I celebrated National Poetry Day by taking some of my intervention students to NPD Live at Southbank. Then I went to a slam with some recycled poems, plus one from my Nasty Little Intro that I learnt whilst waiting.
I came joint first place in the Genesis Slam (there were only three of us…) Sadly I will have to Skype/send videos in for the final in December as I’m on unpaid leave for an Arvon writing residency (exciting!). I also managed to forget my lines in a poem-song I did because there was a head-to-head to attempt to get a winner, but I took a RISK, and that happens.
I am also very happy about getting fancy cinema tickets for two, plus pie and mash!
Monday 11th August (18:00-20:00) at The Albany, Blue Room
POETRY AND ACTIVISM: WHAT’S THE ISSUE WITH “ISSUE” POETRY?
With Carmina Masoliver
Poetry can be a means to tackle different issues: areas where we feel there’s injustice, raising awareness about something that deserves more attention, or finding a way to produce activist art. However, a problem may emerge from writing about topics such as sexism, racism, homophobia, and so on, in that the poems become too obviously ‘issue poems’ and may appear to an audience too clichéd or didactic. How do we avoid this in our poetry? How do we make sure that what we produce is still a poem, and not just a rant? This workshop aims to explore the ‘issue poem’ and to understand how we make the ‘issue’ go away.
Poet, writer and performer, Carmina Masoliver also mentors, tutors, facilitates workshops and organises events. She runs ‘She Grrrowls’ arts nights and edits the ‘Poetry&Paint’ anthology.
If you’re interested in attending any of these, email Jacob (mail@jacobsamlarose.com). You’ll then receive confirmation. There are other great workshops running that week by other Burn After Reading members, all taking place at The Albany.
Tuesday 12th August: 18:00-20:00— Language and Innovation with Cameron Bray
Wednesday 13th August: 18:00-20:00— ‘You Bring Out The Black Woman In Me’ with Rachel Long
Thursday 14th August: 18:00-20:00— Form and Structure with Lewis Buxton
Friday 15th August: 17:00-19:00— Physical Poetry: Exploring Ways of Using the Body in Poetry with Sophie Fenella Robinski
“Traveling is a brutality. It forces you to trust strangers and to lose sight of all that familiar comfort of home and friends. You are constantly off balance.” – CesarePavese
Open Arts Café is an evening of new work by up-and-coming artists. This month they are exploring strangers, wayfarers and travelling.
Please join us for wine and snacks as our artists take you around the world.
I will be reading my ‘Vultures’ poem from the ‘Writing in the Blackout’ Anthology during its launch party at Keats House Museum, Saturday 14th June. I wrote the poem as a collaboration with Matthew Dickerson; his image was commissioned for the anthology. The anthology is a online zine that explores themes of censorship in the arts and freedom of expression. Carmina has had her work featured here and will be standing alongside other selected poets to perform their work. The launch will also have 25 limited edition copies of the anthology available to buy for just £5. For more event info, please visit the page here.
It has now been officially announced that I am the winner the 16-25 category for the 2013 entries for Poetry Rivals. I first entered four years ago, when my hair was much shorter! I performed a piece which is now part of my 15-20 minute poem ‘Circles’, which was inspired by my university dissertation text by Sarah Kane.
I came back and I wanted to win (I came to win, to fight, to conquer, to thrive etc…). The prize is amazing – a performance poetry package with Mark Grist, a professional recording of a poem and a paid performance at a UK festival. I have worked hard to get to a position where I stood a chance in winning, and I would have been disappointed if I didn’t. I attend slams but hadn’t felt that same desire to win before. I guess all the nerves and adrenaline paid off!
I hung out in Peterborough for quite an unnecessarily long time and so I had time to rehearse my poem, though I already knew it well. I know my age and experience may have given me an advantage within this category (I’ve just turned 25), but this certainly didn’t make me complacent. I was really impressed by the quality of the poetry from everyone else who competed. The standard was much higher than when I had been before (in my opinion) and I’m sure that if those in attendance keep writing and getting out there, that they will win another year.
Again, I thank the judges Hollie McNish, Mixy and Tim Clare. It was great to watch them all perform. Hollie, I hadn’t seen since I started out seven years ago, and I connected to the way she made the personal political, and entwined her poetry with story telling. Having not ever been placed first with my poetry performances, it was about time!
You can read my winning poem ‘Paradise’ here, which I wrote as part of the ‘No More Page Three’ campaign.
My poem ‘Monkey Bars’ is currently being displayed at the Roundhouse, along with poetry from some of the other members of the Roundhouse Poetry Collective. They will be displayed throughout April as part of Circus Fest. I took these pictures whilst going to see ‘She Would Walk the SKy’, which finishes tomorrow. I was amazed by all the tricks they could do – my favourite was probably the ones where performers let themselves fall after entangling themselves in rope, but there were so many amazing parts, it’s hard to say. There was so much skill and strength in each act.
My piece was inspired by the festival, as well as my own experience pole dancing at university, where I won 1st place in a double routine (see above video). To me, the few skills I learnt during my time at pole dancing lessons was similar to circus skills. The poem was meant to be extended to any circus act, but I was thinking of a move in pole dancing where you push against the floor and hook your leg around into an inversion. I remembered how thrilling it felt to let go of the fear of going up-side-down, because that’s what it felt like – letting go of any fear or inhibitions. A lot of people talk about pole dancing being empowering and people tend to think it’s connected to sexuality, but for me it wasn’t to do with sexuality at all. I wanted to capture what pole dancing meant to me, in a way that also connected with different circus acts.
I have recently been to Portugal on a writing residency called ‘First Impressions’ where I got a heavily discounted rate to stay at the apartments to write. In turn, I wrote a short story based on the name of the residency, which I still need to edit. I met up with a fellow UEA student, Silvia Rose, who was also staying there, and I was so thankful to have her there – not only because I was nervous to be in a non-English speaking country alone, but we had some fun times together too. We had a day at the beach and were able to take frequent ferries trips to Lisbon too.
Find out more about my time at the Poetry Potting Shed with Michael Rosen and Niall O’Sullivan, with my blog posts – this is day one. Look out for my upcoming performances on my events page. The first is on Friday 25th April and it is a project working with Anchor House and You Press, where artists have been paired together with homeless residents from the centre in Canning Town, and we have created pieces about each person’s story. Mine is around 8-9 minutes long, and the night features lots of great performers, so I’m really excited to see everyone else. The next event also connects with social change, as Spoken Word London are working together with ‘Survival Guides’, putting on the opening night on Thursday 1st May. There are some great poets that will be down for that, plus there’s an open mic’ section. Fellow Roundhouse Poet, Chris Lawrence is also performing that night, and some of the other members of the group are taking part in NaPoWriMo this month. I’m cheating with pseudo-haikus and pictures, but I recommend the other poets’ work. Lastly, I also had a poem published alongside Matthew Dickerson’s illustration here, in the ‘Blackout’ anthology from Keats House Poets.