She Grrrowls & Politics

She Grrrowls Logo

With She Grrrowls just finding its feet and me just about recovering from a post-launch cold, I think it’s about time I wrote about its first instalment. I arrived at The Gallery Café over 3 hours before the event’s start time. As I can’t afford to fork out £50 on a sound technician, I decided to bring a pad of paper and pen to note down the basics. It seemed easier enough and despite some initial problems, it was working. That was when things started to take a turn for the worst. There was a party of 30 people due an hour before the event for a buffet, which did no good for my pre-show anxiety. Then, my comedy act got in contact to say she was too ill to do the show. I was further sent into a panic when part of the She Grrrowls team was taken down by a kidney infection. I was on the edge of a meltdown. Still, guest host Joelle Taylor turned up and got her hands dirty moving tables with me, providing a welcome relief.

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Twenty minutes before the start, I tested the music again. No sound came out. No sound. We had no sound. What was I going to do? The events manager was off sick, and I hadn’t a clue how to work out what the problem was, let alone fix it. The café never closed its doors, so people were coming in and I was running round like a headless chicken. Joelle kindly jumped on stage to tell people to pay and I ran back and forth to collect money and check on the sound. Time was a blur, and somehow, with the help of the café staff and the band, the sound began to work through one speaker – not the ones above, but one sat on the stage. Booking a six-piece band for the first event was probably a bit ambitious, but through working together, it all turned out okay and we were able to start the show before 8pm.

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My head was a whirlwind, but I was thankful I didn’t have to worry about the audience and the artists. The open mic’ (themed ‘politics’) was a great success… from a rather unusual but expected ‘alternative view’ to established poets like Pete the Temp and Mark ‘Mr T’ Thompson, as well as emerging artists I was glad to see take to the stage, including a lovely lady called Imogen who rhymes under ‘Average White Female’. The audience looked packed – we ran out of seats (mostly because I didn’t have time to remove all the tables) and I counted around 40-50 people. The best part of this means that each act took away around £30 payment (although the ever-supportive Joelle tried to give the money back to She Grrrowls) and I would love to increase that amount by getting bigger audiences. What’s more is that the event had positive feedback – one couple who had come in for food (the guy had just arrived back from Canada) were convinced to stay for the show and left telling Joelle that this was just the kind of event they had been looking for: good quality poetry without the pretence.

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I managed to relax enough to talk to a couple of friends who came to watch, and to be able to enjoy the rest of the show. Momina Mela offered us beautiful poetry with words that melt your soul, each word spoken slowly, carefully, as if each word was a jewel offered as a gift to the audience. Momina has an uncanny way with words and amazes with each line of poetry. Aisling Fahey then wowed the audience with her raw honesty; lines like ‘how to hold their frame without wishing there were less of it’, although about eating disorders, was both horribly relatable and undenyably tragic. A poem that goes beyond the experience of eating disorders and makes you wonder why you would ever want to be less of yourself, like you’d be destroying a part of yourself.

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Sunshine in Mae finished the night and left everyone with a smile on their face. Fronted by Sula Mae, this six piece band also had some guys in it (see – showcasing female talent, not completely banning men). I knew Sula Mae from university as a solo artists so it was incredible to see her songs grow to such a level, hearing new tracks and old favourites like ‘Wake up Mr. Billy’. People hung around after and chatted, before Joelle helped me pack all the equipment away (what a star!) I was left exhausted, but elated, and so so thankful to everyone who was involved in making She Grrrowls a success.

Watch some of the poetry from the launch on the She Grrrowls Youtube Channel.

Since then, I encountered yet another hurdle! The booking system at The Gallery Cafe hadn’t registered future She Grrrrowls events. After waves of panic via email and feeling sick all day, I was able to sort it out and have spent the last week re-arranging bookings. The next event will be on Saturday 5th October – I had to change a couple of acts but you can see the confirmed line-up below… the change of theme to ‘sex’ seemed appropriate (well, we couldn’t do ‘space’ without Helen Keen)! I’m excited as I won’t be tired from work and my boyfriend will be there to enjoy the show (and help me out) – poetry on a Saturday night, what a treat! The rest will be every THIRD MONDAY of each month.

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xxx

Burnt Out

I have lots of exciting things to say but have been so busy that I’ve burnt myself out and will have to wait until I have more energy. Meanwhile, enjoy my poem ‘Maps’ on the Annexe website. Click below.

 

Dysfunctional

Having returned from a much-needed break in Corrèze, France, visiting my Gran, I have now found the time to write a about my latest poetic adventure (though not the time to go through emails just yet). Over the last few months I’ve been taking part in a series of workshops with different mentors, through The Writing Room with Apples & Snakes. This culminated in a group performance on 13th August.

The Writing Room Showcase sort of felt like the coming together of a dysfunctional family, including some family members you never knew existed. Some pieces were created through workshops with the mentors, some throughout the last few months leading up to the show, and some just days before the event, but through the process we learnt a lot and came together as a group – the room filled with support for those that take on the risky path of the art world…

Ben Jacobs – for the ups and downs of the process, sharing in the strangeness of not making the cut for Young Poet Laureate for London, and the hope for the future.
Lateisha Davine Lovelace-Hanson – for her words of wisdom and loosening us up for the performance, making me laugh and taking me out of myself when all I could think of was trying to remember my poetry. Reminding us that we need to “own” our words.
Kes Gill-Martin – for a piece that spoke volumes about what we’re all trying to do, which I need as my mantra when I’m struggling with the ideas of ever having kids and a mortgage.
Rachel Long – for writing so many beautiful and varied poems I want to hear them all again, including a really witty piece about the Megabus that I could really identify with. For her warm smile and hugs.
Sarah Ball -for the way her voice and beautiful words resounded through my mind throughout the weeks we were preparing our poems for the showcase.
Temi Lateef – for letting his guard down and speaking of love and its complexities in a way we all know, standing out for what he believes to be good and true.
Ruban Nathan – for expanding our horizons, telling untold stories from his travels, and for making me feel better for my splurge in Beyond Retro after seeing his bag at Roger’s session.
Lucy Jackson – for writing and performing a great piece, and then acknowledging that a writer’s work is never done – the struggle and enjoyment are one. And for, like me, eating a proper dinner from Thai and Lao at Boxpark (yum!)
Kareem Parkins-Brown – for his amazing imagery and figurative language, making my jaw-drop from the first session we were together in, with Joelle Taylor.

Daisy Dockrill – for doing her job so incredibly well and for her never-ending positive energy!

Sabrina Mahfouz – for getting the crowd going with an amazing poem and inspiring us that if we get out there, we can be a success.

Roger Robinson – for the workshop that shook me up and meant that I memorised my pieces, and for coming along and supporting the show, making me feel good about my writing.

Joelle Taylor, Mark Grist and Mixy – for some wonderful mentoring sessions that have produced pieces I’ve wanted to write but haven’t, and for all the mentors involved for showing us the importance of editing and re-working – Ben and I hope to record a version of our joint piece in the future, when we’ve got it to a place we’re both happy with.

Mary Akinsulire – for sending me a kind message when I really needed it, because despite all this positivity, sometimes you can just feel down.

Our theme began with my idea for the unspoken stories of the many people on public transport, and it became a tale of our personal journeys, with a connection between us encapsulated by five lines I ended with:

During the delay I derailed myself,
escaped onto the tracks.
My emergency was a red light;
the signal failure told me to run,
reminded me of fields and trees and dreams.

Sex Haikus and Other News

Writing Room banner[2]Coming up is a showcase of the work I’ve been doing with a group of writers at Rich Mix in Shoreditch. I’m determined to learn my lines for it today as we have a meeting coming up when I’m back in London. Fellow writer Ben Jacobs (also a Podium Poet) posted a series of poems by Benedict Smith on Facebook: A Haiku for Every Girl I’ve Slept With. I thought it was a great series of well-executed poems and would love to see the whole series as an illustrated chapbook. Amongst the poems was this one:

8. Tried your fantasy

And pretended to rape you.

It felt a bit forced.

Initially, I felt uncomfortable with the comic intent of the last line: an awkward double entendre. I felt that it undermined real rape by making a joke of it. My opinion on a ‘rape fantasy’ is that it is nonsensical – the very act of rape is something unwanted. Therefore ‘rape fantasy’ is an oxymoron. I thought about a better way to address this issue, assuming that these poems are based on real-life experiences. I came up with this:

A girl says ‘rape me’.

She doesn’t know the meaning.

Singing Nirvana.

However, then I thought that actually, my version is far too obvious. How can I say that this is a better version just because the point is clearer? Is it too didactic? Perhaps, Smith’s poem is actually more successful because of its subtleties. Perhaps his humour points out the ridiculousness of such a request from a girl. It got me thinking about the meaning of the poem, which is surely a sign of success. I’d be interested to know what readers think of this.

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Another couple of things in the pipeline for September include the She Grrrowls launch party at The Gallery Cafe on Wednesday 11th. There are so many talented women out there that we want to feature at future events, so we really hope it takes off! On Saturday 14th I’ll be leading an all-day workshop on the theme of ‘Loss’ at Red Door Studios. It ties into the next issue of Poetry&Paint, so come along to the workshop and get the chance to have your work in the September/October issue of Poetry&Paint.

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I’ll also be getting down to as many open mic nights as possible and hopefully get some gigs, preferably paid! I’m excited about the next year (working at a school, I still work in academic years!) I’ll be super busy as I’m also wanting to take up the ukulele! Wish me luck!533626_564521246927232_1283506101_n

 

 

 

 

 

I’ve been staying in Norwich the last week or so and don’t want to come back! I’m going home tomorrow and it’s all gone so quickly. I’ve had a great time and even managed to do an open mic over my time here (as a city so famous for literature, there’s surprisingly few events compared with London). I went to the launch for the Lighthouse anthology, which I’ve now submitted some poems to for the next issue! I got a chance to catch up with poets Chris Ogden and Russell J Turner. Chris told me about this project to do with made-up words, so I wrote a poem on the word ‘Elagon’ – have a go yourself!
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I’ve done a bit of work most days I’ve been in Norwich, but I’ve also managed to have a bit of fun and relaxation. One of my favourite days was the trip to Cromer with my boyfriend and his family at a family friend’s caravan. I had seen the forecast of showers so I didn’t expect we would be able to go. The others went by car whilst my boyfriend and I rushed to the station to make the train to Cromer. The sun was shining through the clouds and I thought I’d dip a toe in the sea. I ended up walking further in and we swam all afternoon. It felt amazing. After we dried off, we had some chips and headed to the fun fair. I’ve also done a bit of shopping, had some drinks at the Rumsey Wells, got an Indian takeaway, saw my boyfriend’s grandparents and tonight we’re having a nice romantic meal.

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Now it’s goodbye Norwich and hello London. I’ve got a performance at Red Door Studios (also where the workshop on Loss is) on 8th August, a trip to visit my friend Hannah in York, then I’m back to the home of Alan Partridge the following week. Maybe another trip to the beach, if I’m lucky.

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Larmer Tree Festival 2013 & She Grrrowls

Before I get to the juicy stuff, I’d like to point a couple of things. Firstly, check out my profile of the Spread the Word website as part of the ‘Spoke’ project to find the first Young Poet Laureate for London, for which I was shortlisted. Yep, I made the final twenty ‘Podium Poets’ but sadly didn’t make the cut to the final six. Secondly, I found a link to the Guardian website where there is a picture of me! Gillian Wearing picked my picture as one of her favourites and said ‘I relate to this, having done various jobs myself when I left college’ at my photo, taken in Sainsbury’s uniform with the statement ‘the artist shouldn’t be stacking shelves.’

The major news is that I’ve performed at my first proper festival, you know, with fields and camping and stuff. The festival was Larmer Tree in Salisbury. I went with my friend Natalie and we had an amazing time! The weather was perfect and made me so very happy. I hope to come back the next year and for the weather to be as good! I saw such a range of music, including the lovely Saturday Sun, and a boy playing a pop-up gig who was around 10 and incredible (who was later gutted to miss my performance of ‘Circles’ which was nice to hear). We also made things like insect brooches, necklaces and mosaics. We learnt some hula hoop tricks and now I really want to take it up! I also hope to take up the ukulele, re-inspired by the band there.

I saw some great poets, including Angie Belcher, Edson Burton, Nichol Keene and Toby de Angeli, Joelle Taylor, Poeticat, Scott Tyrrell and The Antipoet. My first performance had been extended to half an hour, which meant that I ran out of material (oops) and had to read from my book. It actually felt good to take my time and read like that, and people got to listen to pieces which I don’t do as much. I probably should have taken my time earlier. My second set was ‘Circles’ the epic-poem I produced with Apples & Snakes as part of the ‘Word’s a Stage’ project. I had memorised it but didn’t quite know it well enough to avoid looking at the paper stuck in my prop (the Metro). I also ran a workshop which I thought went well as most of the participants were lovely and one told me that I should be confident in what I do. Honey, if I knew how to do that, I’d be a more successful poet by now.

Just kidding, I know I come across as a bit shy and softly spoken… but well, I am. I’m growing to accept myself this way and believe I can still be successful being who I am. I lack confidence now and again (don’t we all?) but some people can see my inner-confidence. I’ve been having a bad week so far. I’m not sure where it stemmed from, but I’ve been in a bad mood and felt like I work so hard and don’t have much to show for it. Typing away at a laptop all the time when it’s sunny outside can be a tad depressing. Especially when videos won’t upload. This video by Jodi Ann Bickley helped a bit and it is inspiring to see her work with one million lovely letters. And here I am, still writing this and not knowing if anyone is reading it and if any of this will amount to anything.

So, we had our pilot event for She Grrrowls at Kingston’s Ram Jam Club at the Grey Horse as part of IYAF. How did it go? It was a bit of a disaster but I think we pulled it off. On Thursday night the headline act pulled out, on my return from Larmer Tree on Monday, another act was forced to pull out, and whilst the event had started, another act pulled out. Only two out of our five acts actually was able to make it. Luckily, we had Sam Neele replace our headliner for the music, who gave a lovely other-worldly set, and I filled in with some poetry. Bisha Ali gave us some hilarious comedy, and I’m gutted I can’t show you a video or tell you some of the jokes but we will definitely have her at She Grrrowls again. Andi Michael gave us extracts from her novel, proving her not only to be an amazing writer but one with a unique style that makes use of poetic language. In addition to the line-up we had on the spot performances from Hannah Rose Tristram, Becky Dennis and Cherry Godiva, who were all amazing. We hope to see everyone again at future She Grrrowls events.

Which brings me to the next point on the agenda. Dates.

Number 1: Wednesday 11th September. The She Grrrowls Spoken Word Launch at The Gallery Cafe in Bethnal Green. Future events every first Wednesday of the month.

Number 2: My next gig will be August 8th at Red Door Studios, 120 Masterman Road East Ham E6 3RW. I will also be delivering an all-day workshop there on Saturday 14th September.

Number 3: August 13th at RichMix in Shoreditch I will be performing a show as part of a writing group through Apples & Snakes.

I think that’s about all anyone’s brain can take in this heat.

xxx

22.07.2013 – She Grrrowls at IYAF, Kingston

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International Youth Arts Festival 22nd July – She Grrrowls pilot event, 7pm, Ram Jam/The Grey Horse, Kingston. £5 entry. 6th July – Workshop from 6pm, with readings and food and drink from 7pm at Las Iguanas, Kingston. £10 adults, £5 OAP, students,

11.07.13 – S.W.A.M&P

S.W.A.M&P. July 11th.  Vibe Gallery, Bermondsey, London. 

Podium Poets Unite!

Yesterday I was fortunate enough to be in the final twenty ‘Podium Poets’ in the competition to eventually become London’s first Young Poet Laureate. As I write, the panel of judges are making (or have made) their decisions on who shall make the cut to the final six poets! All of us now eagerly await the result, sat with laptops or smart phones, freshing our email inboxes. With around sixty applications, everyone deserved a massive pat on the back for making it to this stage, purely on the basis of the quality of our poetry.

And quality it was! Apparently there were people there who didn’t normally perform… this was incredibly difficult to tell. Everyone was so amazing on every level; I certainly would find it impossible to narrow down to the final six. All I can do is keep my fingers crossed and whichever way the wind blows, be proud to be part of the Podium Poets. I had such a great day and I also have to be enormously grateful to my work for granting me leave (as I work at a school, non-holiday leave is quite tricky!)

It was really cool to meet other poets and also pretty unbelievable that we didn’t already know each other – an indication, if anything, of how much talent is in London. Here are some of their details so far: Deanna Rodger (who I know from when I started out and who is pretty much a poetry celebrity), Ben Jacobs (who I’m working with at the Writing Room), Sarah Perry, Bridget Minamore, James Massiah, Rosie Knight, Warsan Shire, Sophie RobinsRobert Somynne, Sonority Turner, Mary Akin, Dizz Tate, and Nik Way. We’ve been trying to get in contact via twitter but I’m yet to find some of them.

Anyway, during the beginning of the day we got to know each other, played games and did different exercises. In the afternoon, nerves were distracted by lunchtime conversation, only to return once the judges stepped in the Red Room, at The Albany. We relaxed playing games, and once we got started, I was engrossed in each performance, and my own went by all too-quickly. I was sandwiched between two of my favourite performances (Sarah and Wasan) but I hope that I managed to stand out. Below is a two-part limerick that I wrote during the morning.

Limerick Part I

In Chelsea, there’s a lady of class,
Who evokes etiquette of the past.
But one day whilst complaining
That decorum was flailing
The wind blew and uncovered her arse!

Limerick Part II

This lady, she let out a gasp
When she felt that sudden air blast.
She heard many sniggers,
For she’d forgotten her knickers!
That lady from Chelsea with class!

The Albany is becoming a regular haunt – and I should probably visit Apples & Snakes to get a copy of my Word’s a Stage performance soon! Tomorrow I’m actually heading there for a Writing Room meeting, so that may be a good time. After the day was over, I went to ‘Kid I wrote back’ as planned. I performed ‘Paradise’ again, as well as a few others. I got speaking to David Marshall, and a young girl who I encouraged to take to the mic the next time. It was also good to see Kayo Chingonyi again, as I didn’t realise he was featured. All in all, I wished that every day could be like that day, and maybe if I managed to become Young Poet Laureate for London, that dream could come a reality sooner than I thought.

Hi July!

Firstly, let’s get the slightly embarrassing news out of the way… my poetry workshop had no bookings and got cancelled! It could have been promoted more, as I have been concentrating my efforts on the event (Ram Jam at The Grey horse, on 22nd July) but I spoke to one of the lovely organisers and we thought next year it could either be workshops held in schools (target market) or weekday evenings. Alas, it wasn’t a wasted trip. I dropped more flyers off at the Rose Theatre, I stumbled upon this great band called The Hype Theory playing at Banquet Records – a cool acoustic set with boys on guitars and  a cajón, and amazing vocals from lead singer, Katy Jackson. After the no-show, I collected my festival wristband from the IYAF HQ, and had a free meal from Las Iguanas, with a fantastic service from the manager Jason. I felt like a celebrity, enjoying a Reggae Rumba cocktail, with fajitas, and a chocolate-orange fudge cake for dessert. Something I’m also loving is the emergence of ice-cream parlours in Kingston – Creams and Afters. Maybe my Mum was right after all, and I should set up a business with ice-cream and poetry!

My job is going well, and I’ve been accepted for next year! I’m actually really enjoying working with teenagers – who’d’ve thought?! I’ve had the opportunity to work with the Year 9 students with Kayo Chingonyi, and even got to go to the SLAMbassadors finals, which was the best work day ever! We had the leaving ceremony for Year 11 and I’m really going to miss a lot of them. I’m going to turn down an interview for a job in Norwich; it breaks my heart to but it is much lower paid, and I feel that I’ve got too many commitments in London for the moment.

One of these commitments, and another reason why my work can be so amazing and supportive, is my part in the search for London’s Young Poet Laureate, with Spread the Word. I have been allowed the day off to take part – I was really nervous about asking, because when you work in a school, you can only take time off during school holidays. Tomorrow, they will try to narrow down the competition from nineteen to just six! It should be a fun day and I’m really looking forward it, and would love to even get into the final six, and I think I’d only have one more year to try again. Becoming the first Young Poet Laureate would be a dream come true and an opportunity I would grab with both hands. It would definitely be my big break! Wish me luck!

So far on my journey towards publication has encountered one rejection from Bloodaxe, and a couple of requests for full manuscripts after shorter samples. I was surprised by the speedy response from Bloodaxe, but I shall take the underlining about the quality of the work as a message that it is still amazing. I should also have a piece published in the next issue of DreamCatcher magazine with my new twist on Dorothy, from the Wizard of Oz, inspired by the image below, by Matthew Dickerson, as well as my love for Dorothy Parker.

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In terms of poetry gigs and stuff, I’ve been to the open mic at Come Rhyme with Me. Kayo was performing alongside Peter Hayhoe and Mike Galsworthy. All the poets were fantastic, the food was delicious (£12.50 for food and poetry!) and the atmosphere was so warm and friendly. Even without Deanna there, Dean Atta produced a wonderful show with his infectious smile and delightful charm. I finished the evening of with a Rumble cocktail and spent the rest of that weekend flyering for the She Grrrowls event on 22nd July. I also got the chance to take part in a workshop with Joelle Taylor as part of the Writing Room – things are really coming together now! I’m gutted I can’t make the Sabrina Mahfouz workshop, but sometimes you have to create balance in your life and I miss my friend who’s up in York! I’m guessing, when I turn 26 I’ll have to stop going to the Writing Room, in which case I’ve got 1.5 years to become a success!

Other cool things I’ve done include seeing Laura Marling at the Grand Eagle Hotel as part of the new Secret Music events, and going to the East London Comic and Art Festival. I had fun dressing up in 1920s attire and exploring different rooms, finding Lindt chocolate and spending time with poet Selina Nwulu in a non-poetry setting. I also have discovered a love for indie comic books, especially Marc Ellerby whose Chloe Noonan comics have a great female protagonist, featuring great artwork and words.

Next up, tomorrow I’m going to eat at Bar Kick and stick around for ‘Kid I wrote back’ which seems like a cool event! I also need to update my events section – oopsie daisy!

xxx

Last Night, She Said…

 

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Last month was my birthday – yay! I’m 24 now and I for the first time since I turned 19 I didn’t go clubbing. I went to the Roy Lichtenstein exhibition (loved it), had a meal at The Diner with about 10 close friends and had drinks around Hoxton before going to the comedy show at the Udderbelly (ok until they made jokes about domestic violence etc.) All in all, it was a great celebration, and my actual birthday was made amazing by people at work showering me with books and homemade cake. Two of my favourite things. I’ve been really busy… do I keep saying that?

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So, my time at Bang Said the Gun has come to an end. Here is a terribly unflattering photo of me performing, but I’m grateful to Cat Brogan for the evidence that ‘Carmina waz ere’ and all that. I really want to come back to do the raw meat stew… and hopefully a feature, in the future! Something that I feel I have to speak up about is the level of misogyny, not only at the Udderbelly, but (sadly) at Bang too. More so, the fact that it is so ingrained in society that most people don’t question it (or don’t seem to) and so I did my bit and scattering some Feminist glitter on my poetry sets.

The energy of the last one was the most inspiring as the raw meat stew had less of the sexism, Martin Figura gave his nod to Feminism in a polka dot shirt and Cat Brogan hula-hooped whilst singing about her clitoris. That’s exactly what needs to be done; don’t run away, but challenge it, perform something better and show that you don’t have to be offensive to be good. I thoroughly encourage females/feminists to come and have a go! Anyway, more about that darker side of the poetry scene later. I had a great time every week -even the two weeks when I was ill and my sniffle developed into a full-on fever, it had me in bed past midnight.

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I also had a stall at the Saboteur Awards, which was great (despite my fever) and I got to meet a few cool people.  I can now said I have been fortunate enough to have worked for an award winning company (Penned in the Margins), taken part in an award winning project (Shake the Dust) and performed at an award winning night (Bang Said the Gun). Check out  what you missed out on by Richard T Watson, and Dan Holloway (who said my stuff was like ‘Cath Kidson branded poetry’).

I didn’t sell as much as I wanted to, but Poetry&Paint was quite popular and I sold a t-shirt and some of the badges and stickers. I didn’t sell any of my own books/CDs as I guess nobody really knew who I was. People did say my stall was the prettiest though. Since Poetry&Paint is kicking off, I’ve extended the deadline for the next issue but only specifically because I’m looking for a response to Siobhan Belingy’s artwork. Deadline is the Friday 7th June. Don’t forget to buy your copy of the first issue.

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On Saturday I went to Chime for Change, which was particularly fun when J.Lo and Beyonce performed as they had such a range of material. It was amazing to hear speeches from the likes of Desmond Tutu on video and Madonna in person. There were so many amazing performers and speakers, but all I really need to say is to check out the different causes the event supported at Catapult. I wore my ‘this is what a Feminist looks like’ t-shirt and one of the bouncers called me ‘Mrs Feminist’… I suppose I should have said ‘Ms Feminist’ haha!

One of my friends asked me to break down feminism for them, and I spoken about equality, and acknowledging the subjugation of women over hundreds of years. I hope I did a good job to explain why. I find it annoying that my peers don’t know this stuff already, but if I’m honest, I wasn’t at all surprised to hear that as it is only recently that just a handful of my friends have turned to Feminism. I don’t want to force them to identify as such, but I just hope I have a positive influence in making them think it is a good thing to be! The slogan for the event couldn’t be more right: how can we move forward if half of us are held back?