Freelance Reflections #16

So, I have intended to do weekly posts, but when it came to it, I didn’t know what to write about. I had a think earlier today about what I could share, and I realised that I just need to get into a better habit of making notes of what I could share, reflecting on the previous week. I think I sometimes build things up in my head to be bigger tasks than they need to be, so perhaps this habit will help me to be concise and share some of what I’ve been up to, as well as what others are up to.

For example, at the same time as celebrating Trump’s loss in the elections, I believe this is my first poem in a North American publication, in the first issue of nine cloud journal. As I was wary of submitting this piece, ‘Toy Truck’, written as stated after the shooting of Charles Kinsey on 18th July 2016, it was so insightful to see the commentary on the first page: ‘…it’s okay not to have all the answers and you’re kidding yourself if you think you do know the answers. We can merely ask relevant questions and sit with these unanswered questions for a time until we inhabit the interior world of that question and live its truthful response.’ (Vijay R. Nathan).

As I stated in my Instagram post, three years later in 2019: The officer who shot Kinsey, Jonathan Aledda, after being arrested in 2017 and charged with attempted manslaughter and negligence, was found guilty by a jury of culpable negligence. Although fired from the police force, he didn’t serve any prison time. Kinsey could have been killed, and the culprit was instead sentenced to probation and had to write a 2,500 word essay on policing, serving a total of less than 5 months of probation before being released. It won’t even appear on his criminal record.

Whilst looking through a backlog of emails, I came across Laurie Eaves’ post on the Burning Eye Books website, outlining ten tips for writing a collection. It was a great read, and I really recommend it for those who have yet to publish anything. Even though I’ve had a couple of books published, I’m currently working on my first full-length collection. Although I felt finished in some sense, I’ve still been producing work that fits well within my vision for the collection, and I don’t want to rush it, especially as I already have work out there, and other projects going on in the background. One thing I have been trying to do is look at my schedule and how I can make more time for my creative work whilst still keeping everything else afloat.

Although I am largely just trying to get on and ignore the news, I was pleased to have had a negative COVID-19 test, and this was thanks to me doing a ‘freeze and share’ egg collection, as it was necessary to have regular temperature checks and then a test (which I didn’t get the results for, but assuming the procedure went ahead, I assume it’s all good). I had actually had a little cold, which I was paranoid about, but blasted it with garlic, plenty of vegetables and hot honey and lemon drinks, and now I’m feeling better.

Initially, I didn’t think I was coping as well in ‘Lockdown 2.0’, but I think when you compare the fact that my work has increased, and it’s cold and dark, then I’m not doing too badly. I’ve had triggers when it comes to BPD, and within the recent week, I’ve become more accepting of losing certain friends, if only through an understanding that it’s their issues and not me. I’ve actually started the DBP skills workbook I have, and came up with a boss distraction plan. I thought I’d share it below, in case it works for anyone else. I tried to think of things I could realistically do when intense emotions are triggered, as well as some rooted in the five senses (smell, touch, taste, sound, sight).

A friend of mine who has suffered with depression and found living alone in the previous lockdown really tough also has been practising gratitude, which is always a useful trick. Sometimes I can just walk around my flat and feel a wave of joy, and I am so grateful for my living situation now, as even though it’s completely fine to be in your 30s and live with your parents, I realise how much I needed independence as an adult in this stage of my life, and I’m so grateful of my friend who I lived with at university to be reunited in this way once again. It wasn’t healthy for me to be stuck where I was, and feel so trapped, and essentially be trapping myself… when I could have this freedom and form better relationships with my parents as a result, rather than living as a teenager, running home for dinner from the park.

Looking to the week ahead, I’m also excited for The 10 Year Anniversary and 50th Event R.A.P. Party. It’s unfortunate that it’s online, but it also means so many people can bare witness to the incredible line-up. It’s happening this Thursday, and tickets are Pay What You Can, which I certainly appreciated just after my rent went out.  Inua Ellams and Theresa Lola are joined by Breis, Charlie Dark, Zena Edwards, Joshua Idehen, Jacob Sam-La Rose, Kae Tempest, Musa Okwonga, Nii Parkes, Gemma Weekes, and Polarbear. I plan to cook and eat in front of it, so I otherwise wouldn’t be able to attend due to my work schedule (although I live super close to The Albany now, woop!). There’s another silver lining to this surreal situation. And on a final note, I was really inspired and motivated by the four-part documentary ‘The Defiant Ones’, so check it out on Netflix.

What’s Wrong with the Youth of Today?

Nothing. There’s no more “wrong” about the youth of today than anyone else. Although people can draw evidence from the likes of last summer’s riots, it depends what you pay attention to… and hey, guess what, there were older adults involved in the riots too. Just under half of rioters were aged 18-24 according to The Guardian, and although that age group (which I am within) is considered “youth” this is a key stage in everyone’s life where you after effectively a young adult. It’s just way too generalised to tarnish everyone with the same brush – which was shown by the aftermath of the riots. Now, moving on to more positive things… I’m going to be writing about the great talent and activity of the youth of today and why we, as society, should nurture and develop those under 25, in order for them/us to progress into successful adults.

Yesterday I was part of the International Youth Art’s Festival (IYAF) in Kingston. It was the opening night at the Rose Theatre. As I got there, it was like walking into a madhouse/maze and I didn’t know where I was meant to go and wasn’t given a wristband so was dashing about a bit before the start, but I trusted the staff would come to get me when I was needed and just relaxed to enjoy the first half.

I am part of this massive festival!!!

I was truly blown away at how talented everyone who performed was and felt so privileged to be a part of the opening night, and the festival as a whole. The stage opened to multi-coloured neon footsteps and hands dancing in pitch black. This was ‘The Celtic Colleens’ and instantly I knew I was in for an amazing night. Snow White gave a funny twist to the traditional tale, aimed at children from 5+ but fun for all. The Tiffinians were suited up and gave a range of songs, including a rendition of ‘Postman Pat’ – though my favourite was the first be-bop style song.

Forest Gate performed an extract from the play ‘No Exit’ and I’d say this was for an older audience as I had to engage my brain a bit for this one! ‘The Dreaming’ delivered Shakespeare with a really amusing and musical take on it. Definitely one to see the whole of, ‘The Big Wheel’ had a selection of people from the mass of 300 people doing drag runs and cartwheels in a circle – sure to be quite a sight, especially from an aerial view!

‘The Gods Are Not To Blame’ saw a group coming from all the way in Nigeria! I loved the drumming in this, as well as the amazing dancing and traditional costumes. ‘Robyn Mae & The Impressionists’ made a smashing closing of the first half. I was wowed by the front-woman’s (or front-girl?) confidence and her voice had a great quality. It was really powerful, but I especially liked the softer tones as the vocals were so silky-smooth at those points. She covered Jessie J’s ‘Price Tag’ and exceeded the original. The only critique I would have of it was that her voice sounded best when you could hear her good ol’ English accent and if she hadn’t done what Jessie does and use a faux-American accent for words such as ‘dance’ she would have stepped it an another notch. And secondly, it niggled me that she stated her cover of ‘Valerie’ was by Amy Winehouse, when it’s by The Zutons. However, her rapping along to JJ’s track and her incredible stage presence more than made up for that.

I was first up in the second half and I was so nervous I was shaking… and I’m not usually like that. However, I think I came across confidently and I was very pleased with my performance – hopefully Tuesday at The Cricketers will go just as well x6. The Kingston Youth Big Band were next and I caught a bit of it and it made me very jealous that I can’t play an instrument but sounded fantastic that these young people have had the opportunity to learn how to play and then dedicate such time and effort to it.

‘Little Cauliflower’ gave a great show which took me back to my days of the Little Angel Puppet Theatre I went to a lot when I was younger. IYAF has also put an album together by lots of talented young people, and one of them was featured at this night. I can’t remember the name of the guy, but he was just 19 and beat-boxed so well he rivaled Intensi-T. He was so confident and his performance was so skilled, entertaining and witty.

‘Eddance’, I believe, did a really intriguing dance routine that seemed to merge genres. I loved the expression and the narrative style to the dances. Jaz Delorean then took to the piano and amazed me. He brought so much emotional intensity that I laughed, I cried and quite frankly, went a bit crazy. Lastly, there was ‘Circus Suburbia’ which was an incredible mix of puppetry, dance and acrobatics, and just magical.

To see any of these acts, just go to the IYAF website and check out the programme. Afterwards I got a couple of compliments but wanted to get home so gave a few flyers out before leaving the rest with the Rose Theatre. I even got a husband and wife who weren’t into poetry saying they enjoyed my set, commenting on the performance piece ‘Cinderella’ which I noticed I got a few laughs from in the audience, yay!

This post is getting rather long and I’m tired and have work tomorrow, so… moving on! Shake the Dust Final!!! Another incredible day with so much talent.

So, Jacab Sam-La Rose did a fantastic job as host and the Peer Mentors (including Catherine Woodward who’s featuring at my event on August 22nd) gave a great opening to the show. I’m just going to summarise because my head was filled to the brim with poetry. The only photo I took was of the opening slammers, representing Yorkshire. I guess you could say, I knew they were the winners! Everyone was amazing but I totally agreed with the judges decisions for the awards. London got the best performances and Sheringham got best line (brap brap for the East).

Speech DeBelle gave a great performance, and I really enjoyed the combination of music with her rapping. She actually went to Harris Academy, a school where my Dad used to teach. I’ve been reading a lot of poetry as inspiration but it made me want to listen more too.

xxx