News: She Grrrowls and Audio Book Radio

She Grrrowls is settled into its new home at Apples & Pears – it’s crazy to think that half a year has gone, and 16th July will be the last event before the summer break (all being well, returning in September). Check out what you missed last week:

In other news, I’m currently working on an anthology of ten poets from the She Grrrowls alumni after receiving funding from Ideas Tap to commission some new poems. I just need a publisher now! I’m hoping to get it out for December to have a launch event.

I’ve also been listening to this radio documentary, with poetry by Kate Tempest after having listened to lots of clips shared by Falling Tree. Again, you can listen to it here:

Speaking of radio, I’ll be having some poems featured on Audio Book Radio. Tune in on Friday 26th June at 2pm, 10pm and Saturday 27th at 6am.

The Last Word Festival

The Last Word Festival is a week-long annual festival of spoken word events at The Roundhouse. In addition to  the scratch show for ‘Dear Adventure’ with Kid Glove, I watched ten other shows. You can find five of them reviewed briefly here, and another five reviewed on The Norwich Radical website.

Sophie Rose

Quiet Violence

I hadn’t seen Sophie Rose perform, and this ending up being of of my favourite shows of the festival. Rose had a natural quality to her performance, as she moved from narrative story-telling to poetic details, successfully blending humour with more serious moments. The ‘quiet violence’ began with high heels, which made me think I should get rid of mine, dusty because they look so much better in my wardrobe that on my feet, where I’d eventually be stumbling and sporting some of the ankle-protection shown on Rose’s subtle costume. The concept of the show appeared to me as a unique one, yet it was so relatable that it was both hilarious (who knew bags could be so funny?) and, dare I say, life changing. By the end, it encouraged the audience to do what makes them happy, rather than what they feel obliged to do, to find the people who would make them soup when they’re ill, and to change what they don’t like rather than simply put up with it. Sophie Rose wants to know, what’s your quiet violence?

Producing Your Own Poetry Show

Throughout the festival there were a range of workshops offered. Having seen Sophie Rose’s show, I was curious as to how this would also work with a workshop about how others could produce shows. Rose made the room a comfortable space, where we worked individually and as a group to discuss different aspects of making a show. It was difficult to contain in the hour slot, and she generously offered extra time, as well as the space for collaborative discussion under her direction, and gave everyone detailed notes and the offer to contact her. One of the useful tips I picked up was about distilling your show idea down to one word; my word ended up being ‘self-acceptance’, which isn’t what I expected, but shows an idea of what the audience should get from it as well as the artist.

Luke Wright

What I Leaned From Johnny Bevan

Poetry veteran, Luke Wright, previewed his new show amongst many emerging artists. With many shows already under his belt, I was excited to see what this one would bring. Sitting in the audience, I was already excited by the music playing, and as the show began, we heard crafted guitar twangs (from Art Brut’s Ian Catskilken) to a backdrop of changing scene sketches. I was filled with nostalgia of my own early twenties, that were often filled with drinking in council estates with mates and days spent in my first years at UEA, locations both featured in the show. Yet this nostalgia also gave a sense of timelessness, a dystopian feel, which the tale of Johnny Bevan represented, that we remain to the social class we’re born in, and that just as previous governments reinforced these class divisions, so will the current one. With the election results still fresh, the poetic narrative of Johnny Bevan painted a bleak future, but perhaps, in this gritty reality, it is a reminder as to why it is important to keep fighting. Essentially, this is a story, but the poetry of the show is not merely due to the use of rhyme, but the depth of meaning behind the words.

Poetry Reincarnation

I didn’t know what I had let myself in for at the time – Poetry Reincarnation started at around 7pm, and it was stilling going past the scheduled end time of 11.15pm. I had also attended part of the earlier programme of events, with a panel discussion on poetry and, essentially, its importance in our lives creatively and politically. The evening event kicked off with Malika Booker, giving a somewhat unspoken progression this world has made beyond the Beat Poet generation of white men, and its unmentioned allegations of pedophilia, and support of the NAMBLA. Since finding this information out, I now always feel uneasy about this kind of worship of poets such as Allen Ginsberg. There were around twenty poets, so I’m going to focus on my favourites. Booker was one highlight, having recently read ‘Pepperseed’ and she was followed by Cecila Knapp, who represented the under-30s and did a stellar job all weekend. Libby Houston was a poet from the older generation of poets performing since the 60s who impressed with her poetics, humour and wide smile.

Kei Miller reminded me that I want to buy his collection, and poets such as John Hegley and Elvis McGonagall brought excitement to the event in the form of rhyme, rhythm and comedy. Music was used effectively throughout the show, breaking up the mass of spoken word, and including more experimental and psychedelic parts that were evocative of the 60s, yet Gwyneth Herbert was a powerhouse in this respect, with a voice that ranged from soft and subtle to loud and proud. Janaka Stucky was a poet I was unfamiliar with, and coming from Boston, it felt a privilege to see him perform his work. Salena Godden, recently mentioned by Hannah Silva at The Place for Poetry, was even more of a delight to watch after hearing this analysis. Francesca Beard was a poet I recently argued at She Grrrowls, and I saw her do some of the same, as well as new material, and again, she left me wanting more, with every word layered with meaning, yet also dishing out a dry, witty humour throughout her set. I sadly missed the end of Dr John Cooper Clarke’s set, and leaving after a couple of sexist, tired wife jokes, I was disappointed with what I did see, but hopefully I’ll be better impressed when I see him again in July. The way poets such as JCC are often held on a pedestal, it seems almost sacrilege to dare say his jokes were sexist, and as much as I want to suggest that perhaps I just couldn’t keep to the the speed of his speech, I can’t deny that these cliched wife jokes just don’t tickle me. And surely, if we want our poetry to be truly revolutionary, I can’t be too scared to say something is sexist. What this event did showcase, as well as the non-programmed event simultaneously taking place in the Made in Camden bar, of which I was meant to be a part, is the vibrancy and variety of contemporary poetry today, and the importance of learning about poets who came before us.

Cecilia Knapp

Finding Home

In case you’ve not noticed, Cecilia Knapp has been a regular feature in The Last Word Festival. This scratch was presented almost in full, stripped down against a backdrop of a blue moon sinking behind a horizon. We saw the first half, where Knapp delivered her usual poetic narrative, mostly in free verse, that lulled the sold-out audience into her world, painted so beautifully with her words. I felt there was a danger of romanticising things here, but this was possibly because cigarette references personally jar with me. I know this criticism is probably unfounded, and otherwise that I would struggle to find any room for improvement here, because however beautiful the language, this is her life. ‘Finding Home’ is a piece that manages to be both autobiographical, and I found that I could relate to the words, and I was taken on a journey, so that by the end – or the half-way point – I wasn’t ready for the lights to come up.

Women and ‘Banter’: What are her choices?

Ellie Holland is a news reporter for series 7 of London360 – a show which uncovers the hidden voices of London’s communities. She came to She Grrrowls in the summer to feature some of the show and interview me. You can find me discussing my poem ‘Risk’ on her YouTube channel, and Rowena Knight, one of the loyal volunteers at She Grrrowls, performing her poem ‘Garlic’. At our meeting, I found out more about Holland’s specific interest in gender and burlesque, which you can find out about on this Huffington Post article.

“If a friend made a rape joke in your presence, what would you do? Carmina Masoliver, who runs spoken word and poetry event She Grrrowls, reveals her experience.”

Lastly, you can also hear me talk on October 6th show for London360, 8.38 minutes in.

Nasty Little Intro – Out Now!

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Head over to the Nasty Little Press website to buy my Nasty Little Intro for just £2, or save on postage and packaging by catching me at a festival, gig or She Grrrowls event. There are just 200 copies and both Hannah Jane Walker and Sye Sanders have sold out, so snap them up fast! I highly recommend all the others on offer as I have read them all.

On Friday I’m off to Latitude Festival to perform as a New Voice on the Poetry Stage. I’m extremely excited, and rather overwhelmed at the surreal feeling that I was at Larmer Tree Festival last year and now I’m at lots of different festivals. Teenage Carmina would be proud. Being a strange concoction of introvert + shy girl + quiet one, all my joy is naturally bobbing along with a undercurrent of nervous anxiety. Poets are generally lovely though, so hopefully I’ll be okay and not have to rely too much on the magic fridge I’ve been told about.

On my return I will be collaborating with Not So Popular on the next She Grrrowls event at Blessings in Shoreditch on Wednesday 23rd July. We have Hannah Chutzpah, Selina Nwulu, Amy Acre, Kemi Taiwo, Prudence Chamberlain, Eley Williams and more.

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Feminism in London & Reclaim the Night 2013

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Fighting a cold, I headed out early on Saturday morning for the Institute of Education for a day of workshops and talks as part of Feminism in London. Kate Smurthwaite  hosted the event, with opening speeches from Caroline Lucas, Shabina Begum, Natalya Dell and a poem by Leah Thorn. Issues were raised on disability, bi-visibility, violence against women (particularly the rise in acid attacks) and women in the media. All before midday. The rest of the day involved going to particular workshops.

Linked Systems of Power

For this workshops, we were introduced to a panel including Cynthia Cockburn, Pragna Patel, Jenny Nelson and Ece Kocabicak. Leah Thorn was in my group, as well as some ladies I recognised, and one man. We were all white, possibly all university educated and mostly middle-class. This was a common theme for most of the attendees. This made the task quite difficult; we were told to draw on our own experiences and were meant to be making links between Feminism and systems of power connected to things like race and class. I tried to draw the conversation out, but really, the task was flawed in that we needed a variety of different experiences.

That said, we weren’t short of material, and even when it came to thinking of strategies, we didn’t have enough time to get everything out. What I think the whole process showed, was what was needed in the future. Feminism needs to engage with a wider community of people. Perhaps for the programme next year, the conference could be centred around intersectionality. Each workshop could be about how Feminism links with the following: race, class, sexuality, disability, religion, culture, capitalism and gender (one about men and one about women?) – plus any others anyone can think up.

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Kick-Ass Activism

This workshop was lead by some of the ‘No More Page Three‘ team. I was annoyed with myself as I was not as vocal as I should have been, which meant the group I was in took a different route than I would have wanted. I came to the talk to explore what I can do with She Grrrowls, so I should have started off by answering ‘what pisses you off?’ with women not being valued and represented in the arts. Instead we explored women’s representation in advertising and the media. What ensued was a very well organised workshop which enabled everyone to walk away with a new campaign to give a go at running. I don’t have the time to take the lead on a new project myself, so I’m not sure if our campaign will go anywhere.

I didn’t feel we were all on the same page, and there was an argument within the group when the only male in the group suggested a play on ‘that’s what she said’. Another member wasn’t happy with a man making the name up when there were all these women in a group, considering it was a Feminist conference. His friend disagreed and expressed her outrage, called the other woman out for being ‘sexist’. I could see both points of view.

In some ways, it is irrelevant that the idea came from a man as it shouldn’t matter what gender you are… that’s kind of one of the goals of Feminism. On the other hand, if the woman’s tone had been more light-hearted, it could have gone down better e.g. ‘come on girls, we can’t let the boy have the only good idea! Get your brains into gear!’ However, I sensed this woman was serious about what she said, in which case, the others would do well to remember that this woman was more mature and has lived in a time where, it could be argued, women had it much worse off and were silenced. Some Feminists prefer having women only events because it allows them a space where they can have their voices heard, as they are able to express themselves more easily.

The guy argued ‘I’m here aren’t I?’ in objection that he is there, supporting the aims of Feminism… but I didn’t really agree with that. It came off arrogant, like it was enough for him to just “be there” rather than try to understand where the other woman was coming from and playing the victim. I didn’t agree with her, but I thought the whole thing was handled really badly between both parties and it left the group completely fragmented.

Closing Speeches

Dr. Victoria Showunmi chaired the last section of the conference, alongside Gita Sahgal, Femi Otitoju and Finn MacKay. Within this section we heard about Sahgal’s campaigning for secular governing, awards for the Emma Humphreys Memorial Prize and the incredible closing speech by MacKay. The words in this final speech reignited and reinforced the reasons why we were there, and why we continue to fight for the goals of Feminism: “our movement is here to change your world and save it for all of us.”

Stop Porn Culture

I booked for the post-conference presentation on porn culture. Although many people already said there are campaigns against porn in the UK, this presentation showed a brief summary of what other parts of the world are doing to tackle porn culture, and examples of the harm it is doing. The examples were fairly obvious to someone like me who, although not always in the know about pop culture, is generally aware of things like Miley Cyrus and Robin Thicke’s controversy at the VMAs, Rihanna’s new video for ‘Pour It Up’ and the fact that the game Grand Theft Auto includes a part where you can go to prostitutes, kill them and get your money back. For those less aware of how porn culture infiltrates other areas beyond the porn industry, these particular examples were new to them.

I wrote down the question ‘is there such thing as Feminist porn or would porn’s alternative be termed erotica?’ It wasn’t a question I planned on voicing, however, they had set aside twenty-five minutes for questions and answers and someone was talking about how they received backlash from Feminists, including Simone de Beauvoir, thirty years ago after running an anti-porn campaign. They were accused of being moralistic, prudish and censoring. This person seemed to be saying to be careful about how they represent the campaign, but then also said that at this conference they had not been well-received when they were critical of sex-workers.

After this issue of representing the campaign’s message, I wanted to be clear on where they stood with porn. I asked my question very politely as I’m not one to say something unless I’ve thought a lot and prepared what I’m saying. I congratulated and agreed with the negative impact of porn on society, then said I may be naive, but wondered if they had thoughts of whether there is such a thing as Feminist porn etc. I was disappointed when my question was completely brushed off and not engaged with at all, not even to be told what they believed other than something that basically seemed like “go elsewhere, this isn’t the campaign for you, fuck off.” Obviously, that’s not what they said, but from wanting a genuine answer, it knocked me back and made me feel really emotional. Thankfully, a couple of others said that they had been thinking the same thing and a few of us chatted afterwards. If they can’t convince fellow Feminists of their ideas, good luck convincing the general public.

A few interesting points came out of these questions. The first was the very first speaker from the floor, a mature woman who exclaimed she wanted to “reclaim the word cunt!” The microphone was swiftly taken away from both her and me. Someone also argued that in films we see reflections of life, which includes sex. Yet, another person argued that standard films simulate sex, but porn differs in that it is real sex (well… “real” sex) or as the speaker said “prostitution in front of a camera”. I have to admit, it got me thinking… is porn always bad? Maybe it is. That said, I don’t think we should completely ban pornography. Partly because it would be impossible, and the industry would be even worse than it is already. At least if Feminist porn or erotica or whatever you want to call it… if an alternative to the hardcore mainstream porn exists, then maybe there is a way to rule out the wide-spread misogyny in the porn industry.

If we thinking about pornagraphic images rather than films, I would say that it can be difficult to tell the difference between some porn and non-porn images. Perhaps this is an indication of the problem of porn culture, but if we accept the kind of Feminism that doesn’t shame people on the amount of flesh on show, then how can we distinguish between what is considered porn and what is not? Is it measured by the number of items of clothing? What we should really be addressing is the images themselves, whether in porn, in the media, or in art. Do they objectify? Is it misogynistic? Is it offensive and damaging? Surely we can keep our freedoms and speak out against those we think are unacceptable, rather than censor everything pornographic?

I have to say that I don’t know if I can support this campaign. Is all porn bad? I have to say that the jury is out, for now. It is something I need to think more deeply about, but my gut instinct is that I can see the porn industry as bad and believe in the education of young people against mainstream porn, yet I can still believe in a free society where we don’t outright ban porn as a whole. For the viewers of porn, it is about sexual pleasure, but for the porn industry it is about making money. That’s where it gets messy.

The ‘Stop Porn Culture’ conference is at the Kids Club at 10am-3pm on 15th March.

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Reclaim the Night

To finally wrap things up, I met up with a friend for the Reclaim the Night march through London. I’d been before but only managed to make part of it. This time I was there for the whole journey. It was really empowering, but what felt amazing was the support from people on the street as we passed, chanting and taking a stand. After the march, we dispersed and I quickly made my way back to Russell Square. I managed to pick up a Nando’s chicken pita on the way to the SU bar. I performed alongside Rosie Wilby and Naomi Paxton as Ada Campe. I was first on and a little nervous; I think it’s difficult to say “hey, these are Feminist poems” because Feminism is different for different people, but I hope that people enjoyed it and found some common ground. I told people about She Grrrowls, and one fellow Feminist and writer had already been there, which is great. On that note, the next She Grrrowls is Monday 18th November!

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She Grrrowls & Politics

She Grrrowls Logo

With She Grrrowls just finding its feet and me just about recovering from a post-launch cold, I think it’s about time I wrote about its first instalment. I arrived at The Gallery Café over 3 hours before the event’s start time. As I can’t afford to fork out £50 on a sound technician, I decided to bring a pad of paper and pen to note down the basics. It seemed easier enough and despite some initial problems, it was working. That was when things started to take a turn for the worst. There was a party of 30 people due an hour before the event for a buffet, which did no good for my pre-show anxiety. Then, my comedy act got in contact to say she was too ill to do the show. I was further sent into a panic when part of the She Grrrowls team was taken down by a kidney infection. I was on the edge of a meltdown. Still, guest host Joelle Taylor turned up and got her hands dirty moving tables with me, providing a welcome relief.

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Twenty minutes before the start, I tested the music again. No sound came out. No sound. We had no sound. What was I going to do? The events manager was off sick, and I hadn’t a clue how to work out what the problem was, let alone fix it. The café never closed its doors, so people were coming in and I was running round like a headless chicken. Joelle kindly jumped on stage to tell people to pay and I ran back and forth to collect money and check on the sound. Time was a blur, and somehow, with the help of the café staff and the band, the sound began to work through one speaker – not the ones above, but one sat on the stage. Booking a six-piece band for the first event was probably a bit ambitious, but through working together, it all turned out okay and we were able to start the show before 8pm.

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My head was a whirlwind, but I was thankful I didn’t have to worry about the audience and the artists. The open mic’ (themed ‘politics’) was a great success… from a rather unusual but expected ‘alternative view’ to established poets like Pete the Temp and Mark ‘Mr T’ Thompson, as well as emerging artists I was glad to see take to the stage, including a lovely lady called Imogen who rhymes under ‘Average White Female’. The audience looked packed – we ran out of seats (mostly because I didn’t have time to remove all the tables) and I counted around 40-50 people. The best part of this means that each act took away around £30 payment (although the ever-supportive Joelle tried to give the money back to She Grrrowls) and I would love to increase that amount by getting bigger audiences. What’s more is that the event had positive feedback – one couple who had come in for food (the guy had just arrived back from Canada) were convinced to stay for the show and left telling Joelle that this was just the kind of event they had been looking for: good quality poetry without the pretence.

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I managed to relax enough to talk to a couple of friends who came to watch, and to be able to enjoy the rest of the show. Momina Mela offered us beautiful poetry with words that melt your soul, each word spoken slowly, carefully, as if each word was a jewel offered as a gift to the audience. Momina has an uncanny way with words and amazes with each line of poetry. Aisling Fahey then wowed the audience with her raw honesty; lines like ‘how to hold their frame without wishing there were less of it’, although about eating disorders, was both horribly relatable and undenyably tragic. A poem that goes beyond the experience of eating disorders and makes you wonder why you would ever want to be less of yourself, like you’d be destroying a part of yourself.

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Sunshine in Mae finished the night and left everyone with a smile on their face. Fronted by Sula Mae, this six piece band also had some guys in it (see – showcasing female talent, not completely banning men). I knew Sula Mae from university as a solo artists so it was incredible to see her songs grow to such a level, hearing new tracks and old favourites like ‘Wake up Mr. Billy’. People hung around after and chatted, before Joelle helped me pack all the equipment away (what a star!) I was left exhausted, but elated, and so so thankful to everyone who was involved in making She Grrrowls a success.

Watch some of the poetry from the launch on the She Grrrowls Youtube Channel.

Since then, I encountered yet another hurdle! The booking system at The Gallery Cafe hadn’t registered future She Grrrrowls events. After waves of panic via email and feeling sick all day, I was able to sort it out and have spent the last week re-arranging bookings. The next event will be on Saturday 5th October – I had to change a couple of acts but you can see the confirmed line-up below… the change of theme to ‘sex’ seemed appropriate (well, we couldn’t do ‘space’ without Helen Keen)! I’m excited as I won’t be tired from work and my boyfriend will be there to enjoy the show (and help me out) – poetry on a Saturday night, what a treat! The rest will be every THIRD MONDAY of each month.

She Grrrowls Oct 2013 NEW

xxx

11.09.13 – She Grrrowls, The Gallery Cafe

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What I See…

Recently I was asked to take part in the ‘What I See’ Project by contributing a video answering the question ‘What do you see when you look in the mirror?’ Although a poet, I decided to answer the question with what first came to me when I started writing. I assumed I had been asked to contribute due to my Feminist antics and so my piece was influenced by my political views, wearing my Fawcett Society ‘This is what a Feminist looks like’ t-shirt. You can watch the video on the ‘What I See’ website by clicking here or watching below through the ‘What I See’ YouTube channel.

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See Project Campaign Trailer from whatiseeproject on Vimeo.

What started as a surface question opened up to deeper things; even seeing snippets from other videos from this trailer has me thinking about other avenues I could have explored. I didn’t talk about my family, or relationships, or the way emotions and experiences change how you see yourself. I’m sure when I watch more of the videos, I’ll think of more things I want to say. That’s one of the main points of this project – to start thinking, engaging and connecting with each other as women. Join the conversation here.

This week also sees the launch of She Grrrowls at The Gallery Cafe in Bethnal Green. It’s just £5 and all the money that comes through the door goes evenly to the performers and producers. It’s on Wednesday 11th September at 7.30pm. Sign up early to try out the open mic’ with our monthly theme of POLITICS. From October 2nd, the event will be every first Wednesday.

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The next blogger to have a look at is Elle – with fitness and positivity at the heart of what she does, she’s another person that champions the benefits of pole dancing for fun and fitness (fyi, I once won first place in a doubles competition for university, dancing to Imogen Heap).

If you fancy getting involved, you can tell your story during the next few weeks – so get videoing. I recorded mine on my phone, so it’s easy peasy lemon-squeezy. You could even have the chance to come along to the launch event at the Science Museum.

Now, I’m off to watch some videos from the project! Hopefully see some of you at the launch on 1st October!

http://whatiseeproject.com/

xxx

Larmer Tree Festival 2013 & She Grrrowls

Before I get to the juicy stuff, I’d like to point a couple of things. Firstly, check out my profile of the Spread the Word website as part of the ‘Spoke’ project to find the first Young Poet Laureate for London, for which I was shortlisted. Yep, I made the final twenty ‘Podium Poets’ but sadly didn’t make the cut to the final six. Secondly, I found a link to the Guardian website where there is a picture of me! Gillian Wearing picked my picture as one of her favourites and said ‘I relate to this, having done various jobs myself when I left college’ at my photo, taken in Sainsbury’s uniform with the statement ‘the artist shouldn’t be stacking shelves.’

The major news is that I’ve performed at my first proper festival, you know, with fields and camping and stuff. The festival was Larmer Tree in Salisbury. I went with my friend Natalie and we had an amazing time! The weather was perfect and made me so very happy. I hope to come back the next year and for the weather to be as good! I saw such a range of music, including the lovely Saturday Sun, and a boy playing a pop-up gig who was around 10 and incredible (who was later gutted to miss my performance of ‘Circles’ which was nice to hear). We also made things like insect brooches, necklaces and mosaics. We learnt some hula hoop tricks and now I really want to take it up! I also hope to take up the ukulele, re-inspired by the band there.

I saw some great poets, including Angie Belcher, Edson Burton, Nichol Keene and Toby de Angeli, Joelle Taylor, Poeticat, Scott Tyrrell and The Antipoet. My first performance had been extended to half an hour, which meant that I ran out of material (oops) and had to read from my book. It actually felt good to take my time and read like that, and people got to listen to pieces which I don’t do as much. I probably should have taken my time earlier. My second set was ‘Circles’ the epic-poem I produced with Apples & Snakes as part of the ‘Word’s a Stage’ project. I had memorised it but didn’t quite know it well enough to avoid looking at the paper stuck in my prop (the Metro). I also ran a workshop which I thought went well as most of the participants were lovely and one told me that I should be confident in what I do. Honey, if I knew how to do that, I’d be a more successful poet by now.

Just kidding, I know I come across as a bit shy and softly spoken… but well, I am. I’m growing to accept myself this way and believe I can still be successful being who I am. I lack confidence now and again (don’t we all?) but some people can see my inner-confidence. I’ve been having a bad week so far. I’m not sure where it stemmed from, but I’ve been in a bad mood and felt like I work so hard and don’t have much to show for it. Typing away at a laptop all the time when it’s sunny outside can be a tad depressing. Especially when videos won’t upload. This video by Jodi Ann Bickley helped a bit and it is inspiring to see her work with one million lovely letters. And here I am, still writing this and not knowing if anyone is reading it and if any of this will amount to anything.

So, we had our pilot event for She Grrrowls at Kingston’s Ram Jam Club at the Grey Horse as part of IYAF. How did it go? It was a bit of a disaster but I think we pulled it off. On Thursday night the headline act pulled out, on my return from Larmer Tree on Monday, another act was forced to pull out, and whilst the event had started, another act pulled out. Only two out of our five acts actually was able to make it. Luckily, we had Sam Neele replace our headliner for the music, who gave a lovely other-worldly set, and I filled in with some poetry. Bisha Ali gave us some hilarious comedy, and I’m gutted I can’t show you a video or tell you some of the jokes but we will definitely have her at She Grrrowls again. Andi Michael gave us extracts from her novel, proving her not only to be an amazing writer but one with a unique style that makes use of poetic language. In addition to the line-up we had on the spot performances from Hannah Rose Tristram, Becky Dennis and Cherry Godiva, who were all amazing. We hope to see everyone again at future She Grrrowls events.

Which brings me to the next point on the agenda. Dates.

Number 1: Wednesday 11th September. The She Grrrowls Spoken Word Launch at The Gallery Cafe in Bethnal Green. Future events every first Wednesday of the month.

Number 2: My next gig will be August 8th at Red Door Studios, 120 Masterman Road East Ham E6 3RW. I will also be delivering an all-day workshop there on Saturday 14th September.

Number 3: August 13th at RichMix in Shoreditch I will be performing a show as part of a writing group through Apples & Snakes.

I think that’s about all anyone’s brain can take in this heat.

xxx

22.07.2013 – She Grrrowls at IYAF, Kingston

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International Youth Arts Festival 22nd July – She Grrrowls pilot event, 7pm, Ram Jam/The Grey Horse, Kingston. £5 entry. 6th July – Workshop from 6pm, with readings and food and drink from 7pm at Las Iguanas, Kingston. £10 adults, £5 OAP, students,