Review: She Grrrowls! Spoken Word Launch Party 11/09/13

Read the review for the launch for She Grrrowls on Sabotage Reviews!

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– reviewed by Irina Jauhiainen

she grrrowls

She Grrrowls! Spoken Word launched on Wednesday 11th of September. The pilot night’s theme was Politics, which seemed a little scary in the context of a female spoken word event – but this poetry performance fan was happily surprised by the variety of performance as well as the excellent quality of the night.

A rather charming hipster-ish venue …

The show took place at The Gallery Café in Bethnal Green. It seems like a hipstery café that would be lovely to have lunch in, but needs quite an effort to transform into a performance venue. The café’s large tables make it a rather clumsy audience space. The best way to be comfortable is to get to the venue early, have some food (the menu looked fantastic) and sit at a table before the space gets crowded. There was a slightly late start for the…

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13.10.13 – Sunday Circus

Sunday Circus at Proud Camden.

The current Roundhouse Poetry Collective.

Sunday 13th October 5.30-6.30pm

Long Walks

Recently, at the Queen Elizabeth Hall, the Southbank Centre hosted an event called ‘The Long Walk to Freedom’ based around Nelson Mandela’s autobiography. It was an incredible evening of poetry, music, video and readings from the book. I was excited to listen to Shingai Shoniwa’s acoustic version of ‘Never forget You’, to be hypnotised by Inua Ellam’s poetry and to see Lemn Sissay – who performed a song by Gil Scott Heron. Although those were the acts I was familiar with already, I could not have picked a highlight. The people performing were diverse in terms of both gender and race, and there was a real feeling of unity between the acts, as well as the audience. The whole show left me feeling hopeful, inspired and positive.

Then the other day I saw an article by Lemn Sissay about a recent visit to Shetland, where he was featured at a literary festival called Wordplay. This article was about coming across a tourist shop that displayed an array of golliwogs. He also wrote about it on his blog. The Shetland Times also wrote a piece on it, seeming to sympathise with the shop-owner. What sickened me were the mass of comments taking the shop-owner’s side, the ignorance and implicit (at times explicit) racism embedded in their words. I can’t even comprehend the woman of African heritage who advised that Sissay ‘read a bit’ and insulted his literary status. Whilst I don’t imagine the non-poetic will have always heard of him, these comments were ridiculous.

For me, the fact that the white shop-owner, Mrs Leask, dismissed the “rare” complaints she had received (which Sissay tentatively enquired about) and refused to stop selling them, to the degree that she would close the shop before she stopped selling them, means that she is not someone to sympathise with. Whilst I would not condone Sissay’s emphasis of the word ‘old’ in his piece, I’m not going to chastise someone who has had to fight racism his whole life. I find it hard enough myself to imagine the hurt, anger and frustration at seeing a golliwog as a black person. The golliwog is a well-known emblem of racism, and serves as a reminder for a horrific past. To sell one in a shop as fun, toy memorabilia is ignorant. Mrs Leask has made the choice to ignore the complaints, and as Sissay says, she is making a statement with her display in the same way that writers may do with words. You can decide who is right and who is wrong.

It is such a shame that this can still happen at a time where such a celebration of progress at the Queen Elizabeth Hall has taken place. Whilst I can understand that someone is going to get defensive about their actions when being accused of being racist because they think they are “not a racist” – supposedly indicated by the Mohammed Ali photograph Sissay mentions was also on display – it would be better if people could admit such mistakes and be open to learn how to right their wrongs. Otherwise, the photograph of Ali and polite exchange with Sissay simply becomes nothing more than a pathetic reasoning such as “my best friend is black”. This reasoning may make Mrs Leask feel better about herself, but it doesn’t promote positive change and is a backwards movement in the fight for equality for all.

xxx

She Grrrowls & Politics

She Grrrowls Logo

With She Grrrowls just finding its feet and me just about recovering from a post-launch cold, I think it’s about time I wrote about its first instalment. I arrived at The Gallery Café over 3 hours before the event’s start time. As I can’t afford to fork out £50 on a sound technician, I decided to bring a pad of paper and pen to note down the basics. It seemed easier enough and despite some initial problems, it was working. That was when things started to take a turn for the worst. There was a party of 30 people due an hour before the event for a buffet, which did no good for my pre-show anxiety. Then, my comedy act got in contact to say she was too ill to do the show. I was further sent into a panic when part of the She Grrrowls team was taken down by a kidney infection. I was on the edge of a meltdown. Still, guest host Joelle Taylor turned up and got her hands dirty moving tables with me, providing a welcome relief.

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Twenty minutes before the start, I tested the music again. No sound came out. No sound. We had no sound. What was I going to do? The events manager was off sick, and I hadn’t a clue how to work out what the problem was, let alone fix it. The café never closed its doors, so people were coming in and I was running round like a headless chicken. Joelle kindly jumped on stage to tell people to pay and I ran back and forth to collect money and check on the sound. Time was a blur, and somehow, with the help of the café staff and the band, the sound began to work through one speaker – not the ones above, but one sat on the stage. Booking a six-piece band for the first event was probably a bit ambitious, but through working together, it all turned out okay and we were able to start the show before 8pm.

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My head was a whirlwind, but I was thankful I didn’t have to worry about the audience and the artists. The open mic’ (themed ‘politics’) was a great success… from a rather unusual but expected ‘alternative view’ to established poets like Pete the Temp and Mark ‘Mr T’ Thompson, as well as emerging artists I was glad to see take to the stage, including a lovely lady called Imogen who rhymes under ‘Average White Female’. The audience looked packed – we ran out of seats (mostly because I didn’t have time to remove all the tables) and I counted around 40-50 people. The best part of this means that each act took away around £30 payment (although the ever-supportive Joelle tried to give the money back to She Grrrowls) and I would love to increase that amount by getting bigger audiences. What’s more is that the event had positive feedback – one couple who had come in for food (the guy had just arrived back from Canada) were convinced to stay for the show and left telling Joelle that this was just the kind of event they had been looking for: good quality poetry without the pretence.

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I managed to relax enough to talk to a couple of friends who came to watch, and to be able to enjoy the rest of the show. Momina Mela offered us beautiful poetry with words that melt your soul, each word spoken slowly, carefully, as if each word was a jewel offered as a gift to the audience. Momina has an uncanny way with words and amazes with each line of poetry. Aisling Fahey then wowed the audience with her raw honesty; lines like ‘how to hold their frame without wishing there were less of it’, although about eating disorders, was both horribly relatable and undenyably tragic. A poem that goes beyond the experience of eating disorders and makes you wonder why you would ever want to be less of yourself, like you’d be destroying a part of yourself.

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Sunshine in Mae finished the night and left everyone with a smile on their face. Fronted by Sula Mae, this six piece band also had some guys in it (see – showcasing female talent, not completely banning men). I knew Sula Mae from university as a solo artists so it was incredible to see her songs grow to such a level, hearing new tracks and old favourites like ‘Wake up Mr. Billy’. People hung around after and chatted, before Joelle helped me pack all the equipment away (what a star!) I was left exhausted, but elated, and so so thankful to everyone who was involved in making She Grrrowls a success.

Watch some of the poetry from the launch on the She Grrrowls Youtube Channel.

Since then, I encountered yet another hurdle! The booking system at The Gallery Cafe hadn’t registered future She Grrrrowls events. After waves of panic via email and feeling sick all day, I was able to sort it out and have spent the last week re-arranging bookings. The next event will be on Saturday 5th October – I had to change a couple of acts but you can see the confirmed line-up below… the change of theme to ‘sex’ seemed appropriate (well, we couldn’t do ‘space’ without Helen Keen)! I’m excited as I won’t be tired from work and my boyfriend will be there to enjoy the show (and help me out) – poetry on a Saturday night, what a treat! The rest will be every THIRD MONDAY of each month.

She Grrrowls Oct 2013 NEW

xxx

14.09.13 – The Art of Losing Isn’t Hard to Master

loss workshop flyer

11.09.13 – She Grrrowls, The Gallery Cafe

shegrrrowls flyer sept 2013

What I See…

Recently I was asked to take part in the ‘What I See’ Project by contributing a video answering the question ‘What do you see when you look in the mirror?’ Although a poet, I decided to answer the question with what first came to me when I started writing. I assumed I had been asked to contribute due to my Feminist antics and so my piece was influenced by my political views, wearing my Fawcett Society ‘This is what a Feminist looks like’ t-shirt. You can watch the video on the ‘What I See’ website by clicking here or watching below through the ‘What I See’ YouTube channel.

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See Project Campaign Trailer from whatiseeproject on Vimeo.

What started as a surface question opened up to deeper things; even seeing snippets from other videos from this trailer has me thinking about other avenues I could have explored. I didn’t talk about my family, or relationships, or the way emotions and experiences change how you see yourself. I’m sure when I watch more of the videos, I’ll think of more things I want to say. That’s one of the main points of this project – to start thinking, engaging and connecting with each other as women. Join the conversation here.

This week also sees the launch of She Grrrowls at The Gallery Cafe in Bethnal Green. It’s just £5 and all the money that comes through the door goes evenly to the performers and producers. It’s on Wednesday 11th September at 7.30pm. Sign up early to try out the open mic’ with our monthly theme of POLITICS. From October 2nd, the event will be every first Wednesday.

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The next blogger to have a look at is Elle – with fitness and positivity at the heart of what she does, she’s another person that champions the benefits of pole dancing for fun and fitness (fyi, I once won first place in a doubles competition for university, dancing to Imogen Heap).

If you fancy getting involved, you can tell your story during the next few weeks – so get videoing. I recorded mine on my phone, so it’s easy peasy lemon-squeezy. You could even have the chance to come along to the launch event at the Science Museum.

Now, I’m off to watch some videos from the project! Hopefully see some of you at the launch on 1st October!

http://whatiseeproject.com/

xxx

13.08.13 – The Writing Room Showcase

Writing Room banner[2] 

The Writing Room – showcase at Rich Mix 13th August 2013, 7pm Rich Mix, 35-47 Bethnal Green Road, London, E1 6LA Come hear talented young poets as they take Rich Mix by storm! They’ve worked with some of the biggest names in spoken word. They’ve written. They’ve rehearsed. Now, members of The Writing Room are ready to take to the big stage – and own it.

08.08.13 – Red Door Studios

Thursday 8th August, 7.30pm – Red Door Studios Summer Exhibition 

Sex Haikus and Other News

Writing Room banner[2]Coming up is a showcase of the work I’ve been doing with a group of writers at Rich Mix in Shoreditch. I’m determined to learn my lines for it today as we have a meeting coming up when I’m back in London. Fellow writer Ben Jacobs (also a Podium Poet) posted a series of poems by Benedict Smith on Facebook: A Haiku for Every Girl I’ve Slept With. I thought it was a great series of well-executed poems and would love to see the whole series as an illustrated chapbook. Amongst the poems was this one:

8. Tried your fantasy

And pretended to rape you.

It felt a bit forced.

Initially, I felt uncomfortable with the comic intent of the last line: an awkward double entendre. I felt that it undermined real rape by making a joke of it. My opinion on a ‘rape fantasy’ is that it is nonsensical – the very act of rape is something unwanted. Therefore ‘rape fantasy’ is an oxymoron. I thought about a better way to address this issue, assuming that these poems are based on real-life experiences. I came up with this:

A girl says ‘rape me’.

She doesn’t know the meaning.

Singing Nirvana.

However, then I thought that actually, my version is far too obvious. How can I say that this is a better version just because the point is clearer? Is it too didactic? Perhaps, Smith’s poem is actually more successful because of its subtleties. Perhaps his humour points out the ridiculousness of such a request from a girl. It got me thinking about the meaning of the poem, which is surely a sign of success. I’d be interested to know what readers think of this.

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Another couple of things in the pipeline for September include the She Grrrowls launch party at The Gallery Cafe on Wednesday 11th. There are so many talented women out there that we want to feature at future events, so we really hope it takes off! On Saturday 14th I’ll be leading an all-day workshop on the theme of ‘Loss’ at Red Door Studios. It ties into the next issue of Poetry&Paint, so come along to the workshop and get the chance to have your work in the September/October issue of Poetry&Paint.

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I’ll also be getting down to as many open mic nights as possible and hopefully get some gigs, preferably paid! I’m excited about the next year (working at a school, I still work in academic years!) I’ll be super busy as I’m also wanting to take up the ukulele! Wish me luck!533626_564521246927232_1283506101_n

 

 

 

 

 

I’ve been staying in Norwich the last week or so and don’t want to come back! I’m going home tomorrow and it’s all gone so quickly. I’ve had a great time and even managed to do an open mic over my time here (as a city so famous for literature, there’s surprisingly few events compared with London). I went to the launch for the Lighthouse anthology, which I’ve now submitted some poems to for the next issue! I got a chance to catch up with poets Chris Ogden and Russell J Turner. Chris told me about this project to do with made-up words, so I wrote a poem on the word ‘Elagon’ – have a go yourself!
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I’ve done a bit of work most days I’ve been in Norwich, but I’ve also managed to have a bit of fun and relaxation. One of my favourite days was the trip to Cromer with my boyfriend and his family at a family friend’s caravan. I had seen the forecast of showers so I didn’t expect we would be able to go. The others went by car whilst my boyfriend and I rushed to the station to make the train to Cromer. The sun was shining through the clouds and I thought I’d dip a toe in the sea. I ended up walking further in and we swam all afternoon. It felt amazing. After we dried off, we had some chips and headed to the fun fair. I’ve also done a bit of shopping, had some drinks at the Rumsey Wells, got an Indian takeaway, saw my boyfriend’s grandparents and tonight we’re having a nice romantic meal.

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Now it’s goodbye Norwich and hello London. I’ve got a performance at Red Door Studios (also where the workshop on Loss is) on 8th August, a trip to visit my friend Hannah in York, then I’m back to the home of Alan Partridge the following week. Maybe another trip to the beach, if I’m lucky.

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