Yesterday I handed in my latest four pieces of coursework, including my interview piece with Benjamin Zephaniah. I met with my Gran at the Tate Modern, where we started our day with the Yayoi Kusama exhibition.
I first came across Kusama whilst studying my art foundation at Central Saint Martins and I became fascinated by her use of polka-dots and her use bright colours, and her poetry. I bought a book of hers which I sadly lost in a photocopier (or so I suspect). I did write down this quote:
“A polka-dot has the form of the sun, which is a symbol of the energy of the whole world and our living life, and also the form of the moon, which is calm Round, soft, colourful, senseless and unknowing. Polka-dots can’t stay alone; like the communicative life of people, two or three polka-dots become a movement.”
I was also inspired by use of cherry blossom depicted in the poem below, which I used in my paintings in order to symbolise the conflict between childhood and adulthood.
I want to eat cherry blossoms.
I want to kiss their pink colors.
Their scent that would have reached the universe dissipated in my youth.
Remembering that, now tears roll down my eyes.
Scattering cherry blossom petals on the path of my faint love, I will be facing death someday.
When that day arrives, all the love that I have had in my past, I will enwrap life.
On that moment, the flower path of cherry blossoms will envelop the whole of me without fail.
Cherry blossoms, cherry blossoms, cherry blossoms.
They explore my life and death.
Dear Cherry blossoms, I thank you
I first saw her exhibition at White Cube, and so this exhibition was interesting in terms of exploring the variety of her work, of which I loved every bit.
We went for a quick meal at Mon Plaisir which was nice. The main meal was quite small, but the desert was lovely – a rich chocolate mouse with a passion-fruit ice cream. Then, it was time for my birthday treat – Matilda the Musical! I thought it was good that it was faithful to the story-line but also was not restricted by it, making adaptions, and infusing more magical threads to the narrative. It did feel really magical and I loved the songs, as well as some of the messages they conveyed about being the writer of the story of your life, and although the main star, Matilda, is generally a good girl, that ‘sometimes you have to be a little bit naughty’ when you feel like something is not right to you.
In other news, I’ve had a couple of rejections – the Charles Pick Fellowship and my first application for Arts Council funding. I was disappointed that I’d had to email to ask about the Fellowship and that I would have not been contacted otherwise. I’d had a nightmare about not being accepted for it so it was really gutting that I’d not even made the short-list. Next year I think I’ll reapply with my novel idea, as maybe proposing to write a series of children’s short stories was not good enough, especially as a faculty member at UEA had told of the polarised views of children’s literature by the other staff.
I didn’t expect to be successful for my first arts council application. As I have the money to put my event on from being a Poet Shadow in Shake the Dust, I don’t have to worry about actually not being able to afford it. Though, making a profit will be unlikely. And although you can’t make a profit with Arts Council funding, it does mean the money isn’t coming out of your own pocket, resulting in a loss. Anyway, I emailed for further feedback and got a great response and so have lots to learn for any future applications. Particularly the idea of whether I actually do want to do any more events – do I want to be a writer or a producer? I’d say 100% a writer, first and foremost, but that I would like involvements in events and sometimes enjoy putting on my own events. Also, this pilot project is more about just putting myself out there and learning from the experience, so we’ll have to wait and see!