Freelance Reflections #17

Last Thursday, I watched R.A.P. Party on Zoom, hosted by Inua Ellams. I was cooking whilst it was on, then treated myself to a drink as the combination of music and poetry lends itself to a tipple. I knew most of the poets in the line-up, as mentioned in my previous post, but I hadn’t heard Gemma Weekes before. I was blown away, and both me and my flatmate said she was our favourite of the night. For me, not knowing what to expect, she really stood out. The content was very relatable for those of us who love hip hop, but remain critical of displays of misogyny, such as ‘Bitches ain’t shit but hoes and tricks’, the Dr. Dre lyric Weekes dissected in her performance. With her arm propped against her knee, her delivery was captivating as the words came out as easily as breathing. This casual posture made you feel like you were literally inside her home, having a conversation over a cup of tea, only with a spoonful of sharp-tongued poetry rather than sugar.

Gemma Weekes

I’ve also had some good news lately, having found out first via Twitter that I’d been longlisted for the Grindstone International Poetry Prize. My poem ‘Computer Generated Images’, recorded by Muddy Feet Poetry, was also in the Top 20 on The Poetry Archive, a competition judged by Imtiaz Dharker, Robert Seatter and Lavinia Singer.

Coming up this Thursday is the Roundhouse Poetry Slam Final streamed online, and it’s Pay What You Can. I’ve just seen the list of poets and know Amani Saeed, Ruth Awolola and Oshanti Ahmed personally, I’ll be rooting for them! There’s also an audience vote, which is exciting!

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