Tickets for this evening are priced at £5.00. Apples and Snakes presents The Word’s a Stage When: Wednesday 21 November, 7.30pm Where: Gallery Café, 21 Old Ford Road, London E2 9PL Tickets: £5 / £4 concs Info: thegallerycafe.blogspot.co.uk Don’t you love a challenge? We’ve challenged four poets to each come up with a brand new 20-minute poem and knock it into performable shape by 21 November. A cinch? Impossible? Come along and see. The Four: Carmina Masoliver, Selina Nwulu, Anthony Hett, Errol McGlashan The Mentor: Malika Booker Malika has been honing and editing. Our writers have been writing and rewriting. And now – the exclusive unveiling, a night of newness. When these poems are veritable pillars of spoken-word theatre, you’ll be able to say ‘Ah yes, I first heard this at the Gallery Café in Bethnal Green’.
Tag: Errol McGlashan
broken machines/hearts & magpies
Recent news. I went to see Every Rendition on a Broken Machine, performed live by the writer Ross Sutherland at Toynbee Studios, organised by Penned in the Margins aka Tom Chivers. I can only assume it will be on Channel 4 soon because this documentary needs airing. I loved it. It was not only interesting, but told with Sutherland’s natural humour. Being live, your eyes darted from him to the screen, but I liked to look at the screen, so that the sound was like a voice-over. The film was about internet poetry, so a a poet (and internet addict), I obviously found this engaging. However, I think even non-poets would like to watch it. I mean, it features Clarissa Explains it All. Come on!
Yesterday I had the first workshop for Word’s a Stage. It was great meeting the other poets – Selina Nwulu, Anthony Hett, Errol McGlashan. We are being mentored by Malika Booker, who my Mum has banged on about since I first started reading my poetry to audiences 6 years ago (when Booker was involved in the education department at Apples & Snakes, since my Mum works at a school). She has been fantastic so far and I’m looking forward to the next session, once I’ve done my “homepleasure” in developing my character for the piece I’ve written more and re-draft it.
After a long but inspiring day (10am-5pm) I met with my parents, had some Nando’s (of course) and went to see The Perks of Being a Wallflower. I’d read the book some years ago and enjoyed it but couldn’t remember the plot (I’m terrible). We were going to see On the Road, but it had got bad reviews and there are so many films I want to see, we decided not to chance it. It ended up being a bonus that I couldn’t remember it, and although it broke me, it was truly awesome – and not in the slang-way, in the real way.
The quote ‘we accept the love we think we deserve’ is in itself genius, but turned into film, you felt like you were inside it. Needless to say, I cried throughout it. It wasn’t perfect; I didn’t understand it when the character of Sam said “I’m not bulimic, I’m bulim-ist” and this idea wasn’t explored any deeper. If the characters are going to laugh along to lines like that, I just think there should be more to it than that, especially with the current growth of pro-ana people (Say what?! Google it). Other than that moment, it was tragic and beautiful and so moving. It just made you feel so vulnerable afterwards.
Anyway, read the book too. I feel like I need to read it again now.
The last thing I want to write about is the last issue of Poetry Review. Tom Philips’ work was shown on the cover, which I liked as both poetry and visual art. While we’re on that subject, submit to Poetry & Paint. I enjoyed Chrissy Williams’ piece ‘From Page to Stage’ as it’s on my wavelength. I also loved reading Katy Evans-Bush write about Adventures in Form, and On Poetry because I had actually read both books! And now for some quick summaries on why I liked certain poets:
Chris McCabe: the first poet in the collection that caught my attention, with a beautiful use of language and caesuras.
Michael Hofmann: I liked the juxtaposition of items in a broken list, from the idea of bar-coding people to the familiarity of the use of ‘maiden name’ and the general ‘GSOH’.
C.J. Driver: The use of rhythm and the subtleties of language gives it a musicality, and an ephemeral quality.
Carrie Etter: Raw emotion is sculptured into metaphor, with wonders such as “I wanted to sprinkle a little /into flour, egg and cocoa/and feed the cake of you to everyone.”
Karen McCarthy Woolf: I loved the uniqueness of this piece, with descriptions like modern relic, and it’s mixture of humour and tragedy.
Edward Mackay: Although I couldn’t relate to this poem, I admired the way it was crafted into the shape of Wales.
Declan Ryan: There was a tonal quality to the first stanza with which I couldn’t identify, but I enjoyed gems such as “This isn’t an answer or a letter -/it’s only a cup of coffee after lunch”. This is when the poem took off, for me, and I liked the use of simile and metaphor, contrasted with simple dialogue.
Robert Stein: I liked the voice of this poem, and the funny phrases such as “Before falling in love with you…” in its desire to make love logical.
Naomi Foyle: This is probably my favourite poem of this collection. I loved every part of it and would love to read more.
Hannah Lowe: I liked that I could relate to the environment of the dance class, and twist of the final line: “he’s the cab my mother sends for me.”
Amy Acre: This is my joint favourite poem. I know Acre from her live performances, and it was a joy to find this poem included. Really clever and well-written, and lines such as “gathering strength like the hems of skirts. You are a continent.”