Book Review: Talk you round till dusk by Rebecca Tantony

I received a copy of Rebecca Tantony’s Talk you round till dusk by illustrator Anna Higgie, who I met last year when I performed at BoomTown. You can have a peak inside the book to see the beautiful illustrations here. You can also buy some of her work from the book at her Etsy shop.

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I fell in love with this book after reading the first piece and it’s become one of my favourite books from Burning Eye Books.  The pieces flow between flash fiction, poetry and short stories, each piece with strikingly vivid imagery and captivating stories. Slipping between third and first person, placing a ‘you’ between lines of poetry, leaving you wondering where the stories lie between autobiographical and fiction. This use of the lyrical ‘I’ is something I always find fascinating, and enjoy the element of play this offers.

Much of the work deals with relationships and searching, love and travel. At times it’s heart-breaking: ‘he only liked women who felt safe without colour and peroxide to hide behind.’ At other times it’s liberating:

‘What did you do that for?’

‘I did it for me,’ she said, before the wind set her hair free, spilling it across the sky.

From the statement ‘women don’t normally drink pints,’ I could immediately relate. When the next page spoke of Andalucia, I recalled fond memories of Nerja. Tantony managed to capture the feeling of the place, and its pages fuelled my excitement to carry out the same path and live in Spain: ‘Instead of breaking up we had moved to Spain’ hit me with its poignancy, and yet its humour. With orange blossoms showing the direction for discovery at the end, there is a perfect balance of reality and romance.

Different pieces are intercepted with short poetic descriptions and musings, like notes in a travel journal, such as ‘I found your at sunrise and fell in love with a combination of body parts’. The collection takes the reader across the world, from Spain to India, Cyprus, San Francisco, through a Californian road-trip, to Paris, to Mexico, and ending back in Bristol. Through the turbulence of many characters, of wanderings and wondering whether ‘we might not make it back together in one piece’, at the end of one year and the start of a next, bubbling with excitement with the journeys we might go on, it seems apt to end on the sentiment of We are Braver This Way. In it we find the title quotation: ‘I’ll talk you round till dusk and when the final countdown/comes we’ll be dancing, won’t we?’ Whether we get the happy ending we long for is up to you.

Talk you round till dusk is available from Burning Eye Books (2015) for £9.99.

11.01.16: Burn After Reading Presents…

Talia Randall and Caleb Femi

10 minute set as part of the Burn After Reading community

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Why I Don’t Believe in Diets

So, the video above is from a poem that was published by Nasty Little Press in the Podium Poets #1 anthology, in partnership with Spread the Word. We’re all familiar with the “New Year, New You” cliché and I wrote this poem after being sick of the post-holiday obsession over weight, perpetuated by adverts that play on our insecurities.

This year we saw the epitome of this came with Protein World’s advertising campaign, below. Now, it’s not so much as this is anything new, but it was more that it’s the last straw. These kinds of messages are so insidious and as much as I refuse to let them get to me, they do. Please, come up with a new way to sell your shitty weight-loss products. I mean, the product in itself is something I loathe.

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I’m even embarrassed to admit that I was conned into getting some “free” weight-loss tablets that ended up giving me heartburn and a hole in my bank account instead. I really paid for my stupidity as I could only get half the cash back after telling them what awful human beings they are. But really I think this shows how difficult, but imperative, it is to rebel against these kinds of campaigns.

So, when I was on my second membership to Move Your Frame and saw them post the same rhetoric, but this time linked to exercise, I vowed not to go there again. I mean, at least a weight-loss product is all about unrealistic expectations and isn’t trying to be something it’s not. But for a company whose message is meant to be about keeping fit, being healthy and being active in a fun way to jump on board the body-shaming bandwagon, it’s just a whole other shade of wrong.

Kate Tempest & Hollie McNish: Reclaim Touch from RANDOM ACTS on Vimeo.

One of my favourite poetry videos is the collaboration between Kate Tempest and Hollie McNish ‘Reclaim Touch’. I think more of this honesty is needed in our rebellion against the diet and weight-loss industry.

This was meant to be a short post, but I also wanted to mention Juliette Burton who spoke about Protein World during a panel at Feminism in London. I had already come across her on the Twitter-sphere, but hearing her in person was a privilege. She spoke about her experience with eating disorders, where at her lowest weight she was just 4 stone and a UK size 4, or the infamous US size 0. She was a month away from dying when she was the size that it is said that 11-17 year old girls are encouraged to desire, stating how advertising is the wallpaper of our lives. She also became an overeater and increased her weight to 19 stone, at a size 20, which had an impact on her mental health and resulted in feelings of suicide. She was able to find a healthy medium, but also suffered from bulimia. Here you can see why this matters.

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I write this as I’ve been too busy to go to the gym over the last few months. But I decided not to make myself feel guilty about it, and accept that I would get back into a routine when the time was right. Being so busy, I spend a lot of time walking anyway, and on New Year’s Day, after a lot of guiltless indulgence, I went on a 3/4 hour walk from Kingston Hospital to Kew Gardens and around the illuminated trail. Tomorrow I plan to do some dancing in my house, I’m going to a spa with my mum on Saturday, and then on Sunday I plan to return to the gym. But I will continue not to diet – the idea in itself an illogical concept where it’s a known fact that any weight loss is put back on. Instead, I will eat healthily, treat myself to nice things like chocolate, and exercise regularly to keep physically and mentally fit!

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New Year’s Eve: Resolution Time

I had a mini-meltdown last night after a syncing error deleted five notes and I could only remember two. However, I knew the most important one was the one about my goals – a refreshment from my five year plan, which I created back in 2012.

I achieved some of the things on it, such as getting published by Nasty Little Press, and performing at festivals like Latitude and Bestival. However, I have to say that working in the job I’ve been in the past three and a half years has kept me from achieving some of the things I might have done had I worked on a more part-time basis. Arguably, I could have made better use of holidays, but you can’t be productive all the time, and relationships need nurturing, holidays need to be had.

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I’ve made a detailed plan for what I want to achieve in the first half of the year:

  • Save £2,000 more
  • Start learning Spanish regularly (Duo Lingo, Rosetta Stone, Hive Meetings)
  • Volunteer to teach English at work and outside of work
  • Roundhouse project
  • Writing: more poems, novel and show
  • Prepare manuscripts for publication in 2017

In August/September I hope to apply for jobs in Spain. Some may argue that I should just keep plodding on, maybe ask to go part time, find a more suitable job in the creative industries, or just jump right in and go freelance. However, I’m still relatively young and have friends who have done similar things, or are doing similar things. I’ve always tried to push myself out of my comfort zone, and if I land somewhere like Madrid, maybe I could end up making my poetry more global. I may move more slowly than others, but that’s okay. In some ways the things I want to do go against my nature, but more than anything I need to enjoy the journey, appreciate the present and manage to keep the future in mind without that being my focus.

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I am a creature of habit, but new habits can be made and old ones can be broken. I’m thinking that my priorities for 2016 will look a little something like this (aside from the day job):

  1. Reading and writing
  2. Volunteer work (running clubs, EFL/EAL teaching)
  3. Physical and mental health
  4. Learn Spanish
  5. Performing/recording new poems

So, a Happy New Year to all!

I plan to have a quiet one with my boyfriend Matt, having a take-away and walking to a quiet patch to maybe have a drink on a picnic blanket if the weather is nice. I’ve also booked us tickets for ‘Christmas at Kew’ on New Year’s Day!

CELTA: Certificate in English Language Teaching to Adults

So, I passed my CELTA course! From mid-September to mid-December I went to International House every Monday and Wednesday after work, plus some Saturdays. I expected it to be a lot of work. It certainly was hard work, but there was a lot that I didn’t expect. It wasn’t a walk in the park – it wasn’t simply a case of getting on with it and putting the hours in. The worst lesson I had was when I had planned for ten hours! The fact that progress wasn’t linear meant that it ended up being quite an emotional journey, and finishing on my final TP (teaching practise) was anticlimactic, because it wasn’t my best lesson. I wasn’t yet perfect.

By the end, I had managed to pass all my assignments the first time, had bounced back from my #weak lesson – managing not to fail any – and had saved lessons when I had made them too difficult for the learners. I’ve always had high expectations of students, but by the end of the course I definitely learnt when I need to lower the level of challenge! Although you accept the fact you’re being observed by five people every lesson, there must be an underlying nervousness that comes from that, and I 100% feel confident and relaxed about moving forward into this new profession. Initially I was a bit disappointed not to get a “Pass B” grade, but I’ve since understood just how hard it is to get them – with these trainee teachers getting Above Standard lessons, what was I thinking?

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The move itself is a sideways one. I work as an Academic Mentor for English, so I teach language skills every day, but in a very different context. I see it as a another string to my bow, but, like any, one that needs honing and developing continually. In the future, I hope to have this as part of what I can offer whether tutoring or teaching. After volunteering at work and after work next year, my dream at the moment is to find a job in Spain in September/October. Having a Spanish name and not being able to speak Spanish is a constant disappointment. I admire my grandmother for learning so many languages, and feel that with enough dedication and some time actually living in the country, maybe I’ll be able to grasp enough of the language to at least hold a conversation.

What I really wanted to write about here is my journey through the course, and other than the certificate that should arrive in a couple of months, I gained so much from doing the course. I wanted it to be a good investment, so opted for the CELTA, which is around £1,600. I worked out the most convenient location and time, and it happened to be one of the most reputable places to do the courses. International House has centres all over the world, and though it may be unrealistic to expect to work within the organisation any time soon, I was particularly inspired to know that many people who work there also have creative practices they do alongside ELF teaching.

As so much of my time was taken up by the course, I could no longer attend poetry events I wasn’t featured at or running, and couldn’t visit my boyfriend all the way in Norwich. It meant we took some trips to half-way points like Colchester and Ely. What started as a seed that was planted by my boyfriend’s desire to live abroad has blossomed into a dream of my own. Now I’m left hoping he still wants to travel with me on my mission to see the world and to soak up some Spanish sun, or anywhere I can learn Spanish and be in warmer weather than the temperamental UK.

The past three and a half years I have been so focused on attending events that I had been doing it out of obligation rather than feeling I had a choice in the matter – a feeling shared by others in a similar position. Not being able to attend events has given me a renewed perspective. I now I feel I am able to prioritise other things, like actually writing, and taking care of myself both physically and mentally. Since Christmas Day I have been participating in an online challenge to write a poem per day for 12 days (The 12 Days of Form) and I have so far been able to rise to the challenge. The rollercoaster ride of the CELTA has shown me what I can achieve within the space of a few months, and I feel I am able to set myself practical goals, and writing is a lot more tangible than performing at random events.

Lastly, I saw a couple of members of Kid Glove, and after a difficult period leading up to our show and some time apart, it was good to reconnect as friends over a pint, new MAC make-up and pub grub. On the course I also met a great bunch of people, and we had a massive celebration on the last day of the course – great Korean food, and drinks at good old ‘Spoons. As much as I try to make time for friends, I want to be more flexible to see them too. Let’s see if performing at less open mic’ nights will give me more time to do other important things!

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I do still want to perform, but hope I can be more free to attend events on my terms, rather than feeling like a puppet to whatever voice in my head. I want the time to write, to work on memorising newer pieces, and my boyfriend Matt has a fancy new camera he is keen to use to record a piece. Working and commuting take so much out of me, people in the same role are surprised that I manage to go home and be productive. So, by going out less I needn’t feel like a failure. I’m an introvert at heart, and I think it’s about time I embrace that and finally get a good lot of writing done. It’s still cold outside after all.

Now, onto today’s form: the ballad.

Feminism in London: Engaging Men in Feminism

Last year at the FiL conference I went to a similar workshop about men and Feminism. This year, The Great Initiative came to deliver the workshop, which went through a some of the activities they would do with school children as a way of engaging them within discussions on gender and equality. Although the focus is on men and boys here, it is a far cry from the misogynist MRAs one can get used to trolling online. The men who are serious about addressing gender do so in a pro-Feminist way. Through ‘Great Men’, they aim to disrupt gender stereotypes and engage participants in the movement towards gender equality. The diagram below shows how they go about this.

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In the workshop, we started with word associations on big pieces of paper connected to men and women. The main bulk was in groups, where we discussed pros and cons men being engaged with Feminism. Our initial reaction to the task was that there simply aren’t any cons to men being engaged with Feminism. We then thought more about it in terms of either the act of engaging men itself and what are essentially maybe teething issues, so things like feeling men are to blame rather than it being about a system of power, but arguably paradoxically having to think about being in a position privilege and how that can be used for making the movement stronger. Yet, in terms of men who are engaged in Feminism, there may be a resistance to, in some ways, giving up power, and in turn a danger to dominate rather than listen and try to understand how life is coloured with experiences of being a woman. I managed to take a photograph of our notes on the topic. When the discussion was opened up, we managed to summarise, and there were moments where it descented into debate, but at the end we were left with this list to keep in mind, and some tools and approaches to engaging men and boys in Feminism.

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bell hooks: Outlaw Culture

When reading Feminist texts, it is usually unlikely that you will agree with 100% of what they write. It’s hard to be right about everything, and Feminists are human and it’s natural to disagree. I don’t know about you, but I think it’s a pretty impossible feat to solve the world’s problems. But, you know, we try. And when it comes to bell hooks, she gets pretty close to that 100% for me. This notion of a perfect kind of Feminism is also something bell hooks addresses.

In conversation with Caitlin Moran, Bridget Christie and Shazia Mirza at Southbank Centre, they asserted that there’s no such thing as a perfect Feminist, and that they shouldn’t have to face a backlash for saying things others had issues with. Whilst I agree that the vile abuse that can come out of this through such “Twitterstorms” is bad (goodbye sisterhood), I think it’s important to be critical and create a dialogue rather than stick your fingers in your ears and say ‘la la la, I’m not listening’. bell hooks states her books ‘rigorously critique and interrogate aspects of feminist thoughts, they also insist on the primacy of a fierce feminist commitment to ending sexism and sexist oppression.’ She goes on to say that ‘a progressive, revolutionary feminist movement must welcome and create a context for constructive conflict, confrontation, and dissent. Through that dialectical exchange of ideas, thought, and visions, we affirm the transformative power of power politics.’ Maybe a utopian vision, but something we do have the power to achieve.

I have a copy of ‘Feminism is for Everybody’ still on my shelf, and bought my boyfriend a copy of ‘The Will to Change: Men, Masculinity and Love’ after a recommendation from a male colleague, but I started with ‘Outlaw Culture’. It’s a collection of essays and interviews which focuses on pop culture, weaving in perfectly placed profanities within an academic discourse that gives legitimacy to engage critically with the kinds of things that surround a majority of people’s everyday lives.

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I have folded down SO MANY CORNERS. I cannot recommend this book enough, even if it isn’t the one that most people would typically go for. Although bell hooks has been questioned on her academic style, I still think it’s somewhat accessible. Coming from an academic background myself, it may be hard to assess that concern properly, but I was actually gripped when reading it. And to get that from a non-fiction feminist text is pretty impressive.

One of the big things I liked about the book, is the amount of times the ‘white supremacist capitalist, patriarchy’ is referenced, as well as comments on heteronormativity and imperialism. I think it’s so important to see the ways these systems of power intersect and to find strength in that, as well to see what part you have to play in the struggle against these multiple oppressions. Although there are some references to films I’d not seen, it made me want to watch and re-read, and these were just as interesting as those I was familiar with, or the more broad essays, such as the fantastic ‘Gangsta Culture – Sexism and Misogyny: Who will take the rap?’ This was the one that made me rush to my bag in a debate with my Dad to slam the book down at the table, opened at one of the turned-down corners.

Published in 2006, Outlaw Culture is available from Routledge Classics and you can buy it here.

Body Hair: Armpit Alert

Dr. Breanne Fahs has been quoted to say that when a woman shows her armpit hair it “becomes an act of political resistance because it highlights the presence of an otherwise silent or erased aspect of women’s bodies.” It’s winter, so it’s been an act of political resistance that has been easy to embrace. The picture below is probably the closest I’ll get to exposing my hairy armpits to the world. When not on show, I’m happy to grow! But if I’m honest, there’s a deep-seated attitude ingrained in me that probably underlies just why I will continue to shave in the summer months, despite the fact the hair grows back within what seems like minutes, and with such sensitive skin, it’s near impossible for it to be smooth unless the optimum amount of time is left in between shaves.

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How more hippie can you get?

It’s not complex to work out why I’m embarrassed to bare my hair on the beach. I think it’s around 90% of women who remove armpit hair. It even feels a little silly that messages that are so obviously articulated are still able to influence me so powerfully. I remember when I was about seven years old, in Italy, I thought I saw the armpit hair of an older, American girl. It seemed like such a shock to me. I remember telling my Mum, who has, of course, handed down body-hair shame to me like a precious heirloom.

When I started to grow hair there myself, I was still at primary school. A girl saw that I had hair there. It was almost like I hadn’t noticed it myself. I don’t remember thinking anything of it growing there until it was pointed out to me by another girl. This was obviously accompanied by an “urgh!” All it took was these two experienced, strong enough for them to stand out in mind mind all these years later, to form this idea that I’m not presentable in my natural state.

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Maybe one day, I’ll become brave enough to step out in the real world like this. But for now, this is as Feminist as my armpits get. Meow. Just had a massive curry and going to have a bath, eat chocolate in front of telly, half wishing I was dancing to Beyonce (but only half, because I’m like 26 now, getting old, staying in for NYE etc). #Iwokeuplikethis #flawless

Feminism in London: Suppressed Histories

I wanted to start blogging, like, actually properly. I often plan so that I blog for a specific reason and by the time I get round to it, I end up writing so much that I would be surprised if anyone bothered to read it! Blogging is meant to be short and frequent, right? Maybe it’s some subconscious fear about putting y writing out there, that part of me is scared that people will read it and so write so much to put them off!

Feminism in London was nearly two months ago. I could only attend on the Sunday, so the first talk I went to was by Max Dashu, who spoke about women’s suppressed histories. It was so eye-opening that I immediately noted down the website. I have also just signed up subscribed to the YouTube account. I’d highly recommend watching this extract from the Women’s Power DVD.

It is important when talking of empowerment from a position of historic oppression, that we don’t paint ourselves solely in a position of inferiority and victimhood. This connects very much to how power is perceived: in terms of ‘domination, force and supremacy… these systems are more than patriarchal; they are colonial and imperial’ Women’s oppression is one story, but, as Chimamanda Ngozi Adichie stated in the video below, it is vital that we hear all stories. Here we can consider a global perspective: one that doesn’t necessarily align with the story we get told.

The video states that ‘in classic Eurocentric history, women end up as footnotes to the main story’ and this is a view so widely accepted that when watching The Apprentice on catch-up, one team decided to cut off the woman’s long hair in a silhouette in order to make the image look like a man, which they described as “gender neutral”. No, my friend, man is not neutral, but is often deemed so because of the patriarchy’s position of this as the default. Whilst Feminism becomes more and more about challenging gender as a social construct, it is still important to raise the voices of those who have been silent too long.

Over Land, Over Sea – poems for those seeking refuge

poets4refugees-over_land_over_sea-196x300My poem Sinking Ship is featured in a collection of poems for those seeking refuge, Over Land, Over Sea, where proceeds from sales of the book will be shared between the charities: Médecins Sans Frontières, Leicester City of Sanctuary and Nottingham Refugee Forum. It is available for purchase for £9.99 from Five Leaves Press and would make a lovely Christmas present for those who care about this issue. Charitable presents are something that has recently interested me, and I’d like to also recommend the Roy Castle Lung Foundation, which funds vital lung cancer research. I particularly like the statement necklaces and chunky earrings on offer here.

Contributors include: Alan Baker, Kathleen Bell, A.C. Clarke, Kerry Featherstone, Chrissie Gittins, Mark Goodwin, Tania Hershman, Siobhan Logan, Emma Lee, Carol Leeming, Joanne Limburg, Aoife Mannix, Roy Marshall, Hubert Moore, Thomas Orszag-Lund, Simon Perril, Sheenagh Pugh, Mahendra Solanki, Maria Taylor, Rory Waterman, Gregory Woods, and Siobhan Logan.

It is available to buy in the Five Leaves bookshop in Nottingham, by phone  (0115 8373097) or by email (bookshop@fiveleaves.co.uk) with free p&p for UK orders.(Overseas orders welcome, please email for delivery estimate). All major Credit Cards & Paypal accepted.

Also, current Young Poet Laureate for London, Selina Nwulu touches on these themes in her poem Before. Watch here.