

If my first reaction was that I’m not deserving of it, why was this? I’m on relatively low pay for the job I’m in, for my qualifications, and still live with my parents due to this. Plus, with my artistic ambitions, saving every penny should be important. Maybe because it was near payday, and maybe because I had been reflecting on how lucky I was already that day, I felt like I should reject it, that I didn’t deserve it.

This idea of what one deserves is interesting, especially as I tend to make a lot of assumptions about what I deserve. However, as I’m writing now I realise that these assumptions are  bound up in exchanges. Perhaps it felt bad for me to accept the money because I’d feel guilty: no exchange took place. However, by rejecting it, I may be denying him the good feeling of this random act of kindness, if that was his intention. There are two strands of thought to which this is then tied. Firstly, this idea of exchange, I’m guessing, must stem from living in a capitalist society. I hadn’t done anything to earn that money, so why should I have it?

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Secondly, my mind jumped from thinking about what I could have possibly done to earn the money. That maybe I didn’t do anything, maybe I just was. I began to wonder of the intention in a way that may not make sense, but I wondered about the gendered aspect of this situation. Would he have offered the money to a man? I questioned this, and when I told my dad, he not only said that he would have taken the money, but that he imagined if he was a woman he would be wondering about the intention of this.

I’m not saying there is anything gendered in terms of taking the money or not (yet) as my mum also said she would take it. But I have to admit that these years of walking as a woman have made me defensive when it comes to men talking to me in the street due to the amount of negative, intimidating situations I’ve encountered. A random act of kindness did provoke some suspicion. I felt the same way when a man offered me a seat on the train once: do I look pregnant? I panicked.

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I wondered what was written on the note, probably a nice message about having a nice day and doing something nice with the money. The guy that approached me was just a normal guy, nothing stood out to me as unusual. And he did seem genuine and nice. Perhaps it links back to experiences as a teenager with what strangers were to me. They threw water balloons at you. They slapped you in parks. They called you to their van to ask directions. They kissed you at drunken parties. They called you and threatened to “shank” you. What is sad is that I’ve internalised these experiences, so that when a stranger does something we can probably safely assume was kind, I question these motives – and my deservingness – so automatically that it is simply a reflex to reject the money.

I’m really interested to know what others would do, so please comment below to let me know how you think you might react to this situation. I’m also really curious to find out why this man offered me this money, so if he ends up reading this, please let me know! I wish I had stopped to ask why. For now, I’ll override my initial concerns and put it down to a random act of kindness. And maybe next time I’ll be more aware of it happening.

 

Wellbeing: Feeling Good – The New Mood Therapy

Before this turns into a rant about the state of mental health care in the UK, I’m going to give a brief overview of my experiences and where I am at the moment, as well as looking at one of the books that started my journey into looking seriously at my wellbeing.

I see my mental health issues as being quite situational, so most of my problems stem from how I react to things rather than feelings that come out of nowhere. I don’t feel like I’ve had any formal diagnosis and a lot of the help I’ve been offered seems to be more to do with what is fashionable and cheap. At the moment that has meant a recent movement from CBT to Mindfulness. In terms of managing my mental health, both of these seem like good options for me.

I went to my first counselling appointment as a teenager, in reaction to a difficult period where I felt there was something wrong with me, but left with the therapist telling me that I was “okay” and didn’t need to come. This was at a point where I actually was a lot better, but looking back, my teenage years at secondary school are probably the most likely time I would label as having suffered from clinical depression, though I never got that label.

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The next time I looked for counselling was at university. They offered person-centred therapy and I finished it, but didn’t find it any more helpful than talking to a friend. I realised that it was the constant going out and binge drinking that is accepted as such a normal rites of passage at university, which was causing me problems. Again, this was a situational thing, but also chemical. Alcohol is obviously a depressant. But more than that, as an introvert, going out so much was exhausting and unnatural for me, and it resulted in a physical illness so bad it could have developed into what the doctor termed “leukaemia and other nasties”. For me, my mental and physical health are intrinsically linked.

Anyway, I don’t think the way we drink in the UK is normal, and although my behaviour was much like any other university student, I wanted to reach a position where I felt I didn’t need to binge drink. Lying in bed all day was something I should do (and still should do more), but without the horrible feelings that come with being hungover. I decided to go to alcohol counselling. The sessions were helpful and interesting, but it is still something I struggle with if given the chance to drink into the early hours. More helpful has been getting a job and focusing more on my career. I do like the odd night of dancing, but generally I prefer pubs and restaurants.

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It was this focus on my career though, that has meant for the last three-four years since graduating from my MA I have been working so hard that I’m risking burn-out again. People have different tolerance levels, but for me working 35 hours a week, travelling 3 hours a day to and from work (often standing in rush hour), and on top of that trying to work a second job that encompasses many roles within it – writer, performer, event organiser, workshop facilitator, editor – is impossible to keep up for much longer. For the last couple of years I have been trying to find a way to make this work better, and although I feel I’ve have anxiety from a very early age, I’m now at a stage where assessments have shown that I have GAD (Generalised Anxiety Disorder). It feels slightly more official than a doctor at university saying it sounds like I have cyclothymia, but in both cases I’m highly functional with it, so the only problem is how I feel inside rather than anything else.

I was recommended the book ‘Feeling Good: The New Mood Therapy’ by David D. Burns. What I found most eye-opening and helpful about this book was the list of cognitive distortions. I was guilty of so many. There are many different techniques and suggestions that are in-line with CBT. I’m not always very good at actively doing these things, but I do find it useful to have these exercises at hand. Burns also makes the point that having therapy alongside medication is much better than just using medication alone. Its guide to anti-depressants made me feel lucky that my problems are mostly mild-moderate, as there are so many side-effects and so many different types, the trial-and-error you have to go through to get the right medication is a battle in itself.

During the time of reading this, I also got some CBT phone-calls, because the journey to my “local” psychological service was too difficult and stressful to get to. Sometimes with CBT it feels like you understand the logic of what you’re doing, but it has very little impact on the very real feelings associated with these thoughts. Maybe this is because the cognitive distortions are so embedded, but at times I felt like I was lying to myself and the therapist when the percentage I gave linked to a particular thought. Initially they had offered me to join a group Mindfulness session, which provoked lots of negative emotions, feeling like I wasn’t getting what I asked for, and just being offered it because it was cheap and fashionable. That said, I have come to see how Mindfulness is what I need, but it’s actually setting aside the time to do it that I find difficult.

My partner is a visual artist, so over Christmas, and beyond, I’ve been able to take some time to colour-in, which I’ve found to be a good exercise. I’m into all that return-to-childhood type stuff, so though I know it’s become a bit of a cliché, I think it’s good for people like me who like to be constantly doing things, as it’s an activity that keeps you occupied, but means you can relax your mind and zone-out a bit too. Meanwhile, I’ve also started some CBT sessions as part of a research project comparing CBT to a particular drug. I’ve found this quite interesting, and more useful than the phone calls. This isn’t just because it’s face-to-face, but because there is more of the B (behavioural). I’ve been set small steps to try to deal with uncertainties better – a massive problem for me, being quite the control-freak! Some of the stuff that has come out of it has been really eye-opening and I feel like I’m discovering things about myself, like how I actually have a lot of positive associations with worrying, such as it being a sign for care (inherited that one from my parents).

One of my tasks for this weekend is to leave some time for “unstructured activities”. I always set myself too many things to do, so even when I intend to do this, or to do more relaxing activities, the time gets eaten up and I always end up sacrificing it. As it’s homework, it should hopefully push me to actually do it. I’m also doing something extreme to help with the pattern I’ve got into with over-stretching myself with work etc. I’ve handed in my notice at work! But this post is quite long enough, so I’ll save that for another time…

The Norwich Radical: My One Year Anniversary

The other week I wanted to show Bande de Filles aka Girlhood, to 6th Form students in order to get them to come along to the Feminist Club. They had been keen after having Feminista UK coming in to run a workshop with them. Sadly, my efforts at putting colour-posters up, guying popcorn and even buying the DVD specifically to show the film were wasted at this time. It was rather depressing to hear the music at the start repeat in an empty classroom. I guess they’re overworked. And as an English Mentor, I keep giving them extra reading to do as it is!

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I’ve been writing for The Norwich Radical for a year now, where I look at the arts through a feminist lens. Girlhood was a film I highlighted for its Feminist credentials. So, I thought this would be an opportune time to highlight the articles I’ve written thus far. You can get a whole list by clicking here.

In order of appearance:

I’m Sorry You’re Offended

Sirens at Soho Theatre

Soho Comedy: Women, ‘It’s Like They’re Real People’

Emmy the Great: Oslo, Hackney

The Bechdel Test Fest

Women of the World Festival 2015: Part 1 and Part 2

Three Women Poets

Women Fashion Power: Not a Multiple Choice Question

Woman Verses World

The Place for Poetry: Fragment and Process, Visual Culture and Performance

The Last Word

Soon Every House Will Have One

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To Kill a Mockingbird – Is it Just Me?

In Defence of Telling Girls They Can

Let’s Talk About Sex: The Institute of Sexology and Sex in the Afternoon

Feminist Picks: Edinburgh Fringe Festival

Homework: Molly Naylor and Katie Bonna

Arts Funding: Young People, Women and Intersectionality

Suffragette: The Fight is Not Over

The Hollow of The Hand

Hannah Silva’s ‘Shlock!’

The World Goes Pop

Warsan Shire’s Her Blue Body

Richard Yates: An Accidental Feminist?

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The Burning House

A burning house made from sound. Five voices salvage all they can from the wreckage. A navigation of all that we lose, find and construct in times when facing the loss of what we consider home and our heritage.

Over the past few months, I have been working on poetry for an Apples & Snakes’ Home Cooking podcast, produced by Post-Everything, and featuring myself and other Burn After Reading poets. It features tracks from Rachel Long, Will Tyas (read by Antosh Wojcik), Sophie Fenella, Carmina Masoliver, Antosh Wojcik. The production is beautiful, with a great balance between the sound of each poet’s voice, and the musical tones throughout it.

Click here to listen.

It also marks about a year since my own production of a Home Cooking podcast for She Grrrowls.

Published on Love You Madly

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Illustration by Lance Tooks

After writing about the film Amy, I thought I would share my publication on some poetry I wrote inspired by another iconic jazz musician: Nina Simone.

The poems were curated by Lisa Alvarado and also include a contribution from Toni Stuart, who I had the pleasure of meeting last year and who has since performed at She Grrrowls.

 

You can read the poems on the Love You Madly website.

Review: Amy

I’m in my room, listening to Amy Winehouse, having watched the documentary about her, Amy, last night. The main tragedy highlighted, aside from her obvious addiction, was the way she was treated by both her father and on-off partner, Blake. That said, relationships are not perfect, Blake was clearly vulnerable and damaged like Amy, and they cannot claim responsibility for her death. What was sickeningly apparent was that the media did have an enormous part to play in this tragedy. Amy never wanted the fame she got, even said she would give it back if she could, and before she reached such heights said that she would go mad and wouldn’t be able to handle it. Such is the fate of those who die at the hand of the paparazzi, and those who buy into sensationalist tabloid journalism, as covered in the poetry of Amber Tamblyn in Dark Sparkler.

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Other than her tragic story, what stood out was her music and talent. Seeing her at her best performing at various stages in her career, lyrics picked out on the screen, provoked a feeling that hit you straight in the gut. Although sometimes not always agreeing with some of the content, for the most part I loved her blend of sarcastic wit, sorrowful heart-wrenching pain, and empowering sentiments such as “in this blue shade, my tears dry on their own”. The songs have always had a slick rhythm to them as well, such as in favourite In My Bed. At the heart of Amy’s music was a desire for connection, and that desire to use music to heal the self and heal others was what kept her writing and recording new material despite the chaos of her personal life. That temptation to self-destruct is also relatable to those of us who have traits of hyper-achievement, for they are two sides of the same coin.

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In 2008 I was 19 years old and I wrote a poem called Blanket; as I watched the documentary, I remembered it writing it in response to Amy’s rising success since she moved from Frank to Back to Black, and the pitfalls that were well documented in the media. The poem went as follows:

I want to build myself up to the highest height,
just to look down at the fall and be filled with fright.
I want to be, the best I can be,
prove them wrong about my poetry.
Yeah, I want that pretty face, with the tear stains on show,
mascara up my eyes, just so that they all know.
I want to be perfect, to be a success,
I want to be one of the best.
I want them all to read my lips, read my mind,
then drink myself to destruction at the end of the night.

I want to fall in love again with a good boy,
just so he can break my heart,
because if I’m in a mess, feel my life is destroyed
then it at least provides more material for my art.

And I can just pick up my needle and thread,
scrub with soap, the sheets on my bed,
try stitching my life up to resemble what was,
continue the search for the Wizard of Oz,
pray for a change to a non-existent God,
click my heels together,
come home.

It was about how I could relate to the apparent dichotomy between success and failure, construction and destruction. The only thing I can do is to keep following the path to better myself, and that includes trying not to obsess about what success is and striving for it at the expense of my health. Because it’s a combination of both working and playing hard that can lead to exhaustion. I’ve come a long way since being a teenager and going to university, where getting off-your-face is standard, even on Sundays.

Nowadays, I rarely miss a roast dinner, I make sure to exercise regularly, and although work is always at the front of my mind, I make an effort to carve our significant space for maintaining relationships. I may joke about this being to do with me “getting old”, but actually it’s just finding out more about who I am and what’s important to me. And the fact that I feel it the next day when I’ve only had two pints, probably shows that I can’t take much more. But I often relate to the idea of the “death-wish” as at times there is a flicker of desire, a kind of magnetic pull, to be destructive.

Tony Bennett says in the film that “life teaches you how to live it—if you live long enough.” It is and always will be a tragedy that we don’t get to see Amy prosper, that her bulimia meant she was too weak this last time to fight against the alcohol poisoning she inflicted on herself accidentally. What urged me to write about this was the relatability for young women, and so as this has become self-reflective, I’m sure many others will feel that it could have been anyone, had they not had the time to recover from such a series of events.

The best I can do to take on board Amy’s story is to take inspiration from her creative drive, and keep focused on this. And to not let anyone stop me from doing what I want to do, whether a parent or romantic partner. I’ll never be able to listen to Rehab in a club, but I will listen in my room, or sing along with my mum in the kitchen.

Book Review: Talk you round till dusk by Rebecca Tantony

I received a copy of Rebecca Tantony’s Talk you round till dusk by illustrator Anna Higgie, who I met last year when I performed at BoomTown. You can have a peak inside the book to see the beautiful illustrations here. You can also buy some of her work from the book at her Etsy shop.

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I fell in love with this book after reading the first piece and it’s become one of my favourite books from Burning Eye Books.  The pieces flow between flash fiction, poetry and short stories, each piece with strikingly vivid imagery and captivating stories. Slipping between third and first person, placing a ‘you’ between lines of poetry, leaving you wondering where the stories lie between autobiographical and fiction. This use of the lyrical ‘I’ is something I always find fascinating, and enjoy the element of play this offers.

Much of the work deals with relationships and searching, love and travel. At times it’s heart-breaking: ‘he only liked women who felt safe without colour and peroxide to hide behind.’ At other times it’s liberating:

‘What did you do that for?’

‘I did it for me,’ she said, before the wind set her hair free, spilling it across the sky.

From the statement ‘women don’t normally drink pints,’ I could immediately relate. When the next page spoke of Andalucia, I recalled fond memories of Nerja. Tantony managed to capture the feeling of the place, and its pages fuelled my excitement to carry out the same path and live in Spain: ‘Instead of breaking up we had moved to Spain’ hit me with its poignancy, and yet its humour. With orange blossoms showing the direction for discovery at the end, there is a perfect balance of reality and romance.

Different pieces are intercepted with short poetic descriptions and musings, like notes in a travel journal, such as ‘I found your at sunrise and fell in love with a combination of body parts’. The collection takes the reader across the world, from Spain to India, Cyprus, San Francisco, through a Californian road-trip, to Paris, to Mexico, and ending back in Bristol. Through the turbulence of many characters, of wanderings and wondering whether ‘we might not make it back together in one piece’, at the end of one year and the start of a next, bubbling with excitement with the journeys we might go on, it seems apt to end on the sentiment of We are Braver This Way. In it we find the title quotation: ‘I’ll talk you round till dusk and when the final countdown/comes we’ll be dancing, won’t we?’ Whether we get the happy ending we long for is up to you.

Talk you round till dusk is available from Burning Eye Books (2015) for £9.99.

11.01.16: Burn After Reading Presents…

Talia Randall and Caleb Femi

10 minute set as part of the Burn After Reading community

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Why I Don’t Believe in Diets

So, the video above is from a poem that was published by Nasty Little Press in the Podium Poets #1 anthology, in partnership with Spread the Word. We’re all familiar with the “New Year, New You” cliché and I wrote this poem after being sick of the post-holiday obsession over weight, perpetuated by adverts that play on our insecurities.

This year we saw the epitome of this came with Protein World’s advertising campaign, below. Now, it’s not so much as this is anything new, but it was more that it’s the last straw. These kinds of messages are so insidious and as much as I refuse to let them get to me, they do. Please, come up with a new way to sell your shitty weight-loss products. I mean, the product in itself is something I loathe.

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I’m even embarrassed to admit that I was conned into getting some “free” weight-loss tablets that ended up giving me heartburn and a hole in my bank account instead. I really paid for my stupidity as I could only get half the cash back after telling them what awful human beings they are. But really I think this shows how difficult, but imperative, it is to rebel against these kinds of campaigns.

So, when I was on my second membership to Move Your Frame and saw them post the same rhetoric, but this time linked to exercise, I vowed not to go there again. I mean, at least a weight-loss product is all about unrealistic expectations and isn’t trying to be something it’s not. But for a company whose message is meant to be about keeping fit, being healthy and being active in a fun way to jump on board the body-shaming bandwagon, it’s just a whole other shade of wrong.

Kate Tempest & Hollie McNish: Reclaim Touch from RANDOM ACTS on Vimeo.

One of my favourite poetry videos is the collaboration between Kate Tempest and Hollie McNish ‘Reclaim Touch’. I think more of this honesty is needed in our rebellion against the diet and weight-loss industry.

This was meant to be a short post, but I also wanted to mention Juliette Burton who spoke about Protein World during a panel at Feminism in London. I had already come across her on the Twitter-sphere, but hearing her in person was a privilege. She spoke about her experience with eating disorders, where at her lowest weight she was just 4 stone and a UK size 4, or the infamous US size 0. She was a month away from dying when she was the size that it is said that 11-17 year old girls are encouraged to desire, stating how advertising is the wallpaper of our lives. She also became an overeater and increased her weight to 19 stone, at a size 20, which had an impact on her mental health and resulted in feelings of suicide. She was able to find a healthy medium, but also suffered from bulimia. Here you can see why this matters.

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I write this as I’ve been too busy to go to the gym over the last few months. But I decided not to make myself feel guilty about it, and accept that I would get back into a routine when the time was right. Being so busy, I spend a lot of time walking anyway, and on New Year’s Day, after a lot of guiltless indulgence, I went on a 3/4 hour walk from Kingston Hospital to Kew Gardens and around the illuminated trail. Tomorrow I plan to do some dancing in my house, I’m going to a spa with my mum on Saturday, and then on Sunday I plan to return to the gym. But I will continue not to diet – the idea in itself an illogical concept where it’s a known fact that any weight loss is put back on. Instead, I will eat healthily, treat myself to nice things like chocolate, and exercise regularly to keep physically and mentally fit!

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New Year’s Eve: Resolution Time

I had a mini-meltdown last night after a syncing error deleted five notes and I could only remember two. However, I knew the most important one was the one about my goals – a refreshment from my five year plan, which I created back in 2012.

I achieved some of the things on it, such as getting published by Nasty Little Press, and performing at festivals like Latitude and Bestival. However, I have to say that working in the job I’ve been in the past three and a half years has kept me from achieving some of the things I might have done had I worked on a more part-time basis. Arguably, I could have made better use of holidays, but you can’t be productive all the time, and relationships need nurturing, holidays need to be had.

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I’ve made a detailed plan for what I want to achieve in the first half of the year:

  • Save £2,000 more
  • Start learning Spanish regularly (Duo Lingo, Rosetta Stone, Hive Meetings)
  • Volunteer to teach English at work and outside of work
  • Roundhouse project
  • Writing: more poems, novel and show
  • Prepare manuscripts for publication in 2017

In August/September I hope to apply for jobs in Spain. Some may argue that I should just keep plodding on, maybe ask to go part time, find a more suitable job in the creative industries, or just jump right in and go freelance. However, I’m still relatively young and have friends who have done similar things, or are doing similar things. I’ve always tried to push myself out of my comfort zone, and if I land somewhere like Madrid, maybe I could end up making my poetry more global. I may move more slowly than others, but that’s okay. In some ways the things I want to do go against my nature, but more than anything I need to enjoy the journey, appreciate the present and manage to keep the future in mind without that being my focus.

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I am a creature of habit, but new habits can be made and old ones can be broken. I’m thinking that my priorities for 2016 will look a little something like this (aside from the day job):

  1. Reading and writing
  2. Volunteer work (running clubs, EFL/EAL teaching)
  3. Physical and mental health
  4. Learn Spanish
  5. Performing/recording new poems

So, a Happy New Year to all!

I plan to have a quiet one with my boyfriend Matt, having a take-away and walking to a quiet patch to maybe have a drink on a picnic blanket if the weather is nice. I’ve also booked us tickets for ‘Christmas at Kew’ on New Year’s Day!