Last week was Camberwell Arts Market and despite the grey weather, it was really nice. A couple of people recognised me, which kind of made me feel like a celebrity haha. I got a few new sign-ups, sold a few books, and even got to read a few pages of a Breathe magazine! I’m considering doing a couple more stall as well. Summer seems to be a big question mark in many ways, so it might be good to do a few. You can also buy my books online.
Next up, on Sunday 4th July, I’ll be performing a new piece for children, alongside Simon Mole and Gecko, at 12pm and 3pm at Stephen’s House and Gardens in North London. I’m trying to learn my poem at the moment, and feel super nervous performing live. I’ll probably print a cheeky palm-sized copy just in case I get a mind blank. It’s the first time I’ll have performed live in over a year, though I did learn the poem for my grandad that I recorded with Muddy Feet by heart.
I also watched the film Fatherhood, which was really beautiful and Kevin Hart was fantastic in it. It was funny in places, and really touching, which is exactly my kind of film. I highly recommend it. I also recently posted up some other film recommendations from the past few months on my Instagram.
This week I’ve had my energy back for content writing and tutoring, though I’ve got a horrible rash that is itchy and persistent. I’ve also been back at the gym, right in at the deep end with a 7am boxing class. I didn’t think I’d want to go back, but I do, and I’ve since been to a Soca dance class and Legs Bums and Tums. I’ve also started a low-cost therapy, and thought swimming would be good to do afterwards (though I did get stressed out being too slow for the medium lane and too fast for the slow lane!)
Aside from the usual work, I’ve also been applying for another round of funding, I’ve got a confirmed live poetry gig in July, and I’ve had a few poems accepted, with one in particular I’m really excited about coming out! This weekend I covered a creative writing workshop with a small group of children before more birthday celebrations. Sunday went super fast, so I completed a few things on my to-do list between 6pm-10:30pm after having been out in Brixton most of the day.
After a couple of orders for books, I still have plenty more stock available and have just ordered some pink envelopes especially for the ‘Circles’ book, so please do head to my Big Cartel and order a copy. If you’re feeling generous, my latest self-published pamphlet is also available, though probably won’t fit in the pink envelopes.
I’m also on 186,390 steps and need to complete 300,000 by the end of the month to raise money for Leading Lights. It’s a fantastic organisation I work for that provides social care and alternative education for those who aren’t in mainstream school. I still need to do 14-15,000 steps a day to meet the goal! If only I had been ill during the Easter holidays, this would have been far less challenging! Sunday was actually my best day so far, with 17,455 steps. We’re very close to the goal, and it would be lovely to get some messages of support on there for me too!
I still feel like I’m just keeping afloat of things, and my dream for the next couple of days is to do some work today so I can have an extra-long lunch in the sun! This is definitely one of the perks of being freelance, and an example of when it can be worth scarifying some of Sunday to work.
This morning has been slow, I’ve just submitted some poetry to competitions/magazines, and I’m currently roasting some sweet potato for a Caribbean soup for lunch. I’ll try to do some content writing afterwards, but also thinking of going outside for a breather and maybe play some ping pong.
This week, I’ve attended some workshops, though the second one started whilst I was on my way back from a job, and in Sainsbury’s picking up some essentials. It’s a reminder to not do too much both in and out of lockdown. The main workshop was one by Cecilia Knapp, who I love as both a poet and facilitator.
I also watched a Zoom with Burning Eye Books (my publisher), featuring Agnes Török, Jonathan Kinsman, Laurie Eaves and a poetry film from Malaika Kegode. I thought the whole thing was fantastic, and want to re-watch the film, Wide as the Sea, which you can do online.
Aside from the usual work, I’ve been trying to memorise a poem I’m going to record, I hosted another Stanza feedback workshop for Forest Hill poets on Friday, and I’m really excited to edit the work, which I wrote during Cecilia Knapp’s workshop. So, creative moments are still sporadic, but by the first Monday April, I really have to change that! I can’t believe it’s spring!
Yesterday, I went on my skateboard for a few hours, had a great meal of tofu crispy bites, Korean beef wraps, courgette fritters, and bao pork buns, before watching Hamilton, which was amazing! Now my stomach is rumbling, so it’s time for me to finish the soup for lunch!
I’m currently offering the chance to win a free copy of my book, ‘Circles’, and to be in with a chance of winning, you should be following me on Instagram, and then like or share this post by midnight on Sunday 7th March. Here are some pictures from the post, celebrating the journey so far, which has seen a 4-star review of the audio, and a 5-star review of the book, as well as some really lovely words that people were generous enough to share with me
Meanwhile, I’m slowly starting to get on top of things to begin my new schedule. I’d love to start next week, but it will also depend on how the weekend goes. I’ve had assessment after assessment for Borderline Personality, and I’m still not getting enough sleep, so I’m feeling very drained as I write this. Alas, the show must go on, and tonight we have a full open mic or both new and returning guests, which is sure to fill me with fire once again!
So, I’m currently decompressing after the Living Record Festival finished on Monday! As well as taking part in the festival myself, I also completed a total of 11 show reviews, pretty much all in the last week of the festival. These mini-reviews will be published on The Norwich Radical soon, so you can find out some artists to follow.
Here are some final images from listeners… though rather unusually, two printed with a black background, and one listener, unable to print, drew her own version. Next, I’m hoping to record a binaural version with the Living Record, and potentially put out a more permanent version of the audio. Watch this space!
I still have over 25 copies of the illustrated poem available in book form from Burning Eye Books, signed directly from me on my Big Cartel shop. Meanwhile, I’m looking to begin a new schedule realistically by the second week of March, which will allow me to carve more space for creativity.
It’s the second week of Living Record Festival, and after just five ticket sales, I’m being reminded that it’s better than nothing, and to hold on to the reasons why we do this, why we create and put it out to the world. It’s not the number of connections, but the connections themselves. So, I’m holding on to this lovely comment I’ve been given permission to share from Jodie Adams.
I’ve reached out to family members, which has been encouraging. After over a decade in poetry, it gets harder to ask for support from friends and family. A part of you thinks, shouldn’t you have an audience by now? Shouldn’t you not need them anymore? These kinds of thoughts can lead to a bad spiral, so sometimes it’s best to just ask directly, appreciate those who give the time, and understand those who don’t.
So far, my maternal grandmother and one of my cousins have sent me pictures of how they listened. I love how my gran has put her margarita inside the circle as something she loves, and how both of them have created such a nice space to give themselves that 15-minutes to focus on listening and colouring.
When you buy the audio stream of Circles, for £5 as well as the audio and the Zoom Q&A, you get a copy of this black and white PDF of the book cover to colour in and draw inside, following the instructions. I also had a go at it myself and just about got the flowers coloured in by the end, finishing with this new doodle that was inspired by an exercise my friend Natalie Cooper (who illustrated the She Grrrowls anthology poems). I have often doodled and actually, as someone who is more of a conceptual artist (when it comes to visual art, this is always what I say, tongue-in-cheek, having illustrated my ‘Circles’ book myself), this is something I’d love to do more in an active way. After talking to someone else about their art therapy, which sounded like it incorporated similar techniques, I find it fascinating how doodling allows the free flow of moment without a plan, in a way that is so opposite to how I often work and live.
Lastly, I also want to recommend the film ‘Soul’. With everything that is happening in my life and other people’s lives at the moment, it was just so heart-warming and appropriate. I also recommend the short film on Disney + that goes into the background of the film.
The Living Record Festival is why we do what we do. The creative work is why I have pursued the path of being self-employed. At times, I can lose sight of that, so it always feels good to be a part of something that nourishes the reasons for our being.
Tomorrow, Living Record Festival officially launches, and you will be able to listen to my audio for ‘Circles’, and use the PDF to print and use as you listen. You can buy tickets now and listen every day from tomorrow until 22nd February. I’ve also included a Q&A session for free, which will take place on Zoom on Friday 12th February 5-6pm. Tickets to listen cost just £5, and there’s also a link to buy the book, which I can sign and dedicate to you.
I’ll probably continue to bang on about the festival throughout it. As well as my own show, I’d recommend checking out Maria Ferguson’s ‘Alright, Girl?’ reading her book (which I’ve read) published by Burning Eye Books and Leanne Moden’s Skip Skip Skip (which I’ve seen live at Edinburgh Fringe Festival). I’d also like to recommend Elian Gray’s show as he kindly helped me when recording my piece, and it sounds exciting! With the national lockdown, it’s the perfect time to support artists and listen to something different each day, perhaps using the money that may otherwise be spent on your lunch break!
Since my grandad passed away just over a week ago now, I’ve found how difficult it is to experience such close familial loss and try to work at the same time. This week has been a struggle, but when you’re self-employed, there is so much uncertainty about your finances and I didn’t find out about the funeral date until the end of the week, and which days of work would be impacted. It’s hard to even allow for time off, even when it’s so needed. Then again, my cousin has also been in the same position, unable to take time off from her job, despite 3-5 days being the standard, from what I know. It has meant welling up with tears whilst walking to work for 45 minutes, finding more time to talk to family without being able to see them, and writing poems of grief in the early hours of the morning.
I feel like I’m just about staying afloat, whilst wanting to carve time that allows me to realign my schedule the way that is more fulfilling each day. I’m also ordering 25 copies of my book ‘Circles’ from my publisher, Burning Eye Books, ahead of the digital ‘Living Record Festival’, which will be taking place from 17th January until 22nd February, where listeners can buy a copy of my physical book, along with the audio and creative activity. You can now buy £15 tickets for the festival, remembering that this includes a copy of the book, which is worth £10.
I am also waiting to hear the results tomorrow having been shortlisted for the Anthology Magazine prize, so fingers crossed! It would be something positive to hold onto for my poetry career, for sure, but even making the shortlist is still an achievement worth celebrating, something that I forget to do all too often.
The main news this week is that I am in the process of recording audio for the Living Record Festival. I’ve done one recording already, but I’ll be experimenting with a binaural microphone to see if I can do something a bit different. I’m going to try to give myself three solid days off for spending time with my bubble, walking, reading, watching films and eating good food, then I’ll be back in the studio recording and at my laptop polishing the piece.
I saw fellow Burning Eye poet Maria Ferguson post about it and thought I would also apply. After many years after doing Scratch That Hackney, I’ve been working with producer Ellie Barr as part of the festival, which I believe is where I may have performed some of ‘Circles’ before. To find out more about the festival and the other artists involved, please sign up to this mailing list.
As part of this digital festival, I’ll be featuring an audio version of my book ‘Circles’, with a ticket option to include a copy of the the physical book. Whilst listening, I’ll also include a PDF of an activity with every ticket. The festival launches in January 2021, so make sure to sign up to the mailing list to keep updated.
So, what can I say about this week being freelance? Well, I have a bill of nearly £1000 coming my way from overpaid tax credits in 2018-19. The good news: I earned more money than in 2017-18. The bad news: it’s 2020, I now pay rent, the Christmas holidays are approaching, and we’re in the middle of a pandemic. With that in mind, I’ve been taking the opportunity to plug my book, ‘Circles’.
Circles is an epic poem inspired by Sarah Kane’s 4.48 Psychosis. Taking the point of view of a suicide victim’s lover in the play post-death, the piece takes place on London’s tube network and follows the fragmented views of this once-absent character. It is a piece about love, loss and the line between sanity and insanity. Whilst fictional, the emotions and experiences are also inspired by elements of the author’s life, and are written with the aim to bring comfort and healing to those who can relate to its themes.
The book was published last year and I began to tour at the start of the year, and then… you know the rest. If I sold just 100 copies of this, then my bill would be sorted, so if you’re reading this and can spare a tenner, order a copy for yourself. If you can spare more, why not buy some for your friends and family? And if you can’t afford it, a share on social media or any way you can would really help.
I shared extracts from ‘Circles’ on ‘Spork’ in place of the real-life gig from my tour dates. It’s available to listen to on Spotify, and I’ll also be recording an audio version of the whole poem for The Living Record Festival in 2021, so watch this space for updates on that.
“I speak and the only voice I want to hear is yours” This is a quote from Carmina Masoliver’s stunning epic, Circles. Yet, I find myself feeling this way about her voice. Carmina has a very special way of finding the smallest of cracks in your heart and filling them with visceral, yet elegant poetry. She mines the mundane; those everyday moments riding the tube, or in the shower, or sitting with a stranger on a fence, and she brings you into them so gracefully, before you know it, you are sitting on the tube with her, “holding onto her hand in a reverie.” – Sabrina Benaim
‘This poetic dramatic monologue is at once lament, and testament to an unimaginable reality. Masoliver has created a theatrical poem that is both haunting and ethereal, where the audience experience the world though a protagonist trapped in on a train looping the central line and and her recurrent memories of a lost lover. The fragmented beautiful lyrical prose unfolds like a smashed mirror, each piece a jigsaw. Circles takes us effortlessly into the head of a suicide victim’s lover in order to illuminate the devastating effect of her grief. She captures an elusive emptiness whilst hypnotising us with an honest lyrical epic.’ – Malika Booker
I have five copies of my book in stock, and five more of the She Grrrowls anthology, so even if I sold those ten books, it would be lovely (as I would have to buy another big lot of books from the publisher in order to sell more than five of each). You can get them from both Burning Eye Books directly too, and I will be sure to plug again once I’ve sold out.
Tonight, I’ve just done the final Instagram Live show for She Grrrowls until next year. I’m giving myself January off, so the next show will be February 2021! It was particularly exciting to have fellow Burning Eye poet Cynthia Rodríguez share their work, which I loved during the She Grrrowls tour, when collaborating with Leicester’s Find the Right Words.
Meanwhile, I’m trying to find some balance between being horribly productive with all the stuff I have to do, doing the more creative stuff (when, oh when will I have time?) and giving myself a break and resting. This weekend, I’m having an actual weekend filled with mother-daughter Christmas shopping time and chilling the fuck out on Sunday with some wintery walks or something.